Modern Art Still-life Prints

Acrylic and silkscreen ink on paper 101.5 by 151.5 cm. 40 by 59⅝ in. framed: 112 by 161.6 cm. 44⅛ by 63⅝ in. Executed in 1980. Stamped by The Estate of Andy Warhol and The Andy Warh...

Herbiers undated lithograph, artist proof (E.A) & signed by the artist 20,5 x 27,9 x 0,1 cm sold without frame about Jean Hélion (April 21, 1904 – October 27, 1987) Jean Hélion was...

Artist: Ben Shahn, American (1898 - 1969) Title: Many Cities from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Size: 22.5 x 17.75 in....

Original Zurich, Switzerland vintage travel poster. Conservation linen backed and ready to frame. Excellent condition. Created by the esteemed...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

This artwork "Still Life with Vase and Lemons" c.1980, is an original color lithograph on Wove paper by noted French artist Claude Gaveau, b.1940. It is hand signed and numbered 64/1...

Michel HENRY A Bouquet of Poppies Original silkscreen Handsigned in pencil Justified EA (Artiste Proof) On vellum 52 x 44 cm (c. 20.4 x 17.3 in) Excellent condition

Artist: Lowell Nesbitt Title: Iris Medium: Screenprint Signed: Hand Signed Edition: From the edition of 175 Year: 1978 Measurements: 24" x 31" Note: This piece is sold unframed...

Merengue, 2017 Katherine Bernhardt Lithograph in colours, on Somerset Velvet Signed, dated and numbered from the edition of 100 Produced by Paupers Press, London Sheet: 70.5 × 97 c...

BASQUIAT'S CAT, 2025 Silkscreen Image Size H 22 x 22cm Framed Size H 47 x 45cm Edition of 100 Additional information: Screen print on Paper Edition of 100 22 H x 22 W cm (8.66 x 8.6...

Unsigned. On Japanese paper.

These are two 18 x 24-inch hand-printed photographs of the fog in early morning light in the woods in northern California near San Francisco using the antique cyanotype process. Thei...

With hand-deckled edges. Obey publishing chop in lower left corner. "Both a celebration of nature and a cautionary tale. Waves are beautiful and represent a powerful, hypnotic rhyth...

Archival Pigment Iris Print. Edition 4/12 with heavy hand coloring. A vibrant work with mixed media worked over the print. Kim Frohsin spend 12 years working on monotype ev's and Iri...

Image of a young woman, smelling a flower. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely...

Artist: Hunt Slonem, American (1951 - ) Title: Still Life Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP 25 Image Size: 26 x 19 inches Size: 30 in. ...

Flowers is a vintage offset and lithograph artwork on paper realized after Josip Generalic in 1971. Good conditions. Signed on the plate and dated o...

George Lockwood, American (1929 - 1969) - Harvest Flowers, Year: circa 1963, Medium: Screenprint on Arches, signed, titled and numbered in pencil, Edition: 1/20, Image Size: 18 x 2...

Klaus Fußmann (*1938 Velbert), Gladiolen, 1983. Color etching, WVZ 116.5, 14.5 cm x 18.5 cm (depiction), 20 cm x 21 cm (sheet size), signed “Fuß[mann]” in pencil lower right and insc...

Artist: Hunt Slonem, American (1951 - ) Title: Shell Ginger Year: Circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 175, AP 30 Ima...

Artist: Hunt Slonem, American (1951 - ) Title: Curtains Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: HC 10 Image Size: 22 x 26.5 inches Size: 26 ...

"What I wish to show when I paint is the way I see things with my eyes and in my heart." -Raoul Dufy This lithograph was reproduced after a painting by Raoul Dufy entitled "L'Atelie...

Katie Allen In The Moment 1 Limited edition giclée print, edition of 50, 100 x 98 cm. Signed, editioned and titled by the artist in pencil. If brought online, prints will be rolled and sent in a tube. Katie captures the seasonal changes within each artwork, focussing particularly on the colours and smaller details. when viewed as a whole her paintings are of recognisable landscapes and natural forms – trees and plants, insects and birds – but on closer inspection become detailed abstract patterns composed of intricate designs. “As well as numerous western artists, I am greatly influenced by Indian art and architecture, calligraphy, Arabic art...

Hand Signed. Edition of 150 pieces. Excellent condition.

A strikingly vibrant monoprint, showing a graphic, gestural drawing of a tropical leaf on an array of vivid colours. The artist has signed and dated ...

Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Raoul Dufy, IV, Col...

Michel HENRY Still Life with a Red Background Original screenprint Handsigned in pencil Justified EA (Artist Proof) On vellum 60 x 77 cm (c. 23.6 x 30.3 in) Excellent condition

Medium: Lithograph on vélin d'Arches paper Year: 1967 Paper Size: 26 x 20 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Dunoyer de Segonzac...

