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Christine SoMisty Laurel Diptych (Two 23 x 18 inch cyanotypes)2025
2025
$600
£460.74
€528.54
CA$843.07
A$944.19
CHF 492.66
MX$11,532.82
NOK 6,268.08
SEK 5,908.41
DKK 3,944.46
About the Item
This pair of monotypes contain the silhouette of a single branch of the native Californian Bay laurel. Although they look like screen prints or block prints these are cyanotypes, a form of 19th-century photography. Two separate 23.5 h x 18"w monoprints. Once matted and framed in standard 30 h x 24" wide frames, the pair will span over 4 feet vertically or horizontally with a gap between the pieces.
The normal color of a cyanotype (blueprint or sun print) is dark blue and white, but the artist altered the color by altering the recipe of the photography chemical mixture. This pale gray-green cyanotype was made by altering the ratio of the two chemicals which comprise the photosensitive solution.
The muted color is very subtle and difficult to name. If next to something green, it looks gray. If next to something gray it looks green. In blueish morning light it looks cooler gray and in late afternoon yellow light it looks warmer and greener. It is between dove gray and celadon.
Every one of the artist's botanical cyanotypes is an entirely unique monotype as the freshly cut plants are laid in that one exact composition only once before they wilt. There is no copper plate; there is no ink or printing press.
Hand-printed on cotton watercolor paper with straight edges, not deckled edges.
Signed on the back.
Free ground shipping to United States.
- Creator:Christine So (1970, American)
- Creation Year:2025
- Dimensions:Height: 23.5 in (59.69 cm)Width: 36 in (91.44 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Oakland, CA
- Reference Number:1stDibs: LU2737216053042
Christine So is an American printmaker, photographer and painter living in the hills across the bay from her hometown, San Francisco. She is best known for her blue and white cyanotype photographs of forests shrouded in fog. The Foggy Woods series is ever-growing as the artist continually hikes these hills which are often foggy at dawn. She explores radically different ways to use this antique photographic medium with and without out a camera. At times her blue prints look like screen prints. At others like abstract watercolors. Besides printing photographs from negatives, botanicals using entire branches, altering the chemical recipe to obtain novel colors, and creating abstract cyanotypes of deliberate patterns, she also paints images using the light-sensitive solution and prints a pattern within them. These last works she calls “cyanotype paintings”. The multiple-day process depends on being able to see while painting in a dark room so as to not expose the light-sensitive painted silhouette before it’s time. She named her series of botanical paintings which have a fine blue and white pattern “Delft Garden” after the Dutch painted porcelain. Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital.
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