Uncorked (State)
View Similar Items
1 of 4
Susan RothenbergUncorked (State)2004
2004
About the Item
- Creator:Susan Rothenberg (1945, American)
- Creation Year:2004
- Dimensions:Height: 26 in (66.04 cm)Width: 22 in (55.88 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:West Hollywood, CA
- Reference Number:Seller: SR02-1496A1stDibs: LU14921824573
You May Also Like
- Zhiyong Jing Silkscreen Print "Come to You #2" Edition of 50 Cristo Rey JesusBy Zhiyong JingLocated in Draper, UT"Come to You no. 2" Edition of only 50 prints. Signed and Numbered by the artist in pencil 13/100. Born in 1982, Jing Zhiyong's creative work was predominantly inspired by the 1990s. A collective of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. Affiliated loosely by their age and nationality, they were a varied collective of practitioners. A number of the YBAs attended the Royal College of Art and Goldsmiths in London, and were favoured by the ‘super collector’ of the time, Charles Saatchi. The most renowned member of the group is Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas...Category
2010s Contemporary Still-life Prints
MaterialsScreen
- Star, from American Signs PortfolioBy Robert CottinghamLocated in New York, NYROBERT COTTINGHAM Star, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and numbered edition of 100 in pencil -- Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...Category
Early 2000s Photorealist More Prints
MaterialsScreen
Price Upon Request - Wrapped Papaya Fruit Risograph PrintLocated in Collingwood, VictoriaIn this series entitled 'Freshly Wrapped', Alice explores the relationship between fresh produce and plastic. For the city-dweller, plastic wrapping has become as much a part of the way we eat fruit and vegetables as the skin of the thing itself. Instead of pulling from the soil or plucking from a tree; we squeeze our produce from mesh bags...Category
2010s Contemporary Still-life Prints
MaterialsScreen
- Sunset ( Glow In The Dark )By InvaderLocated in Miami, FLInvader Sunset ( Glow In The Dark ) , 2018 Hand-signed and numbered by artist Screenprint in colours with phosphorescent ink and embossing 16 3/10 × 16 3/10 in Edition of 100Category
2010s Street Art More Prints
MaterialsScreen
- Victoria Sponge Cake Risograph PrintLocated in Collingwood, VictoriaIn this series Alice explores the graphic qualities of cakes and the romance of cake shops using a combination of printmaking techniques. Working with layered silkscreens, stencillin...Category
2010s Other Art Style Still-life Prints
MaterialsScreen
- Orange Syrup Cake with Coconut ScreenprintLocated in Collingwood, VictoriaIn this series Alice explores the graphic qualities of cakes and the romance of cake shops using a combination of printmaking techniques. Working with layered silkscreens, stencillin...Category
2010s Other Art Style Still-life Prints
MaterialsScreen