Artist: Marc Chagall Title: Blue Still Life Portfolio: Derriere le Miroir 99-100 Medium: Lithograph Date: 1957 Edition: 2500 Frame Size: 19 1/2" x 17 3/4" Sheet Size: 15" x 11" Signa...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Multicolor Iris Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 35/40 Size: 36 x 25 in. (9...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Nature morte a la dinde (Still Life with Turkey), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological intensity that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 20 x 26 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1899–1943) Title: Nature morte a la dinde (Still Life with Turkey), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 20 x 26 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

Mini Candy Diptych is a collection containing the works Mini Cola Bottle and Mini Gummy Bear. A hand crafted five layer screen print of a painted illustration by the artist this retr...

Artist: Hunt Slonem, American (1951 - ) Title: Purple Spell Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 29 Size: 22 x 30 inches

A bright and vibrant still life by pop artist Hunt Slonem. The silkscreen print is hand-signed and numbered in pencil, nicely framed. Spell III by Hunt Slonem, American (1951) Date:...

Poster. Measures 33 x 27 in. Unframed. Plate-signed. Copyright 1971 New York Graphic Society, Ltd. Printed in USA. Excellent/Good Condition.

Photorealist flower screenprint by American artist Lowell Blair Nesbitt, signed and numbered in pencil. Electric Tulip (Black and White) Lowell Blair N...

Listen # 6 by Harry Bunce [2021] Please note that insitu images are purely an indication of how a piece may look Listen # 6 by Harry Bunce is a mixed media work of Bunce’s rabbit ch...

Artist: Hunt Slonem, American (1951 - ) Title: My Parents Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 30 Image Size: 24 x 30 inches Size: 26 in. x 3...

The Oracle [2020] limited_edition limited edition giclee print on hahnemuhle 310gsm etching paper with hand torn edges. Edition number 3 Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:0.5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A limited edition print of an eye with colourful abstract shapes around it contrasting beautifully with the black background. Discover new limited edition prints by Carne Griffiths available to by online and in our art gallery. Originally from Liverpool, Griffiths graduated from the Kent Institute of Art and Design in Maidstone in 1995. After completing a one-year KIAD fellowship and moving to London he served an apprenticeship at the longest-established gold wire embroidery firm in the world. Here he worked as a gold wire embroidery designer for twelve years, eventually becoming the creative director. Carne produced intricate designs for the military and the film, theatre, fashion and advertising industries. His designs were used for the uniforms in the films Valkyrie, The Last King of Scotland, and in particular his ‘Red Death Coat’ was used in The Phantom of the Opera...

Artist: Hunt Slonem, American (1951 - ) Title: Iron Flamingo Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 30 Size: 26 in....

LEONARD BROOKS (Canadian-American, 1911-2011) Poster 34.75 x 23.25 in. Unframed Plate signed Copyright 1983 New York Graphic Society, Ltd. Printed in I...

Signed edition 44/ 99 Line engraving in Arches paper Image size 19 x 11 1/in Paper size 26 x 19 1/2 in. Matted 29.5 x 21 Inches

Jim Dine (b. 1935, American) Henry Street Robes 2006 Aquatint and digital color print, on Strathmore coated paper 17 3/4 x 25 3/8 in. Edition of 50 Pencil signed, dated, and numbered...

Red toned interior still life depicting a white pitcher, two beverage bottles, three yellow ripe mangoes and one unripe, and a shape that resembles a sliced cantaloupe--all on top of...

Spiral Dress by Stacey AS Pritchard Signed on front, lower right Print, Watercolor, Landscape, Waterscape, Human Figure, Feminist, Patterns

