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Christine SoMisty Poppies (20 x 14 inch cyanotype)2023
2023
About the Item
These are the silhouettes of the native Californian Matilija Poppy also known as giant tree poppies and Coulter's Poppy. They grow over 4 feet tall and appear each year in summer. Although this monotype looks like a screen print or woodcut, it is a form of 19th-century lensless photography. The normal color of a cyanotype (blueprint) is dark blue and white but the artist altered the color by altering the chemistry.
This pale gray-green cyanotype was made by altering the ratio of the two chemicals which comprise the photosensitive solution before brushing it onto the paper as well as the exposure time. The muted color is very subtle and difficult to name. If next to something green, it looks gray. If next to gray it looks green. In blueish morning light it looks cooler gray and in late afternoon yellow light it looks warmer and greener.
Every one of the artist's botanical cyanotypes is an entirely unique monotype as the freshly cut plants are laid in that one exact composition only once before they wilt. There is no copper plate; there is no ink or printing press.
NOTE: This monotype is paler than the same sized "misty Evening Poppies." See the mockup of the two side by side.
Hand-printed on cotton watercolor paper with straight edges, not deckled edges.
SHIPPING: Free regular ground shipping to United States, Europe, UK.
- Creator:Christine So (1970, American)
- Creation Year:2023
- Dimensions:Height: 20 in (50.8 cm)Width: 14 in (35.56 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Oakland, CA
- Reference Number:1stDibs: LU2737215919632
Christine So is an American printmaker, photographer and painter living in the hills across the bay from her hometown, San Francisco. She is best known for her blue and white cyanotype photographs of forests shrouded in fog. The Foggy Woods series is ever-growing as the artist continually hikes these hills which are often foggy at dawn. She explores radically different ways to use this antique photographic medium with and without out a camera. At times her blue prints look like screen prints. At others like abstract watercolors. Besides printing photographs from negatives, botanicals using entire branches, altering the chemical recipe to obtain novel colors, and creating abstract cyanotypes of deliberate patterns, she also paints images using the light-sensitive solution and prints a pattern within them. These last works she calls “cyanotype paintings”. The multiple-day process depends on being able to see while painting in a dark room so as to not expose the light-sensitive painted silhouette before it’s time. She named her series of botanical paintings which have a fine blue and white pattern “Delft Garden” after the Dutch painted porcelain. Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital.
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