Bell Tower Prints and Multiples

Drypoint etching on white, buff laid paper with deckle edges, 8 13/16 x 12 inches (224 x 305 mm), full margins. One of only 25 proof impressions. In superb condition with excellent i...

This lithograph from the portfolio "Egon Schiele" is a reproduction of " Kirche von Bozen ", an original artwork realized by Egon Schiele in 1907. The portfolio, that includes 10 lit...

An atmospheric view of the Charles Bridge and Old Town Bridge Tower. Dresden: Max Sinz, 1928. Etching and aquatint in colors on cream wove paper, 11 1/2 x 9 inches (292 x 227 mm) f...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘Fundevogel’. This etching is from the Brothers Grimm tale of ‘Fundevoge...

The Great Church, Nashville Etching & aquatint, c. 1936 Signed in pencil lower right A very rare trial proof Annotated "2" lower left corner recto Three total impressions in the esta...

A fine proof impression on antique paper Etching on antique laid paper with a large heraldic watermark. 4 1/4 x 2 3/8 inches (109 x 61mm), full margins. Signed, dated, and inscribed...

Medium: Mezzotint Year: 2023 Edition: 25 Image Size: 9.25 x 6.25 inches Signed, titled and numbered in pencil by the artist One of a series of prints created to accompany a deluxe l...

You need this fantastic Mid-Century serigraph of Chicago's iconic Wrigley Building & Tribune Tower by artist Mark Coomer, in its original off-white panel f...

Paper Size: 26.75 x 16.25 inches ( 67.945 x 41.275 cm ) Image Size: 26.75 x 16.25 inches ( 67.945 x 41.275 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life....

Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...

TWA (Trans World Airlines) was formed in 1924 as Transcontinental & Western Air. The airline's first route was New York to Los Angeles, soon followed by multiple National routes. The...

This original 1958 tourism poster, photographed by Delmas, captures the spirit of Saint-Germain-des-Prés, one of Paris’s most storied and culturally rich neighborhoods. Issued as par...

William Strang (1859-1921), Le Bourg de Batz, etching and drypoint on copper, 1913, signed in pencil lower right [also signed and dated in the plate]. Refere...

'Durham Cathedral' Wood-engraving after Samuel Read. From 'The Illustrated London News'. Samuel Read was an English illustrator who provided many illust...

Bats in the Belfry is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 135/275 (there were also 100 Roman and 20 A...

Etching on elaborately watermarked, antique, cream laid Dard Hunter paper, 13 5/8 x 7 1/78 inches (347 x 181 mm), full margins. Signed, titled, dated and inscribed "Ed. 100 II." From...

tching on green-hued antique laid Japon paper, 9 7/16 x 4 1/16 (240 x 104 mm), full margins. Signed, dated and inscribed "Ed. 100 II." One of a total edition on 124 impressions, prin...

Etching on white laid paper with an "England" watermark, 3 x 1 3/4 inches (76 x 45 mm), full margins. Signed, dated and inscribed "II" in pencil, lower margin. One of 13 trial proof ...

Etching on buff wove J Whatman handmade paper with a partial watermark, 3 1/2 x 1 3/4 inches (89 x 44 mm), full margins. Signed in pencil and inscribed "III" in the lower margin. A p...

Etching on antique laid paper, 6 9/16 x 3 15/16 inches (167 x 100 mm), signed and dated in pencil, lower margin. Potentially a trial proof impression aside from the unsigned edition ...

Etching on Japon paper, 3 1/2 x 1 3/4 inches (89 x 44 mm), full margins. Signed in pencil and inscribed "III" in the lower margin. Likely an unrecorded trial proof impression from th...

London: Charles Joseph Hullmandel, 1842. Lithograph with hand coloring in watercolor on cream wove paper, 17 5/16 x 12 3/16 inches (440 x 309 mm), full margins. Scattered foxing thro...

Etching realized by Fritz Schwimbeck in 1918. Edition of 125 realized in Munich on mulberry paper. Hand signed in pencil.

Medium: pochoir (after the painting). Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500. Image size: 6 1/2 x 8 1/2 inches (163 x 214 mm). With full o...

'Basilica di St Maria Maggiore. Veduta della facciata principale' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 1870...

This lithograph from the portfolio "Egon Schiele" is a reproduction of " Kirche von Bozen ", an original artwork realized by Egon Schiele in 1907. The portfolio, that includes 10 lit...

This is a historical photograph of Piazza della Signoria in Florence, Italy, taken in the 1950s. The image captures a lively city scene with numerous vintage cars parked around the s...

Westminster Abbey. Signed in pencil by the artist below the image. Rowland Langmaid was a marine painter and etcher who studied under William Lione...

Etching on bluish-grey wove paper, 8 5/8 x 5 1/8 inches (221 x 130 mm), full margins. Signed and dated in pencil. In good condition with light mat tone on the recto and various frame...

