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Shepard FaireyRise from the Ashes (Red)2020
2020
About the Item
Shepard Fairey
Rise from the Ashes (Red), 2020
Screenprint in two colours with ash from Iraqi Kurdistan on paper
Signed by the artist and numbered, on verso
106.5 x 74 cm
Edition of 89
published by Migrate Art
Shepard Fairey is a prominent contemporary street artist, graphic designer, and activist whose work has transcended the realms of urban art and become iconic in global popular culture. Born in 1970, Fairey gained widespread recognition for his "Obey Giant" campaign, which originated as a sticker campaign featuring the face of professional wrestler André the Giant. Fairey's art often incorporates bold colors, stylized imagery, and political themes, reflecting his commitment to social justice and activism. Perhaps best known for his "Hope" poster created for Barack Obama's 2008 presidential campaign, Fairey's work has become synonymous with political engagement and grassroots movements. Through his art, Fairey seeks to challenge the status quo, provoke critical thinking, and inspire positive change. His distinctive style and powerful messages have earned him international acclaim, and his influence on contemporary art and activism continues to resonate worldwide.
- Creator:Shepard Fairey (1970, American)
- Creation Year:2020
- Dimensions:Height: 41.93 in (106.5 cm)Width: 29.14 in (74 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU2154215962742
Shepard Fairey
Expanding on the legacies of artists such as Keith Haring and Andy Warhol, Shepard Fairey’s practice disrupts the distinction between fine and commercial art.
A major artist of the street art movement, Fairey rose to prominence in the early 1990s through the dispersion of prints, posters, stickers and murals, related to his Obey Giant campaign, which yielded an international cultural phenomenon. Fairey’s iconic poster of President Barack Obama was adopted as the official emblem associated with the presidential campaign and encapsulates a number of recurring concerns in the artist’s work, including propaganda, portraiture and political power.
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