Modern Art Still-life Prints

Monotype EV edition variée 1/4, with heavy hand coloring: mixed media, featuring satin wedding shoes. Signed front in pencil by Kim Frohsin, who is strongly associated with the Bay ...

Archival Pigment Iris Print. Edition 5/12 with heavy hand coloring and miced media worked over the print. Kim Frohsin spent 12 years working on monotype ev's and Iris prints, and wor...

Archival Pigment Iris Print. Edition 4/12 with heavy hand coloring. A vibrant work with mixed media worked over the print. Kim Frohsin spend 12 years working on monotype ev's and Iri...

1920's flapper shoes featured in this green, blue, black, and white. From a variable edition (édition variée) of 7 -- each impression is a unique color ...

This is a three-plate color mezzotint. The mat dimensions are 20 x 16 inches. Signed "Schkolnyk" at lower right.

Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that see...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University in Dallas. Among others, she has had solo exhibitions in Dallas at The...

Aquatint printed in colours on wove paper. Signed in pencil, numbered from the edition of 200. Plate 37.2 x 50 cm

Pablo PICASSO Cubist composition with Glass and Apple (Tribute to Cezanne) Stone lithograph (Mourlot workshop) On Arches vellum 44.5 x 32.5 cm (c. 18 x 13 inch) REFERENCES : - Cat...

Bernard Buffet Still life with Eggs, 1960 Lithograph Printed signature in the plate On Arches vellum 56 x 69 cm (c. 22 x 28 in) Excellent condition

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Flowers in Moonlight Year: circa 1975 Medium: Lithograph, signed in pencil Edition: Epreuve d'Artiste Size: 25.25 x 19.5 in. (64.14 ...

Nile View (INV# NP3631) Betty Woodman color woodcut with chine collé 40.25 x 30” 1996 # P.P. 2/2, outside the edition of 30 signed

Kabuki Space (INV# NP3629) Betty Woodman color woodcut 37 x 25” # P.P. 2/2, outside the edition of 30 2000 signed Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium. Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay. It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...

Kimono Still Life Vase (INV# NP3630) Betty Woodman color woodcut with chine collé 27.5 x 41.5 1992 # W.P. 1/2, outside the edition of 15 signed

Boardwalk Vase (INV# NP3628) Betty Woodman color woodcut with chine collé 37.88 x 36.75” 1998 # P.P. 2/2, outside the edition of 30 signed Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium. Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay. It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...

After Mexico in Kyoto (INV# NP3627) Betty Woodman color woodcut with chine collé 27.25 x 36.25” 1997 # P.P. 2/2, outside the edition of 30 signed Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium. Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay. It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...

Technical Information: James Rosenquist While the Earth Revolves at Night 1982 Pastel and pencil on paper 36 1/2 x 72 1/4 in. Unique Signed, dated, and titled Additional Technical ...

Monoprint on wood laminate on paper

2015 Screenprint in colors, on 2-ply museum board Sheet: 40 x 30 7/10 in. Edition of 35 Signed and numbered

Kazuhisa Honda (b. 1948) "Lemon Tree" c. 1980s Mezzotint Signed Lower Right Numbered Lower Left 81/250 Site Size: approx. 8 x 5 inches Framed Size: approx...

Tom Wesselmann, (1931-2004) "Still Life" (Stilleben) 1988 Porcelain with Polychrome Ed. 169/299 Porcelain Size: approx. 13 x 14 inches Overall Size: approx. 18 3/4 x 20 inches Foun...

Signed, numbered and dated by the artist, a unique variant from the edition of 100. Printed on Somerset 300 gsm Velvet paper by Paupers Press, London. Published by Counter Editions, ...

Framed Salvador Dali's Lithograph Wild Blackberries 1970 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) Excellent Co...

Chagall (After) offset lithograph, printed in circa 1970. Signed in the plate, numbered in pencil 448/500.