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Period: 1890s
Three Vases in Grey-Blue Jasper. Pl. XXXVIII
Located in London, GB
RATHBONE, Frederick
Three Vases in Grey-Blue Jasper. Pl. XXXVIII
Published by Bernard Quartich, London 1898
Original chromolithograph by W. Griggs from Old Wedgewood, the Decorat...
Category
Naturalistic 1890s Still-life Prints
Materials
Paper, Lithograph
A Large Jardiniere or Monteith. Jasper. Pl. XXXVII
Located in London, GB
RATHBONE, Frederick
A Large Jardiniere or Monteith. Jasper. Pl. XXXVII
Published by Bernard Quartich, London 1898
Original chromolithograph by W. Griggs from Old Wedgewood, the D...
Category
Naturalistic 1890s Still-life Prints
Materials
Paper, Lithograph
Wine Cooler or Jardiniére in White, and Two Vases in Blue Jasper. Pl. XLI
Located in London, GB
RATHBONE, Frederick
Wine Cooler or Jardiniére in White, and Two Vases in Blue Jasper. Pl. XLI
Published by Bernard Quartich, London 1898
Original chromolithograph by W. Griggs fr...
Category
Naturalistic 1890s Still-life Prints
Materials
Paper, Lithograph
Original Victorian card with flower arrangement and ice skating scene
Located in Milwaukee, WI
Business cards like this fall into the category of what art historians today generally refer to as "ephemera." Ones like this were produced for companies in the late 19th century, pr...
Category
Romantic 1890s Still-life Prints
Materials
Lithograph
The Lotus.
Located in New York, NY
Clark, A.H. The Lotus. Ca 1890.Original Lithograph. 22 3/4 x 13" sheet,
26 1/2 x 17" on linen. Rare.
Category
Art Nouveau 1890s Still-life Prints
Materials
Lithograph
$1,650
"Snow Ball" Pochior - Grasset
Located in Hinsdale, IL
Pochoir (French for stencil) is a fine art printing technique that was especially popular in France from the late 19th to the early 20th century. It involves applying layers of color...
Category
Art Nouveau 1890s Still-life Prints
Materials
Lithograph
Le Mais (Corn on the cob) in woven basket)
Located in New Orleans, LA
Maize by Scholnyk is a mezzotint of ears of corn in a woven basket. This impression is #25 of an edition of 80.
Schkolnyk was born in Paris, France in 1953 and currently resides in...
Category
American Modern 1890s Still-life Prints
Materials
Mezzotint
$206 Sale Price
44% Off
Original vintage poster "Salon de Cent"
Located in Hinsdale, IL
CAZALS, FREDERIC-AUGUSTE
(1865 -1941)
"Salon des Cent"
Original Lithograph, c. 1894
Signed in stone, lower left; “F.A. Cazals, 94”
Printed by Bourgerie & Cie, Paris
Image size: 24...
Category
Art Nouveau 1890s Still-life Prints
Materials
Lithograph
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'Eggs'
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Henri Matisse, The Swimming Pool II, from Verve, Revue Artistique, 1958 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled La Piscine II (The Swimming Pool II), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. La Piscine II is one of the most expansive and lyrical compositions from Matisse’s late cut-out period, inspired by his deep fascination with the movement of water, light, and the human form. The work’s sweeping arrangement of floating blue shapes and rhythmic negative space evokes swimmers and sea life in motion, transforming a simple visual theme into a poetic meditation on fluidity, serenity, and the joy of life. Through its monumental simplicity and chromatic brilliance, La Piscine II exemplifies Matisse’s mastery of “painting with scissors” and his ability to translate motion into pure visual harmony.
Executed as a lithograph on velin du Marais paper, this work measures 14 x 40.5 inches, with trifold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, faithfully capturing the luminosity, rhythm, and tactile beauty of Matisse’s original gouache cut-outs.
Artwork Details:
Artist: After Henri Matisse (1869–1954)
Title: La Piscine II (The Swimming Pool II), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, 1958
Medium: Lithograph on velin du Marais paper
Dimensions: 14 x 40.5 inches, with trifold as issued
Inscription: Unsigned and unnumbered as issued
Date: 1958
Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris
Printer: Mourlot Freres, Paris
Catalogue raisonne reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139
Condition: Well preserved, consistent with age and medium
Provenance: From Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published by Editions de la revue Verve, Paris, 1958
Notes:
Excerpted from the publication, Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This double issue of Verve was entirely devoted to the final works of Henri Matisse, composed of his celebrated gouache cut-outs, which the artist called “painting with scissors.” Completed shortly before his death, this issue represents the culmination of Matisse’s lifelong exploration of color, rhythm, and spiritual joy through the simplest means of expression.
About the Publication:
Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Matisse collaborated closely with Teriade from the magazine’s inception, producing some of its most iconic issues, including those devoted to his paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi, the Nu Bleu series, Poisson Chinois, and Vigne, stands as a testament to Matisse’s enduring genius and to the publication’s legacy as the definitive meeting of art, poetry, and printing craftsmanship in 20th-century France.
About the Artist:
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