Items Similar to Chironia Baccifera Berry-Bearing Chironia /// English Botanical Flower Engraving
Want more images or videos?
Request additional images or videos from the seller
1 of 20
William CurtisChironia Baccifera Berry-Bearing Chironia /// English Botanical Flower Engraving1793
1793
About the Item
Artist: William Curtis (English, 1746-1799)
Title: "Chironia Baccifera Berry-Bearing Chironia" (Vol. 7, Plate 233)
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1793 (First series)
Medium: Original Hand-Colored Engraving on likely watermarked, wove paper
Limited edition: Unknown
Printer: Couchman and Fry, London, UK
Publisher: William Curtis, London, UK
Reference: "Great Flower Books" - page 156-157; Henrey No. 472; Hunt No. 689; Nissen BBI No. 2350; Stafleu & Cowan TL2 No. 1290
Framing: Recently framed in a gold moulding with 100% cotton rag matting
Framed size: 15" x 12.07"
Sheet size: approx. 9.25" x 5.5"
Image size: 6.5" x 3.75"
Condition: Some faint discoloration along top edge. In excellent condition with strong colors
Notes:
Engraved by English artist Franciscus Sansom (Active: 1785-1800). Comes from Curtis' monumental publication "The Botanical Magazine; or, Flower-Garden Displayed", (1787-1800's), which consists of 1,000's of hand-colored engravings. Printed from one copper plate in one color: black.
William Curtis edited the work until his death in 1799 (Vols. 1-13), John Sims then took over from 1801 until 1826. The third period, under the editorship of Sir William Hooker ran from 1827 to 1864, when Sir William’s son, Sir Joseph Hooker took over. The plates were worked on by many of the most prominent botanical artists of the time, including the work of John Curtis, Sydenham Edwards, James Sowerby, William Hooker, and perhaps most noteworthy of all, Walter Hood Fitch.
Biography:
William Curtis (11 January 1746 - 7 July 1799) was an English botanist and entomologist, who was born at Alton, Hampshire, site of the Curtis Museum. Curtis began as an apothecary, before turning his attention to botany and other natural history. The publications he prepared reached a wider audience than early works on the subject had intended. At the age of 25 he produced Instructions for collecting and preserving insects; particularly moths and butterflies.
Curtis was demonstrator of plants and Praefectus Horti at the Chelsea Physic Garden from 1771 to 1777. He established his own London Botanic Garden at Lambeth in 1779, moving to Brompton in 1789. He published Flora Londinensis (6 volumes, 1777–1798), a pioneering work in that it devoted itself to urban nature. Financial success was not found, but he went on the publish The Botanical Magazine in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby and Sydenham Edwards. (William Kilburn is often erroneously cited as having contributed plates to Curtis's Botanical Magazine. Though he did provide illustrations to Flora Londinensis, his association with Curtis seems to have ended by 1777, 10 years before the first publication of the Botanical Magazine) Curtis was to gain wealth from the ventures into publishing, short sales on Londinensis were offset by over 3,000 copies of the magazine. Curtis said they had each brought 'pudding or praise'.
The genus Curtisia is named in his honour. His publication was continued as the esteemed botanical publication, Curtis's Botanical Magazine. The noted natural history illustrators, James Sowerby and Sydenham Edwards both found a start with the eminent magazine. He was buried in the churchyard at St. Mary's Church, Battersea where he is commemorated in a stained glass window, as many of his samples were collected from the churchyard there.
- Creator:William Curtis (1746 - 1799, American)
- Creation Year:1793
- Dimensions:Height: 15 in (38.1 cm)Width: 12.07 in (30.66 cm)
- Medium:
- Movement & Style:
- Period:1790-1799
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU121215246482
William Curtis
The 18th century saw an intersection of science and art, especially where it came to botanicals. Artists who had formerly devoted their practice to unique oil paintings of flowers now engaged the media of illustration, as an interest in cataloging flora grew and subscription publications began to thrive. Scientists also crossed the divide, delving into etching, and curating artists and works for issues of botanical magazines. William Curtis was one such botanist. For 13 volumes, Curtis engaged the artistic expertise of dozens of botanical artists to illustrate published guides on plants, beginning in 1787. The hundreds of hand-etched, hand-colored plates are actually unattributed, meaning we don’t see a particular artists’ name or signature, though we know that William Curtis commissioned and curated them. These handmade prints are now treated as individual, collectible works in themselves.
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2015
1,315 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Saint Augustine, FL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllSoldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print
By William Curtis
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: "Soldanella Alpina Alpine Soldanella" (Vol. 2, Plate 49)
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1788 ...
Category
1780s Victorian Still-life Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Rosa Semperflorens Minima Miss Lawrence's Rose /// English Botanical Engraving
By William Curtis
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: "Rosa Semperflorens Minima Miss Lawrence's Rose" (Vol. 42, Plate 1762)
Portfolio: The Botanical Magazine; or, Flower-Garden Display...
