Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Lowell Nesbitt
Red Poppies, Photorealist Flower Serigraph by Lowell Nesbitt

1979

About the Item

Artist: Lowell Nesbitt, American (1933 - 1993) Title: Red Poppies Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition: 175 Image Size: 37.5 x 29.5 inches Paper Size: 44.5 x 35.5 inches
  • Creator:
    Lowell Nesbitt (1933-1993, American)
  • Creation Year:
    1979
  • Dimensions:
    Height: 44.5 in (113.03 cm)Width: 35.5 in (90.17 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    in very good condition apart from minor surface rubbing.
  • Gallery Location:
    Long Island City, NY
  • Reference Number:
    1stDibs: LU4667653082
More From This SellerView All
  • Still Life with Grapes
    By Lowell Nesbitt
    Located in Long Island City, NY
    A silkscreen print by Lowell Nesbitt from 1975. A colorful still life that combines both organic and geometric elements. Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Still Life with...
    Category

    1970s Photorealist Still-life Prints

    Materials

    Screen

  • Relish, Photorealist Silkscreen by Ralph Goings
    By Ralph Goings
    Located in Long Island City, NY
    Relish by Ralph Goings, American (1928–2016) Date: circa 1990 Screenprint, Signed and numbered in pencil Edition of 195,AP 55 Size: 25 in. x 38 in. (63.5 cm x 96.52 cm)
    Category

    1990s Photorealist Still-life Prints

    Materials

    Screen

  • The Viking, Pinball Machine by Charles Bell
    By Charles Bell
    Located in Long Island City, NY
    Artist: Charles Bell Title: The Viking Year: 1994 Medium: Silkscreen on Bristol Rag Museum Board, Signed and numbered in pencil Edition: 2/50 Image: 24 x 34...
    Category

    1990s Photorealist Still-life Prints

    Materials

    Screen

  • Little Italy, Gumball Machine by Charles Bell
    By Charles Bell
    Located in Long Island City, NY
    Artist: Charles Bell, American (1935 - 1995) Title: Little Italy Year: 1981 Medium: Silkscreen on White Somerset Satin, signed and numbered in pencil Edit...
    Category

    1980s Photorealist Still-life Prints

    Materials

    Screen

  • Still Life with Sugars, Photorealist Serigraph by Ralph Goings
    By Ralph Goings
    Located in Long Island City, NY
    Artist: Ralph Goings, American (1928 - 2016) Title: Still Life With Sugars Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 300; 40 AP's Image Size: 19 x 20 inc...
    Category

    1980s Photorealist Still-life Prints

    Materials

    Screen

  • Double Bubble, Photorealist Silkscreen by Charles Bell
    By Charles Bell
    Located in Long Island City, NY
    Artist: Charles Bell Title: Double Bubble Year: circa 1990 Medium: Silkscreen, signed in pencil Edition: 150 Image: 26 x 26 inches Size: 33 in. x 33 in. (83.82 cm x 83.82 cm)
    Category

    1990s Photorealist Still-life Prints

    Materials

    Screen

You May Also Like
  • "Double Bubble" silkscreen by Photorealist painter Charles Bell Edition of 150
    By Charles Bell
    Located in Boca Raton, FL
    "Double Bubble" silkscreen of gumball machine by Photorealist painter Charles Bell. Hand-numbered 117/150 in pencil in front lower left corner. Hand-signed Charles Bell in pencil in ...
    Category

    1990s Photorealist Still-life Prints

    Materials

    Screen

  • Star, from American Signs Portfolio
    By Robert Cottingham
    Located in New York, NY
    ROBERT COTTINGHAM Star, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and numbered edition of 100 in pencil -- Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...
    Category

    Early 2000s Photorealist More Prints

    Materials

    Screen

  • "Counterpoise, " Original Color Lithograph signed by Jeanette Pasin-Sloan
    By Jeanette Pasin-Sloan
    Located in Milwaukee, WI
    "Counterpoise" is an original color lithograph by Jeanette Pasin-Sloan. It features a number of brightly colored hyper-realistic shining glassware. The artist signed the piece lower ...
    Category

    Early 2000s Photorealist Still-life Prints

    Materials

    Lithograph

  • Last Call - the facsimile print
    By Timofey Smirnov
    Located in Fort Lee, NJ
    The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma. Describing the work of Timofey Smirnov we can say that you will find here a post-war telephone set and an ancient Egyptian relief...
    Category

    2010s Photorealist Figurative Prints

    Materials

    Paper, Pencil, Carbon Pencil, Carbon Pigment

  • La Terrazza
    By Jeanette Pasin-Sloan
    Located in Fairlawn, OH
    La Terrazza Lithograph, 1987 Signed, titled and numbered in pencil (see photos) Published by Kandfall Press, Chicago (their stamp verso) Landfall drystamp recto lower left Edition 125 (92/125) Provenance: Stanley Yulish, Cleveland, Ohio Reference: Szoke 23 Condition: Excellent, never matted ir framed Image size: 19 3/4 x 15 1/2" Sheet Size: 27" x 22" "Jeanette Pasin Sloan's paintings, drawings, and prints display technical feats of virtuosity. The artist uses a photo-realistic style to depict reflective objects set against patterned backgrounds. However, she subverts both genre and style, infusing the traditional genre of still life painting with highly abstract tendencies. Closely-cropped, and set in carefully manipulated compositions, the subject matter of Pasin Sloan's work takes second stage to its formal intensity. Pasin Sloan was born in Chicago in 1946. She graduated from Marymount College, Tarrytown, New York, and received an MFA in graphic arts from the University of Chicago...
    Category

    1980s Photorealist Still-life Prints

    Materials

    Lithograph

  • Rolls Royce Lady (print about bling from the early 1980s by this photorealist)
    By Audrey Flack
    Located in New York, NY
    Audrey Flack Rolls Royce Lady, 1984 Kodachrome 35mm Color Dye Transfer Print Dry, mounted to 4 ply 100% cotton fiber board Signed and titled in ink on the front 19 3/5 × 23 3/5 inche...
    Category

    1980s Photorealist Figurative Prints

    Materials

    Board, Dye Transfer

Recently Viewed

View All