Tomas Pineda Matus

TOMAS PINEDA MATUS NO TITLE 44/50

Tomas Pineda Matus Yo, Nostalgico Ed. 30/30 Oaxaca, Mexico 31 1/2 x 24 in Framed and Acrylic Plexiglass Technique: Serigraphy

Arnulfo Mendoza Ruíz. God of Divine Drop. Ed. 91/100. Oaxaca, Mexico. Technique: Metal engraving with various inks. Size: 23 1/4 x 29 1/4 inches. Framed and Acrylic Plexiglass.

Carlos Cerqueda. Cerros de Tobalá, (P.A.) Oaxaca, Mexico. 2019. Technique: Metal engraving with ink. Size: 29 3/4 x 21 1/2 inches. Framed and Acrylic Plexiglass.

Heading Soccer Study. Dated 1926. Technique: Ink on Paper. Durango, Mexico.

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

PURE EVIL - RICHARD BURTON'S NIGHTMARE Date of creation: 2020 Medium: Hand finished screen print on paper Edition: 1 Size: 26 x 26 cm Condition: In mint conditions, brand new and nev...

Studio Portrait: Medaglia d’Oro, 2009 Archival Pigment Print on Hahenmühle Fine Art Paper, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass 76x76cm/30x30in Edition of 5 only Certificate of Authenticity provided, Stamped and Signed by the gallery and John Reardon Archive Estate Medaglia d'Oro (foaled April 11, 1999) is an American Thoroughbred racehorse who won several major stakes races including the 2002 Travers Stakes and the 2003 Whitney Handicap. He also finished second in the 2002 Belmont Stakes, the Breeders' Cup Classic in both 2002 and 2003, and the 2004 Dubai World Cup. Since retiring to stud, he has become an excellent stallion whose progeny include 2009 Horse of the Year Rachel Alexandra, two-time champion filly Songbird and two-time Hong Kong Horse of the Year Golden Sixty. This piece is part of "(after) Whistlejacket" - Contemporary Equine Photographs exhibition at MMX Gallery by John Reardon. The show explores an artistic way of photographing horses. "Racehorses, and the people in their realm, turned out to be his ideal subjects. Reardon’s eye found the elegance, power, and plaintive vulnerability of whatever settled before his camera, and the thoroughbred...

I am a multi-disciplinary artist who has professionally shown my work in dozens of galleries and museums since the late 1990s. But while my work can take many different forms, my practice is rooted in drawing. Whether I am working on the watercolor and acrylic pieces, or fiber-based pieces, every project and every idea begins with a drawing. Through that process I lay out my ideas, ask myself questions, experiment with different options, and try to resolve all the formal and conceptual issues I will attempt in my final piece. The themes I have explored in my work from 1999 on, and even before then, have remained the same even though my style has shifted radically. I have been interested in exploring self-portraiture, personal narratives, femininity, politics, and the use of text in art. I have remained constant in my exploration of critical theory and art history, and drawn influence from artists as diverse as Joseph Beuys, Henry Darger, and Adrian Piper.