Thomas Hart Benton

Spring Tryout.

1943

Published by N. Currier, 152 Nassau St. New York. Drawn on the stone by O. Knirsch. Lithograph hand-colored, 1853. This print was produced by Nathaniel Currier's staff as a Christ...

UNION POND, WILLIAMSBURGH, L. I. [sic] is a lithograph printed in color in circa 1862. It was published by Thomas & Eno, 37 Park Row, N.Y. The printed image size is 16 3/4 x 27 in...

Title continues: Built by Mr. Henry Steers, Greenpoint, L. I. Owned by Mr. James Gordon Bennett, Jr. Winner of the Great Ocean Yacht Race, With the ...

Aquatint engraving, 1839-44. Drawn by Karl Bodmer. Engraved by Rene Rollet. Printed by Bougeard, Paris. Published in Paris, A. Bertrand.; Coblenz, J. Holscher; and Lon...

“Hidden Cities I : The Ministry. Second State.” Contemporary artist Peter Milton created this etching and engraving in 2006. The printed image size is Image size 23.50 x 36.88 inches and the paper size is 31 x 42 inches. This impression is signed, dated, and titled in pencil and inscribed “11/75” – the 11th impression from the total printing of 75. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul. In addition to a storied career in printmaking, since 2007 Milton has fearlessly produced artwork digitally. He now creates images using Adobe Photoshop in files consisting of more than two thousand layers, which are printed both as digital prints on paper and, for display on Led light boxes...

Aquatint, mezzotint and etching, 1839-44. Drawn by Karl Bodmer. Grave par J. Hurlimann. Published in Paris, A. Bertrand; Coblenz, J. Holscher and London by Ackermann & ...

Offered at an exceptional price, this piece is in excellent condition and will ship rolled. Edition number 49 / 200. There are 200 pieces in the edition all signed and numbered by...

A WPA Era lithograph by Eugene Fitsch published by the American Artist School in New York, with a facsimile signature lower right below the image. Depicted are probably unemployed me...

RGRFINEARTS is pleased to offer this fine lithograph of a couple on the beach appropriately titled Sun Bathers" from and editoon of 30 prints. Signed and numbered below the image.

RGRFineArts is pleased to offer this WPA Era lithograph by Carl Pickhardt. Sight dimensions are 18 x 11.5 in and the image measures 11.5 x 9 in. Signed and titled in pencil.

Excellent condition and matted with archival materials. An excellent addition to any New York or WPA collection.

A beautiful archivally framed self portrait by the North Carolina artist Maude Gatewood titled "The Hat" from an edition of 20.