Thomas Arvid

It's a Shore Thing

32" x 40" Unframed Limited Edition Giclee Artist Proof of 95 Hand Signed by Thomas Arvid

30" x 14" Unframed Limited Edition Giclee HR of 35 Hand Signed by Thomas Arvid

25" x 18.5" Framed Limited Edition Giclée on Paper Numbered of 295 Hand Signed by Thomas Arvid

28" x 42" Unframed Limited Edition Giclee of 295 Hand Signed by Thomas Arvid 28" x 42" Unframed Artist Proof of 185 Hand Signed by Thomas Arvid 28" x 42" Unframed Limited Edition Giclee on Metal...

Thomas Arvid Three's Company, 2012, (31/195) Limited Edition on Canvas 43 x 21.50 in

Thomas Arvid Three's Company 14/75 AP, 2015 Limited Edition on Canvas Artist Proof 43 x 21.50 x 54.61 in

Thomas Arvid Tour De Force, 2006, (275/325) Limited Edition 31 x 18 in

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...