Items Similar to George Brookshaw (1751-1823), Apple Cluster, PL LX
Want more images or videos?
Request additional images or videos from the seller
1 of 8
George Brookshaw George Brookshaw (1751-1823), Apple Cluster, PL LX
About the Item
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate LX
George Brookshaw, also known as G. Brown, was a notable English painter and illustrator from London. His early career was spent as a London cabinet-maker specializing in painted furniture, often with floral decorations. Brookshaw also published supplementary drawing manuals on fruit, flowers, and birds.
Pomona Britannicaa London
1804-1812
Engravings with original hand-coloring
George Brookshaw's splendid "Pomona Brittanica" is a masterpiece among 19th-century British flower books. The publication of the "Pomona" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual "A New Treatise on Flower Painting", 1797. Characterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the "Pomona" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's "Temple of Flora," Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the "Pomona Britannica" was an enduring work created for the enjoyment and edification of "succeeding generations."
About the Seller
4.8
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 2000
1stDibs seller since 2019
117 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Shipping from: Bristol, CT
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllGeorge Brookshaw (1751-1823), Blue Muscadine Grape, PL XXXVIII
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate XXXVIII
George Brookshaw, also known as G. Brown, was a notable Eng...
Category
Early 1800s Still-life Prints
Materials
Engraving
George Brookshaw (1751-1823), Fruit Cluster, PL XII
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate XII
George Brookshaw, also known as G. Brown, was a notable English...
Category
Early 1800s Still-life Prints
Materials
Engraving
George Brookshaw (1751-1823), Cherry Cluster, PL V
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate V
George Brookshaw, also known as G. Brown, was a notable English painter and illustrator from London. His early career was spent as a London cabinet-maker specializing in painted furniture, often with floral decorations. Brookshaw also published supplementary drawing manuals on fruit, flowers, and birds.
Pomona Britannicaa London
1804-1812
Engravings with original hand-coloring
George Brookshaw's splendid "Pomona Brittanica" is a masterpiece among 19th-century British flower books. The publication of the "Pomona" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual "A New Treatise on Flower Painting", 1797. Characterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the "Pomona" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton...
Category
Early 1800s Still-life Prints
Materials
Engraving
George Brookshaw (1751-1823), Black Apricot; Breda Apricot; Brussels Moor Park A
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate XX
George Brookshaw, also known as G. Brown, was a notable English ...
Category
Early 1800s Still-life Prints
Materials
Engraving
George Brookshaw (1751-1823), Pear Cluster, PL XLIX
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate XLIX
George Brookshaw, also known as G. Brown, was a notable Englis...
Category
Early 1800s Still-life Prints
Materials
Engraving
Fantaisies Oceanographiques No.20
Located in Bristol, CT
Colourful pochoir No.20.
by E.H Raskin
Published 1926
by F Dumas Editeur, Paris
Image Sz: 13 3/4"H x 9 1/4"W
Frame Sz: 18"H x 14"W
Category
1920s Still-life Prints
Materials
Lithograph
You May Also Like
Agave or American Aloe: A Framed Hand-colored Engraving from Robert Thornton
By Dr. Robert John Thornton
Located in Alamo, CA
This is a framed hand-colored botanical engraving entitled "Agave or American Aloe" by Reinagle for Robert Thornton's publication 'The Temple of Flora, or Garden of the Botanist, Poet, Painter and Philosopher', published in London in 1811. This beautiful botanical was created using several engraving techniques, including aquatint, mezzotint, stipple and line engraving methods. It was printed in color and then finished by hand.
The print is presented in a gold-colored wood frame and a heather green mat, which is enhanced with a gold fillet. The frame measures 21.63" high by 16.63" wide and 1" deep. It is glazed with UV conservation glass. All of the mounting materials are archival. The original text page from the early 19th century publication is attached to the rear of the frame. The print is in excellent condition.
Robert John Thornton (1765-1832) was attracted to natural history at an early edge and created his own botanical garden and an aviary as a boy. He graduated from Cambridge with a medical degree and set up practice as a London. He inherited his family fortune in 1797, which allowed Thornton the opportunity to devote time to his lifelong goal of creating an extensive scholarly work dedicated to the great classical Swedish naturalist, Carolus Von Linnaeus (1707-1778), also known as Carl von Linné...
Category
Early 19th Century Still-life Prints
Materials
Mezzotint, Engraving
Watering Jug and Brush
By Tomoe Yokoi
Located in Fairlawn, OH
Watering Jug and Brush
Color mezzotint, c. 1973
Signed and editioned in pencil by the artist (see photos)
Titled in pencil verso
Edition: 150 (126/150)
Published by John Szoke Graphi...
Category
1970s Contemporary Still-life Prints
Materials
Mezzotint
La Nappe Rose (The Pink Tablecloth) /// Impressionist Henri Le Sidaner Etching
By Henri Le Sidaner
Located in Saint Augustine, FL
Artist: Henri Le Sidaner (French, 1862-1939)
Title: "La Nappe Rose (The Pink Tablecloth)"
Portfolio: Henri Le Sidaner (Camille Mauclair)
*Issued unsign...
Category
1920s Post-Impressionist Still-life Prints
Materials
Drypoint, Etching, Intaglio
Still Life by Ludovic-Rodo Pissarro - Wood engraving
By Ludovic-Rodo Pissarro
Located in London, GB
Still Life by Ludovic-Rodo Pissarro (1878-1952)
Wood engraving
14.5 x 10.8 cm (5 ³/₄ x 4 ¹/₄ inches)
Initialed LR in the plate
Exhibition
Fort Lauderdale, Museum of Art, Camille Pis...
Category
1910s Post-Impressionist Still-life Prints
Materials
Engraving
$893 Sale Price
12% Off
Red Loop (suite of 12 mezzotints in boxed portfolio)
By Eduardo Leyva Herrera
Located in New Orleans, LA
12 copper mezzotints printed on Hahnemulle paper in an edition of 12. This is impression #5
The 12 complementary mezzotints are included in boxed portfolio
Graduated from the Natio...
Category
21st Century and Contemporary Modern Still-life Prints
Materials
Mezzotint
Drift (dramatic nocturne in America's suburbia)
By Jacob Crook
Located in New Orleans, LA
Drift is a hand-pulled mezzotint in an edition of 10. This is #3/10. Location is Jarnigan ST in Starksville, Mississippi
Jacob Crook was born in St. Loui...
Category
2010s American Modern Landscape Prints
Materials
Mezzotint