Brainstorming. 6/450, poster, K. Hayes Fine Arts 1998, 69x49 cm Juris Dimiters (1947) Education: 1958-1965 Janis Rozentals Art High School of Riga 1965-1973 Art Academy of Latvia, Painting Department, specialism in scenography. Solo shows: 1981- Baiba & Leo Benias Gallery, West Berlin (as part of the Skulme family exhibition) 1984- Museum of Foreign Art , Riga; Cēsis Exhibition Hall; 1986- Firebird Gallery, Alexandra; International Images, Pittsburgh, USA. 1987- Exhibition Hall, Jurmala. 1987- Exhibition Hall, Stockholm, Sweden (as part of the Skulme family exhibition) 1989- Delta Art Gallery, Nijmegen (The Netherlands). 1992- Maya Polsky Gallery, Chicago, USA. 2000- State Tretyakov Gallery, Moscow and State Museum of Art , Riga. 2004- Riga Museum of History and Navigation. 2007- Imagine Gallery, Riga. 2007- Art gallery Laipa, Valmiera. 2007- Moscow house, Riga. 2009- Zurab Tsereteli Gallery, Moscow. 2009- Riga Museum of History and Navigation. 2012- Paintings about Love at Happy Art Museum, Gallery Riga. Awards: 1981- 2nd Prize, International Poster Biennial, Lahti, Finland. 1982- Faber Castell, International Triennial of Drawings by Young Artists, Nurnberg, Germany. 1982 - 1st Prize, Fort Collins, Colorado, USA. 1983- 3rd Prize, International Poster Biennial, Lahti, Finland. 1983- 1st Prize, Colorado International Poster Exhibition, USA. 1985- 1st Prize, Stage Design Triennial of the Baltic Republics. 1987- Certificate of Honor, honorary diploma Artists Society International Art Achievement Awards Exhibition San Francisco, Ca, USA. 1987- Honorable Mention, Artist Liaison Competition, Santa Monica, Ca, USA. 1988- 1st Prize, Social Poster Section at the exhibition Best Poster in Riga. 1989- Certificate of Honour, International Poster Biennial, Lahti, Finland. 1989- Meritorious Artist of the Latvian SSR. Museums and Collections: Art Collection of the nascent Latvian Museum of Contemporary Art, Riga, Latvia. Museum of the Artists’ Union of Latvia, Riga, Latvia. State Tretyakov Gallery, Moscow, Russia. Museum Ludwig, Cologne, Germany. Cremona Fund, Maryland, USA. New Orleans Museum of Art, USA Norton and Nancy Dodge Collection, Zimmerli Art Museum, New Brunswick, USA Private collections in Latvia, USA, Russia, Germany, Sweden. Literature: J. Dimitrers, J. Borgs“Juris Dimiters. Plakāti” – R.: Iespiests Jelgavas tipogrāfijā, Rīga, 2014. Juris Dimiters is among the most intellectual and witty artists of his generation. The characters of his works – paintings and posters – mostly are anthropomorphized fruits and objects. Placed within games of mutual interrelationships, they have become actors in the theatre directed by the artist. Over time the personages of the still-life have constantly transformed and migrated both among groups of work and media, embodying new roles in each of them. Nevertheless, they have always actively commented on one of three subjects – power, society and the everyday. J. Dimiters’ paintings and posters strike...

Dine, Jim. THE NEW FRENCH TOOLS 5 - BOULEVARD VICTOR DOUBLE SKY. D;Oench and Feinberg 175. Etching and aquatint and electric tools on two plates, with hand ...

Signed edition 74/ 99 Line engraving in Arches paper Image size 19 x 11 1/in Paper size 26 x 19 1/2 in. Matted 29.5 x 21 Inches

Flowers is a very colorful artwork realized by Martine Goyens in the late 20th Century. Digigraph print. Hand-signed. Good conditions. The artwork id depicted through confident s...

Framed 19 x 17.75 in No. 202 in the Catalogue Raisonne of Chagall's lithographs This lithograph was created by Chagall especially for this edition of the book "Chagall" by Jacques ...

This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled La table Louis-Philippe (The Louis-Philippe Table), from the album Roger de la Fresnaye, III, Collection Pier...

Michel HENRY Flowers in the Wind Original lithograph Handsigned in pencil Numbered on 275 copies On vellum 54 x 76 cm (c. 21.2 x 29.9 in) Excellent condition

