Sam Francis

Untitled, Sam Francis

1975

A stunning example of abstracted imagery easily identifiable as the work of Roy Lichtenstein, Blue Face was created by the artist in 1989 as a truly mixed me...

A superb impression of an original lithograph created by Jasper Johns in 2004, Pyre 2 is hand-signed and numbered in pencil measuring 15 ¼ x 11 ¼ in, unframed, from the edition of 25...

A stunning gem of a print by Ellsworth Kelly, created in 2004 as a color lithograph on BFK Rives paper, Yellow is hand-signed, and numbered in pencil measuring 15 7/8 x 11 7/8 in (40...

Brazilian artist, Beatriz Milhazes brings richness of color to Pink Sunshine, a color lithograph that is both hand-signed and numbered in pencil, measuring 18 x 22 ¾ in (45.7 x 58 cm...

A phenomenal ode to Abstract Expressionism, Man and the Big Blonde was created by Willem de Kooning as a color lithograph in 1982. An unnumbered artist proof signed in the lithograp...

Created by Sonia Delaunay in 1965, Untitled is an original lithograph in colors. Hand-signed in pencil, and numbered from the edition of 75, the artwork measures 35 × 24 1/2 in. (88...

ROSENQUIST, JAMES (1933 - 2017) F-111 (Castelli Gallery Poster) Offset Lithograph c. 1965 Signed and dated in pencil along lower edge Sheet Size: 28” x 22”, Fresh ...

NEVELSON, LOUISE (1899-1988) "Dusk in August" Lithograph in colors, 1967 Signed, dated, titled, and numbered in pencil lower margin This impression is XVIII/XX Sheet Size: 17” x 22” Published by Hollander’s Workshop with their blindstamp This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg. Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue. For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...

Robert Motherwell American - La France Variation VIII Lithograph in colors from five aluminum plates with collage in Arches, 1984 Arches collaged on Oatmeal Australian Bemboka hand...

Robert Motherwell Untitled (from Portfolio 9), 1967 Lithograph, 1967 22.25 x 17.25 in. (56.52 x 43.82 cm.) Signed; lower left with artist's trademark initials; numbered, Publisher...

JAMES ROSENQUIST (B. 1933) "Flower Garden" Lithograph in colors on Hodgkin handmade paper, 1972 22” x 28 5/8” (55.9 x 72.7 cm) (image) 30 ½” x 36 ¼” (77.5 x 92.1 cm) (sheet) Edi...

James Rosenquist (1933-2017) Star Thief Color lithograph on white wove paper, 1978-1986 Image size: 31.75” x 32”, full margins. Impression 8 of edition of 25 Signed, titled, da...