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George Brookshaw George Brookshaw (1751-1823), Pear Cluster, PL XLIX
$1,200
£908.35
€1,041.88
CA$1,686.73
A$1,856.23
CHF 973.39
MX$22,527.11
NOK 12,167.17
SEK 11,518.94
DKK 7,778.15
About the Item
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate XLIX
George Brookshaw, also known as G. Brown, was a notable English painter and illustrator from London. His early career was spent as a London cabinet-maker specializing in painted furniture, often with floral decorations. Brookshaw also published supplementary drawing manuals on fruit, flowers, and birds.
Pomona Britannicaa London
1804-1812
Engravings with original hand-coloring
George Brookshaw's splendid "Pomona Brittanica" is a masterpiece among 19th-century British flower books. The publication of the "Pomona" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual "A New Treatise on Flower Painting", 1797. Characterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the "Pomona" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's "Temple of Flora," Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the "Pomona Britannica" was an enduring work created for the enjoyment and edification of "succeeding generations."
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Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate XII
George Brookshaw, also known as G. Brown, was a notable English...
Category
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George Brookshaw (1751-1823), Apple Cluster, PL LX
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate LX
George Brookshaw, also known as G. Brown, was a notable English painter and illustrator from London. His early career was spent as a London cabinet-maker specializing in painted furniture, often with floral decorations. Brookshaw also published supplementary drawing manuals on fruit, flowers, and birds.
Pomona Britannicaa London
1804-1812
Engravings with original hand-coloring
George Brookshaw's splendid "Pomona Brittanica" is a masterpiece among 19th-century British flower books. The publication of the "Pomona" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual "A New Treatise on Flower Painting", 1797. Characterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the "Pomona" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton...
Category
Early 1800s Still-life Prints
Materials
Engraving
George Brookshaw (1751-1823), Cherry Cluster, PL V
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate V
George Brookshaw, also known as G. Brown, was a notable English painter and illustrator from London. His early career was spent as a London cabinet-maker specializing in painted furniture, often with floral decorations. Brookshaw also published supplementary drawing manuals on fruit, flowers, and birds.
Pomona Britannicaa London
1804-1812
Engravings with original hand-coloring
George Brookshaw's splendid "Pomona Brittanica" is a masterpiece among 19th-century British flower books. The publication of the "Pomona" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual "A New Treatise on Flower Painting", 1797. Characterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the "Pomona" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton...
Category
Early 1800s Still-life Prints
Materials
Engraving
George Brookshaw (1751-1823), Black Apricot; Breda Apricot; Brussels Moor Park A
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate XX
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George Brookshaw (1751-1823), Blue Muscadine Grape, PL XXXVIII
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate XXXVIII
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"A Frigate With A View Of The Needles" 1806 Print
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Print Sz: 11 5/8"H x 17"W
Frame Sz: 22 1/8"H x 27 3/8"W
1806
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Title: "Pears (Bergamot de Chantilly, Bouchee, Winter Sweet Sugar Pear, Bishop's Thumb)" (Plate LXXIX)
Portfolio: Pomona Britannica, or A Collection of the Most Esteemed Fruits
Year: 1808 (First edition)
Medium: Original Aquatint and Stipple Engraving with Printed and Hand-Coloring on wove paper
Limited edition: Unknown
Printer: T. Bensley, London, UK
Publisher: George Brookshaw, London, UK
Reference: Dunthorne No. 50; "Great Flower Books" - No. 81; Nissen BBI No. 244; "An Oak Spring Pomona" No. 40a; Prideaux No. 295
Framing: Recently framed in a wood and gold moulding with 100% cotton rag matting and Museum Glass
Framed size: 28.5" x 24.44"
Sheet size: approx. 22.25" x 17.5"
Image size: 16.25" x 12.25"
Condition: Some minor scuffing to image. In excellent condition
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Notes:
Provenance: private collection - Orlando, FL; acquired from The Old Print Shop, New York, NY retaining their original gallery label upper center on verso. Comes from Brookshaw's famous book volume "Pomona Britannica", (1804-1812) which consists of 90 aquatint engravings some with stipple printed...
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