Category
1810s Victorian Still-life Prints
Materials
Watercolor, Engraving, Intaglio
Glaucium Violaccum (Violet Horned-Poppy) /// James Sowerby Botanical Flower Art
By James Sowerby
Located in Saint Augustine, FL
Artist: James Sowerby (English, 1757-1822)
Title: "Glaucium Violaccum (Violet Horned-Poppy)" (Vol. 3, Plate 201)
Portfolio: English Botany; or, Coloured Figures of British Plants
Year: 1794 (First edition)
Medium: Original Hand-Colored Engraving on cream wove paper
Limited edition: Unknown
Printer: J. Davis...
Category
1790s Victorian Still-life Prints
Materials
Watercolor, Engraving, Intaglio
Glaucium Phoenicium (Red Horned-Poppy) /// James Sowerby Botanical Flower Plant
By James Sowerby
Located in Saint Augustine, FL
Artist: James Sowerby (English, 1757-1822)
Title: "Glaucium Phoenicium (Red Horned-Poppy)" (Vol. 7, Plate 1433)
Portfolio: English Botany; or, Coloured Figures of British Plants
Year...
Category
Early 1800s Victorian Still-life Prints
Materials
Watercolor, Engraving, Intaglio
Cyrilla Pulchella Scarlet-Flowered Cyrilla /// English Botanical Flower Print
By William Curtis
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: "Cyrilla Pulchella Scarlet-Flowered Cyrilla" (Vol. 11, Plate 374)
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Ye...
Category
1790s Victorian Still-life Prints
Materials
Watercolor, Engraving, Intaglio
Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
By William Curtis
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: Set of Six Hand-Colored Engravings
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1796-1829 (First-third seri...
Category
1790s Victorian Still-life Prints
Materials
Watercolor, Engraving, Intaglio
You May Also Like
A Set of Two Hand-Colored Engravings of an Ancient Roman Vase and a Tazza (Cup)
Located in Alamo, CA
This is a pair of framed hand-colored engravings of an ancient vase in the Palizzy Wares style and a silver gilt tazza (cup) with a cover, both from the 16th century. These were engraved under the supervision of Philip De La Motte...
Category
Mid-19th Century Victorian Still-life Prints
Materials
Engraving
"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate)
By John Taylor Arms
Located in Soquel, CA
"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate)
Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail.
Titled, signed, dated, and inscribed along the bottom edge:
Sketch, Saint Aignon, Chartres John Taylor Arms 1950
The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes"
Presented in a wood frame with an off-white mat.
Frame size: 12.5"H x 9.25"W
Image size: 7"H x 4.5"W
John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919.
His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities.
He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...
Category
1940s Victorian Still-life Prints
Materials
Paper, Ink, Drypoint, Etching
"(Love's) Ring of Fire", Intaglio with Aquatint, geometric shapes, patterns
By Katie VanVliet
Located in Philadelphia, PA
This piece titled "(Love's) Ring of Fire" is a limited edition piece by Kate VanVliet and is made from intaglio with aquatint, soft ground, and drypoint on Rives BFK. This piece is a...
Category
21st Century and Contemporary Contemporary Still-life Prints
Materials
Paper, Drypoint, Aquatint, Intaglio
"La Mer VE 4/8" Intaglio, hand colored, seashell motif
By Katie VanVliet
Located in Philadelphia, PA
This piece titled "La Mer VE 4/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category
21st Century and Contemporary Contemporary Still-life Prints
Materials
Archival Paper, Color, Drypoint, Etching, Aquatint, Intaglio
"La Mer VE 1/8" Intaglio, hand colored, seashell motif
By Katie VanVliet
Located in Philadelphia, PA
This piece titled "La Mer VE 1/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category
21st Century and Contemporary Contemporary Still-life Prints
Materials
Archival Paper, Color, Etching, Intaglio, Drypoint, Aquatint
"La Mer VE 7/8" Intaglio, hand colored, seashell motif
By Katie VanVliet
Located in Philadelphia, PA
This piece titled "La Mer VE 7/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...
Category
21st Century and Contemporary Contemporary Still-life Prints
Materials
Archival Paper, Color, Drypoint, Etching, Aquatint, Intaglio
Recently Viewed
View AllMore Ways To Browse
Engraved Botanical
Antique Copper Still
Antique Framed Butterflies
English Hunt
Victorian Flower Print
English Garden Antiques
Victorian Botanical Prints
Antique English Hunt
Chelsea Plate
Victorian Hand Colored Engraving
Victorian Insect
Victorian Intaglio
1800s Books
Fry Glass Glasses
Hunt Engraving
Curtis Engraving
William And Mary Antiques
Antique Copper Window