"Shell Ginger" is an original color serigraph by Hunt Slonem. The artist signed the piece in the lower right, titled it lower center, and wrote the edition number (A.P. 16/30) in the lower left. It depicts a chair with an animal skin and plants. 25"x 20 3/8" image 30"x 22" paper 33 1/2 x 28 3/4" frame Hunt Slonem (born Hunt Slonim, July 18, 1951) is an American painter, sculptor, and printmaker. He is best known for his Neo-Expressionist paintings of tropical birds, often based on a personal aviary in which he has been keeping from 30 to over 100 live birds of various species. Slonem's works are included in many important museum collections all over the world; he is exhibiting regularly at both public and private venues, and he has received numerous honors and awards. Hunt Slonem’s oil paintings...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Guitariste (Guitarist), from the album, Picasso, Oeuvres 1920-1926, 1926, originates from the 1926 edition published and printed by Editions des Cahiers d'Art, Paris, under the direction of Christian Zervos, Editeur, Paris, December 10, 1926. Guitariste (Guitarist) captures Picasso’s evolving exploration of form, movement, and emotion during the mid-1920s—a pivotal period in which he redefined the relationship between classical representation and modern abstraction. With its bold contouring, stylized anatomy, and rhythmic color balance, the composition embodies the harmony between structural precision and sensual fluidity that characterized Picasso’s work in this era. Executed as a lithograph and pochoir on velin paper, this work measures 11 x 8.75 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the refined craftsmanship of Editions des Cahiers d'Art and the technical excellence of Parisian printmaking in the interwar period. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Guitariste (Guitarist), from the album, Picasso, Oeuvres 1920-1926, 1926 Medium: Lithograph and pochoir on velin paper Dimensions: 11 x 8.75 inches (27.94 x 22.23 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1926 Publisher: Editions des Cahiers d'Art, Paris, under the direction of Christian Zervos, Editeur, Paris Printer: Ducros & Colas, Paris Catalogue raisonne references: Cramer, Patrick. Pablo Picasso, The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 15; Bloch, Georges. Pablo Picasso: Catalogue of the Printed Graphic Work 1904–1967. Kornfeld & Klipstein, 1968, illustration 56 Condition: Well preserved, consistent with age and medium Provenance: From the album, Picasso, Oeuvres 1920-1926, published and printed by Editions des Cahiers d'Art, Paris, under the direction of Christian Zervos, Editeur, Paris, 1926 Notes: Excerpted from the album (translated from French), This volume was completed to be printed by the Ducros & Colas printing house, 7, rue Croulebarbe in Paris, for the Editions des Cahiers d'Art, on December 10th MCMXXVI, DCC numbered examples, VI on Japon Imperial with an etching by Picasso, numbered from I to VI, L examples on paper by papier de Hollande, Van Gelder, with an etching by Picasso, numbered from VII to LVI, DCXL examples on velin, numbered from LVII to DCC, plus II examples intended for legal deposit. About the Publication: The album Picasso, Oeuvres 1920-1926 was issued in 1926 by Editions des Cahiers d'Art under the direction of Christian Zervos, one of the most influential editors, critics, and publishers of 20th-century modernism. Conceived as both a visual and intellectual tribute to Pablo Picasso’s mastery during a crucial transitional period, the volume presents a series of lithographs and pochoirs that chronicle his stylistic evolution from synthetic Cubism toward a renewed engagement with the human figure. Published in conjunction with the legendary Cahiers d'Art journal, the edition reflects Zervos’s vision of uniting scholarship, craftsmanship, and artistic authenticity in the modern book arts. Each composition was executed by the master printers Ducros & Colas and colored using the pochoir technique, faithfully translating the tonal subtleties and compositional balance of Picasso’s original drawings and gouaches. Completed on December 10, 1926, the edition comprised DCC examples—VI on Japon Imperial, L on Hollande Van Gelder, and DCXL on velin paper, plus II copies reserved for legal deposit—each numbered and printed to exacting standards. The volume stands as one of the earliest major Cahiers d'Art collaborations with Picasso, preceding the monumental Catalogue Raisonne des Oeuvres de Picasso that Zervos would later dedicate his life to producing. Today, Picasso, Oeuvres 1920-1926 remains a cornerstone of interwar art publishing, representing the confluence of avant-garde innovation, technical excellence, and intellectual rigor that defined the Parisian art world of the 1920s. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Guitariste (Guitarist), Picasso Oeuvres 1920-1926, Picasso Zervos Cahiers d'Art, Picasso pochoir...

Yves GANNE (1931-2019) Lilies on an Oranfe Background Original Lithograph Signed on pencil Numbered on 140 copies On vellum BFK Rives 75 x 53.5 cm (c. 29.52 x 20.86 in) Very good c...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Island of Yellow Flowers Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 32 x 40 inch...

This piece is a giclee on Hahnemuhle 350gsm Museum paper, created by Bob Dylan in 2013. It is from Dylan's series entitled The Drawn Blank Series. Bob Dylan is known as one of the mo...

Guy Bardone Original Handsigned Lithograph Dimensions: 76 x 54 cm Edition: HC XXI/XXX HandSigned and Numbered Ecole de Paris au seuil de la mutation des Arts Sentiers Editions Guy Bardone was one of the great painters of the “Ecole de Paris” and of the second mid twenty century. Guy Bardone French, (1927 - ) Guy Bardone Guy Bardone was born in 1927 in Saint-Claude, on of the most beautiful old towns in France. His vocation as a painter was confirmed after admission to the Ecole National Supérieure des Arts Decoratifs in Paris. Here he trained under Brianchon, Cavailles and Desnoyer. He was awarded the prestigious Prix Félix Fénéon in 1952 which set wider horizons and allowed him entry into the Paris arena. Guy Bardone est né en 1927 à Saint-Claude (Jura). Après des études à l'école des Beaux-Arts de Lyon, il entre à l'école supérieure des arts décoratifs où il reçoit les enseignements de Brianchon, Cavaillès et Desnoyers. En 1950, il rencontre le critique George Besson qui l'encourage et le conseille. En 1952, il obtient le Prix Félix Fénéon et commence à exposer dans divers salons et expositions de groupe. il est sélectionné en 1953 à la très importante expositions de groupe "célébrités et révélations de la peinture contemporaine...

This is a three-plate color mezzotint. The mat dimensions are 20 x 16 inches. Signed "Schkolnyk" at lower right.