Suzuki (Hozumi) Harunobu

Beauty on a Veranda with Fan and Mirror

1769-1770

At New York (Self Portrait) Woodcut, 1961 Unsigned (as issued) From: The "Way" of the Woodcut, three woodcuts, 1961 Publisher: Pratt Adlib Press, Brooklyn, New York,1961 Printer: Jam...

No Footprints Show, Where the Flowers Grow Deep Woodcut, 1961 Unsigned (as isssued) From: The "Way" of the Woodcut, three woodcuts, 1961 Publisher: Pratt Adlib Press, Brooklyn, New Y...

The Child Plants an Oak Tree in the Garden Woodcut, 1961 Unsigned (as issued) From: The "Way" of the Woodcut, three woodcuts, 1961 Publisher: Pratt Adlib Press, Brooklyn, New York,19...

Signed and titled in pencil Created along with an illustrated book project Song of Peace, 1950-1959. Woodcut printed in orange red ink on Japanese paper Sheet: 16 1/8 x 7"; ...

Thirsty: The Appearance of a Town Geisha - a So-Called Wine-Server - in the Ansei Era Color woodcut, 1888 Signed; Seal: Taiso (see photo) Plate 22 from the series "Thirty-two Aspects...

On the Beach at Long Branch - The Children's Hour Wood engraving, 1874 Published in "Harper's Weekly" August 15, 1874 (p. 672) Image size: 9 1/4 x 13 5/8 inches Provenance: Wunderlic...

Set of 12 woodblock prints in colors on handmade, laid mulberry paper, 6 3/4 x 10 1/4 inches (170 x 258 mm), printed in Ka-ei 4 (1851). Each print with minor handling wear, otherwise in excellent condition with bright and fresh color, and with details printed in silver ink. The images themselves contain several illusive characters indicating the publisher which are obfuscated by figures, as intended. Presented loose, as issued. A fine set. The astrological commentary print has a large and meandering blind stamp with a bird and palm frond motif. This print lists various phrases concerning the Twelve Zodiac Animals as historically counted in Japan, and appears to include erotic commentary on the traits of people born under each of the twelve signs. These Shunga images were issued in books that paralleled (in an erotic fashion...

A scene from a series of ghost stories and spooky rural legends. Tokyo: Matsuki Heikichi, 1896. Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry pa...

Actor Iwai Shigaku as Somenoi in "Denka chaya adauchi" (Revenge at the Denka Teahouse), by Shigeharu, Ryusai (also called Kuniyoshi) Tokyo: Horie Ichiba Wataki, 1835. Woodcut on la...

Woodcut on cream laid paper, 7 1/4 x 2 1/2 inches (182 x 63 mm), narrow margins. Laid down to non-archival board with scattered soiling and some adhesive staining. Okumura Masanobu (Japanese 1686 – 13 March 1764) was a Japanese print designer, book publisher, and painter. He also illustrated novelettes and in his early years wrote some fiction. At first his work adhered to the Torii school, but later drifted beyond that. He is a figure in the formative era of ukiyo-e doing early works on actors and bijin-ga ("pictures of beautiful women"). While Masanobu's early life is largely undocumented, he is believed to have been born about 1686, possibly in Edo (modern Tokyo). Edo was a small fishing village when Tokugawa Ieyasu chose it as his administrative capital of the Tokugawa shogunate, and by the early 17th century the city had prospered and its population had grown to half a million. Masanobu appears to have been self-taught painter (though he did study poetry under Tachiba Fukaku); he is not known to have belonged to any artistic school. His early work shows the influence of the Torii school of ukiyo-e painting...

c. 1883. Kakemono: 28 3/8 x 9 7/16. Repairs and staining; fine color. An extremely scarce historical image. Signed Chikanobu. Housed in a 36 x 15 1/2-inch archival mat, ready for your choice of frame. The Russo-Japanese War...

"Ichimura Hazaemon as Hatsuyumeya Mitsujiro" is a woodcut print by Toyoharu Kunichika in red, blue, and black. 14" x 9 1/2" art 20 3/4" x 16 3/4" framed From the series “First Per...