Taiso Yoshitoshi

The duel between Miyamoto Musashi and Tsukohara Bokuden

1885

Portrait of a Man Facing Left Monotype printed in brown ink, c. 1880-1914 Signed in ink lower left: Chase (see photo) Provenance: Helen Chase Storm (the artist's daughter) Jackson Chase Storm (her son) Chapellier Galleries (as agent) James Bergquist, Boston References And Exhibitions: Exhibited at the Museum of Fine Arts, Boston and the Clark Art Institute, Williamstown, MA. (See MFA paperwork in photos) Reference: Ronald G. Pisano, Completed by D. Frederick Baker and Carolyn K. Lane, William Merritt Chase: Still Lifes, Interiors, Figures, Copies of Old Masters, and Drawings, Catalogue Raisonne, Vol. IV (New Haven and London: Yale University Press, 2010), Vol. 1, M. 8. (See photos of entry) William Merritt Chase (1840-2016) Born in Nineveh, Indiana Died New York, New York In 1883 Chase was involved in the organization of an exhibition to help raise funds for a pedestal for the Statute of Liberty. The exhibition featured loans of three works by Manet and urban scenes by the Italian Impressionist Giuseppe de Nittis. Both artists influenced Chase's Impressionistic style that gave rise to a series of New York park scenes. It is also thought that he was influenced by John Singer Sargent's In the Luxembourg Gardens (1879) which was exhibited in New York at this time. Indeed, Chase had met Sargent in Europe in 1881, the two men becoming lifelong friends with Sargent painting Chase's portrait in 1902. On another European trip in 1885, Chase met James McNeill Whistler in London. While Whistler had a reputation for being difficult, the two artists got along famously and agreed to paint one another's portrait. Eventually, however, Whistler's moods began to grate with Chase who wrote home stating "I really begin to feel that I never will get away from here". For his part, Whistler criticized Chase's finished portrait and, according to Hirshler, "complained about Chase for the rest of his life". While no record exists of Whistler's portrait of Chase; Chase's portrait of Whistler remains a well-known piece in his oeuvre. In 1887 Chase married Alice Gerson, the daughter of the manager of a lithography company. Though some fifteen years his junior (Chase was 37), he had known Alice for some time through her family's devotion to the arts. The pair, who would enjoy a happy marriage with Alice in full support of her husband's career, settled initially in Brooklyn...

Signed: Eisho zu From the series: "Contest of Beauties in the Pleasure District" (Kakuchi bijin-kurabe) Format: Oban Publisher: Yamaguchi ya Chusuke The courtesan Midorigi of the Wakamatsu ya bordello depicted against a decorated ground, holding an ornamental sculpture of an ox. Eisho Chokosai was a pupil of Eisho Hosoda, and is also known as Eisho Hosoda. Reference: Richard Lane...

(A charming lady chatting with a lady perfect in every possible way) Signed in the plate. No pencil signed impressions are existent. Edition: 368 (including 50 imps on japan) includi...

Berenice Color woodcut, 1900-1910 Signed with the artist's red ink stamp (see photo) Edition: 50 (46/50) Signed with the artist's red ink initials stamp, Lugt 1771, Sup. Condition: E...

Reiner Schwarz (*1940 Hirschberg), The Lady with the Dog, 1971. Lithograph, 33 cm x 26 (image), 59 cm x 42 cm (sheet size), signed in pencil at lower right "R.[ein] Schwarz", dated "...

Reiner Schwarz (*1940 Hirschberg), The Hunchback, 1969. Lithograph, 33 cm x 22 (depiction), 59 cm x 42 cm (sheet size), signed “R.[einer] Schwarz” in pencil lower right, dated “[19]6...

Reiner Schwarz (*1940 Hirschberg), The Dirndl Model, 1969. Lithograph, 33 cm x 26 (depiction), 59 cm x 42 cm (sheet size), signed “R.[einer] Schwarz” in pencil lower right, dated “[1...

Reiner Schwarz (*1940 Hirschberg), The man with the scissors, 1969. Lithograph, 30 cm x 21 (depiction), 59 cm x 42 cm (sheet size), signed “R.[einer] Schwarz” in pencil lower right, ...