Items Similar to Chaim Soutine, Death in Pieces, from Soutine, I, 1966 (after)

Chaïm Soutine - Soutine, Morte Au Morceau, Soutine, Collection Pierre Lévy (after)

Chaïm Soutine - Chaim Soutine, Still Life with Turkey, from Soutine, I, 1966 (after)

Chaïm Soutine - Soutine, Nature morte à la dinde, Soutine, Collection Pierre Lévy (after)

Chaïm Soutine - Soutine, Le Coq, Soutine, Collection Pierre Lévy (after)

Chaïm Soutine - Soutine, Le Lièvre au volet vert, Soutine, Collection Pierre Lévy (after)

Chaïm Soutine - Soutine, Lièvre pendu, Soutine, Collection Pierre Lévy (after)

Want more images or videos?

Request additional images or videos from the seller

1 of 11

Chaim Soutine, Death in Pieces, from Soutine, I, 1966 (after)
1966

$716

$89520% Off

£557.45

£696.8220% Off

€633.99

€792.4820% Off

CA$1,030.15

CA$1,287.6920% Off

A$1,131.58

A$1,414.4720% Off

CHF 591.37

CHF 739.2120% Off

MX$13,495

MX$16,868.7520% Off

NOK 7,488.34

NOK 9,360.4220% Off

SEK 6,976.02

SEK 8,720.0220% Off

DKK 4,737.44

DKK 5,921.8020% Off

About the Item

This exquisite lithograph after Chaim Soutine (1893–1943), titled Morte Au Morceau (Death in Pieces), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological intensity that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 20 x 26 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1899–1943) Title: Morte Au Morceau (Death in Pieces), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 20 x 26 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie—have continued to look to him as a benchmark for emotional authenticity and painterly power. His global reputation surged in the 1920s when American collector Albert C. Barnes purchased more than fifty works, bringing Soutine financial stability and international recognition, and his paintings are now held in the worlds leading museums and elite private collections. His market reflects this enduring prestige, with his highest auction record achieved by Le Boeuf Ecorche (1925), which sold for 28.2 million USD at Christies New York on May 15, 2018. Soutine Lithograph Mourlot Soutine I 1966 Levy Collection.

Creation Year:
1966
Dimensions:
Height: 20 in (50.8 cm)Width: 26 in (66.04 cm)
Medium:
Lithograph
Movement & Style:
Modern
After:
Chaïm Soutine (1893 - 1943, French, Belarusian)
Period:
1960-1969
Condition:
Gallery Location:
Southampton, NY
Reference Number:
1stDibs: LU1465217241192

Chaim Soutine, Death in Pieces, from Soutine, I, 1966 (after)1966

About the Item

More From This Seller

1960s Modern Still-life Prints

Chaim Soutine, Still Life with Turkey, from Soutine, I, 1966 (after), 1966

1960s Modern Landscape Prints

Chaim Soutine, The Rooster, from Soutine, I, 1966 (after), 1966

1960s Modern Landscape Prints

Chaim Soutine, Hanging Hare, from Soutine, I, 1966 (after), 1966

1960s Modern Still-life Prints

Chaim Soutine, Still Life with Pipe, from Soutine, I, 1966 (after), 1966

1960s Modern Landscape Prints

Chaim Soutine, The Hare at the Green Shutter, from Soutine, I, 1966 (after), 1966

1960s Modern Landscape Prints

Chaim Soutine, Landscape at Cagnes, from Soutine, I, 1966 (after), 1966

You May Also Like

1960s Post-Impressionist Landscape Prints

Soutine, Morte Au Morceau, Soutine, Collection Pierre Lévy (after), 1966

1960s Post-Impressionist Landscape Prints

Soutine, Nature morte à la dinde, Soutine, Collection Pierre Lévy (after), 1966

1960s Post-Impressionist Landscape Prints

Soutine, Le Coq, Soutine, Collection Pierre Lévy (after), 1966

1960s Post-Impressionist Landscape Prints

Soutine, Le Lièvre au volet vert, Soutine, Collection Pierre Lévy (after), 1966

1960s Post-Impressionist Landscape Prints

Soutine, Lièvre pendu, Soutine, Collection Pierre Lévy (after), 1966

1960s Post-Impressionist Landscape Prints

Soutine, Nature morte à la pipe, Soutine, Collection Pierre Lévy (after), 1966

Chaim Soutine, Death in Pieces, from Soutine, I, 1966 (after)
1966