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John Taylor Arms
"Crystal and Jade" Still Life Lithograph in Ink on Paper

1940

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"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate)
By John Taylor Arms
Located in Soquel, CA
"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate) Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail. Titled, signed, dated, and inscribed along the bottom edge: Sketch, Saint Aignon, Chartres John Taylor Arms 1950 The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes" Presented in a wood frame with an off-white mat. Frame size: 12.5"H x 9.25"W Image size: 7"H x 4.5"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...
Category

1940s Victorian Still-life Prints

Materials

Paper, Ink, Drypoint, Etching

Flowers by the Window, Mid Century Cubist Still-Life Limited Edition Lithograph
By Fausto Maria Casotti
Located in Soquel, CA
Vibrant cubist still life, a hand signed limited edition lithograph print by Fausto Maria Casotti (also known as Cauri) (Italian, b. 1924). Bold colors and blocky shapes characterize...
Category

Mid-20th Century Cubist Still-life Prints

Materials

Ink, Paper

"Still Life with Door", Monochrome Cyan Drypoint Etching
By Barbara B. Cohn
Located in Soquel, CA
Limited edition monochrome cyan drypoint etching of a potted plant and door by Barbara Cohn (American, 1923-2019). Numbered ("2/25"), titled ("Still Life with Door"), and hand signed...
Category

1980s American Realist Still-life Prints

Materials

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Cup & Saucer (Grandmother's Artifacts), Photo Etching Still-Life
By Claudette McElroy
Located in Soquel, CA
Unique photo etching of a cup and saucer by Claudette McElroy (American, b. 1943). Numbered (6/8), titled (Cup & Saucer), and signed (C. McElroy) along t...
Category

Late 20th Century Realist Still-life Prints

Materials

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Taos Pueblo Pots Still Life
By Pam Ackerman
Located in Soquel, CA
This etching is a study in light and shadow of Taos pueblo pots (Georgia O'Keefe's Adobe staircase) by Santa Cruz, California artist Pam Ackerman (American,...
Category

1980s Modern Interior Prints

Materials

Ink, Archival Paper

Pomona Gallica, Muscat Rouge - Botanical Grape Print
Located in Soquel, CA
Pomona Gallica, Muscat Rouge - Botanical Grape Print Botanical Print depicting a grape vine by Henri-Louis Duhamel du Monceau (French, 1700-1782). Red grapes hang from a vine, in fr...
Category

1760s Impressionist Still-life Prints

Materials

Paper, Ink

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STILL LIFE WITH LOBSTER
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