Etching on cream wove paper, 5 9/16 x 2 3/4 inches (142 x 70 mm), full margins. Signed, titled, numbered "III," and inscribed in pencil by the artist in the lower margin, recto. In v...

Medium: original etching. Printed in 1888 and published by The New York Etching Club. Image size: 5 3/4 x 3 1/2 inches (145 x 90 mm). Signed in the plate, not hand-signed. Condition...

John Dixon Scott Stratford-upon-Avon 76 x 51 cm Lithograph Published by the Travel Association of Great Britain and N.Ireland this beautiful photographic image encouraged travel to ...

Val Doone The Crooked Spire, Chesterfield 76 x 51 cm Lithograph Published by the Travel Association of Great Britain and N.Ireland this beautiful photographic image encouraged t...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Sepulchre's - The Round Church (1814) Aquatint with original hand colouring 24 x 29 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of the Church of the Holy Sepulchre, Cambridge, the round shape of which is inspired by the rotunda in the church of the Holy Sepulchre, Jerusalem. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

To see our other original vintage travel posters, many of which have skiing and Austrian subjects, scroll down to "More from this Seller" and below it click on "See all from this sel...

Santa Maria Maggiore di Trastevere is an artwork realized by Giuseppe Malandrino. Print in etching technique Hand-signed by the artist in pencil on the lower right corner. Numbere...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. Hugh Casson (1910 - 1999) Lincoln College, Oxford Lithograph 30 x 24 cm Casson's view of Lincoln Library from a bustling Turl Street. Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture...

This artwork titled "Hamburg, Michael's Church, Germany" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed and titled in pencil by the artist. Published/printed by Graphics International, Austria. The plate mark (image) size is 13 x 9.15 inches, sheet size is 18 x 13.75 inches. It is in excellent condition, has never been framed. About the artist. Josef Eidenberger was born in 1899 in the little town of Goisern, Austria,he began his artistic career as a landscape painter. In 1923 he enrolled in the famed Graphic Academy of Art in Vienna and studied under Professor Alfred Cossman. His recognized talent brought him many commissions from city officials and members of the business communities throughout Europe, especially in Austria and Germany. In 1973 after visiting the United States for the first time he created a series of California etchings...

Leaning Tower of Zaragoza is a  lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of th...

Sempione Park is an original black and white photograph printed in offset after a a photo of the Italian photographer Gianni Berengo Gardin (1930) of De...

Strasburg Cathedral is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin: Strasburg Cathe...

The Church of S. Maria in Trastevere is an original etching artwork realized by the Italian artist Giuseppe Malandrino. Hand-signed by the artist on the lower right in pencil. Image...

Entire Title : Veduta degl’Avanzi del Maestoso Ingresso della Villa d’Adriano tre miglia da Tivoli Like G.B.Piranesi, Rossini, well know as the “Piranesi’s heir”, trained as an arch...

City of Banges is an original etching on ivory paper, realized by Anonymous Artist of the XX century, in 1920s. In excellent conditions: As good as new. Not signed. Name of the pl...

Ex Libris pro loco Roccalbegna is a beautiful etching realized by Lanfranco Lanari. Titled, numbered (30/75 prints) and hand-signed in pencil on the lower margin by the Italian arti...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poste...

Harvard University etching dedicated to Frank Freed. The work is signed by the artist along with the dedication. The etching is not framed. Artist Biography: Frank C. Dill was born in 1910. He was a Houston, Texas painter...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Barletta is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Uses and Customs - San Marco Square in Venice is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hist...

Uses and Customs  - Piazza del Duomo in Cremona. Piazza Piccola in Cremona. is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the p...

Uses and Customs  - Piazza Contarena in Udine is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hist...

Uses and Customs - Abbey of Chiaravalle in Milan is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " H...

Adams, Clinton (American 1918-2002). TWO SCREENPRINTS OF ITALIAN TOWNS. Signed in the matrix. Edition sizes not known. Each 16 x 12 inches (image), 20 x 13 inches (sheet). One with a...

Uses and Customs - Duomo Square in Siena is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Frederick Christian Lewis (1779 - 1856) after Frederick Nash (1782 - 1856) St Mary's Church, Oxford (1813) Aquatint with original hand colouring 21 x 27 cm Published by Rudolph Ackermann (1764 - 1834). Frederick Nash was born in Lambeth. He studied architectural drawing under Thomas Malton and then enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton and Edward Wedlake Brayley, subsequently becoming a member of the Society of Painters in Watercolours - a group of painters who had left the Royal Academy following complaints of under-recognition of their works. Nash became primarily a landscape painter and toured the rivers of Germany. Frederick Christian Lewis was an English etcher, aquatint and stipple engraver, landscape and portrait painter. He studied under J. C. Stadler and in the schools of the Royal Academy and aquatinted most of Thomas Girtin's etchings of Paris...