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Stanley Mouse and Alton Kelley
Grateful Dead Skeleton and Roses San Francisco concert poster, 1966

1966

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Woman in scarf, Gustav Klimt Handzeichnungen (Sketch), Thyrsos Verlag, 1922
By (after) Gustav Klimt
Located in Chicago, IL
Original collotype lithograph of a well-dressed woman wearing a scarf around her face, leaving only her eyes exposed. This work was pubished from Gustav Kilmt’s handzeichnungen (sket...
Category

1920s Vienna Secession Prints and Multiples

Materials

Paper, Lithograph

Portrait of Charlotte Pulitzer, Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Portrait of Charlotte Pulitzer, oil on canvas, 1915. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500. In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Houses at Unterach on the Attersee, Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Houses at Unterach on the Attersee, oil on canvas, c. 1916. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500. In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Death and Life by Gustav Klimt, Das Werk lifetime collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Death and Life, painted in 1908. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und St...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Portrait of Lady in Red and Black by Gustav Klimt, Das Werk collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Portrait of Lady in Red and Black. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300. Collotype on chine colle paper laid down on heavy deckled-edge cream-wove paper. Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category

Early 1900s Vienna Secession Prints and Multiples

Materials

Paper

Italian Garden Landscape, Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Italian Garden Landscape, oil on canvas, 1913. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500. In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original...
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

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From the Entablature series. Screenprint, lithograph, and collage with embossing on Rives BFK paper. Hand signed and dated in pencil, lower right by Roy Lichtenstein. Numbered 17/1...
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The Courtesan Kashiwagi and the Kamuro Wakano - Japanese Woodblock Print
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View of the Interior of the Colosseum by Francesco Piranesi, 1835
By Francesco Piranesi
Located in New York, NY
Piranesi, Francesco. Le Antichita Romane. This plate: View of the interior of the Colosseum. Hind 134, 1st Paris edition, 1835. Original etching. Plate size: 19 1/2 x 28 1/4 i...
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Hockney's Alphabet, portfolio of 26 lithographs signed by Hockney and 23 writers
By David Hockney
Located in New York, NY
David Hockney Hockney's Alphabet, 1991 26 color lithographs in Fine Art Cartridge paper bound in quarter vellum with handmade Fabriano Roma paper sides, housed in matching box; signed by David Hockney and most contributors in ink and numbered 178 in black ink on the justification page Numbered 178/250 Hand signed by 24 of the contributors, including David Hockney and Steven Spender 12 5/8 x 9 5/8 inches Bound in book and held in slipcase This portfolio features 26 color lithographs in Fine Art Cartridge paper with full margins, bound as issued, in quarter vellum with handmade Fabriano Roma paper sides, in original grey slipcase. It is signed by David Hockney (the artist) and most contributors in ink and numbered 178 in black ink on the justification page, from the edition of 250, with full text and title page, published by Faber & Faber, London, text edits by Stephen Spender, who also signed. It is illustrated by David Hockney, hand signed by David Hockney and Stephen Spender and also signed by the following contributors: Douglas Adams, Martin Amis, Julian Barnes, William Boyd, Margaret Drabble, Patrick Leigh Fermor, William Golding, Seamus Heaney...
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