Shepard Fairey

Pattern of Denial (Mid-Century Architecture, Fossil Fuels, Deluxe Lifestyle)

2023

Shepard Fairey Green Power Factory Letterpress on cream cotton paper with hand-deckled edges Year: 2023 Size: 13x10 inches Edition: 450 Signed, dat...

Shepard Fairey Green Power Factory (Red) (Energy Transition, Renewable Energy, Climate Change, Fossil Fuels) Screen print on thick cream Speckleto...

Shepard Fairey Green Power Factory (Blue) (Energy Transition, Renewable Energy, Climate Change, Fossil Fuels) Screen print on thick cream Specklet...

Shepard Fairey Green Power Factory Set (Blue & Red) (Energy Transition, Renewable Energy, Climate Change, Fossil Fuels) Screen prints on thick cre...

Shepard Fairey Cultivate Justice (Red) Screen print on thick cream Speckletone paper Year: 2021 Size: 24 x 18 inches Edition: 400 Signed, dated and numbered by hand COA provided Ref....

Shepard Fairey The Lonesome Crowded West Tower Screen print on thick cream Speckletone paper Year: 2022 Size: 24 x 18 inches Edition: 825 Signed, dated and numbered by hand COA provi...

The title of the original painting, 'Leoparda de Ojitos,' translated as “leopardess of little eyes”, refers to the eyes that cover the animal’s body like the pores of her skin. Vicun...

Visual poems, the works in Vicuña’s PALABRARmas series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña t...

Visual poems, the works in Vicuña’s 'PALABRARmas' series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña treats words as embodied entities whose forms can be parsed to reveal subliminal meanings across a variety of languages. For the series title, Vicuña has invented the word “palabrarmas,” a fusion of “palabra” (Spanish for “word”) and “armas” (“weapon”). At the same time, “palabrarmas” also suggests an even wider range of meanings, bearing similarities, for instance, to a portmanteau of the the verb “apalabrar” (“to agree on”), and the word “más” (more). Just as Vicuña emphasizes the capacity of words to cause violence and destruction, so she also suggests that they can be potent tools of reconciliation and understanding. In 'Sol y dar y dad' (1974/2016), Vicuña again looks to language as she considers notions of truth and community, and she extracts from “solidaridad” (Spanish for “solidarity”) the word “sol” (“sun”) and the Spanish verb “dar” (“to give”). Another edition of this work was exhibited as part of 'Cecilia Vicuña...

Visual poems, the works in Vicuña’s 'PALABRARmas' series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña treats words as embodied entities whose forms can be parsed to reveal subliminal meanings across a variety of languages. For the series title, Vicuña has invented the word “palabrarmas,” a fusion of “palabra” (Spanish for “word”) and “armas” (“weapon”). At the same time, “palabrarmas” also suggests an even wider range of meanings, bearing similarities, for instance, to a portmanteau of the the verb “apalabrar” (“to agree on”), and the word “más” (more). Just as Vicuña emphasizes the capacity of words to cause violence and destruction, so she also suggests that they can be potent tools of reconciliation and understanding. Another edition of this work was exhibited as part of 'Cecilia Vicuña...

In this work, Vicuña depicts her boyfriend at the time, Chilean artist and writer, Claudio Bertoni, holding an open book of poetry in his left hand, while placing his hand over his h...

Edition of 100. 'Untitled (dollar bill back)' is an edition print. In this work, artist Tom Friedman replicates the reverse of a United States one-dollar bill, transforming its tra...