Alice Oehr

Choc Almond Cherry Cake Screen Print

2021

Ben Eine 3 x prints Rise Up, Stand Up, Speak Up 1 layer blend with black overlay on Somerset printmaking paper 50 x 50 cm - each 19.69 x 19.69 in Edition of 150 Ben Eine is a promin...

Artist: Donald Sultan Title: Two Pears, a Lemon and an Egg Portfolio: 1994 Fruit and Flowers III Medium: Screenprint Date: 1994 Edition: 46/125 Frame Size: 29 3/4" x 28 3/4" Sheet Si...

Artist: Donald Sultan Title: Acanthus Portfolio: 1994 Fruit and Flowers III Medium: Screenprint Date: 1994 Edition: 39/125 Frame Size: 29 3/4" x 28 3/4" Sheet Size: 23" x 22" Image S...

6-color screen print on Coventry rag paper 15.75 x 10 inches Edition of 300 Signed, dated and numbered on recto in pencil In originally packing and never removed.

ROBERT COTTINGHAM Star, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and numbered edition of 100 in pencil -- Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...

Created by the artist in 2002, Six Yellows is a screenprint in colors with flocking on wove paper. Hand-signed, titled, dated, and designated as "BAT 1/2" from the edition of 60 + 2 ...

Rooted in observation and fueled by a curiosity about the behavior of objects and handicraft processes, Carly Glovinski makes paintings, sculpture and works on paper that often teeter between representation and abstraction. Letting craft techniques like weaving inform her mark making, her work mimics everyday objects and highlights geometric pattern and structure found in textiles, while exploring the resourceful attitudes associated with domestic craft and rural communities that prioritize placemaking in concert with nature. She received her BFA from Boston University in 2003 and is represented by Morgan Lehman Gallery...

A lovely spiky Still life of an Aloe Vera Plant by Kerry Day is a original varied limited edition, multi layered screen print. Printed onto Somerset paper, it has been printed to the...

Kate Brinkworth. Coke, Jelly Beans and Lifesavers- limited edition silk screen print, printed on 400gsm Somerset paper with a beautiful gloss finish. Signed by the artist. Limited ed...

Snowdrop II [2022] limited_edition and hand signed by the artist screenprint Edition number 30 Image size: H:22.5 cm x W:23.5 cm Complete Size of Unframed Work: H:26 cm x W:26 cm x D:0.01cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Part of my flower print series, Snowdrop is a four colour screenprint, printed on Somerset Satin Archival quality cotton paper. Discover new works by Anna Harley available to buy online and in our art gallery. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol...