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Original French Political Poster May 68 - La lutte continue

1968

This exquisite 1898 Art Nouveau poster celebrates the 500th performance of Roméo et Juliette at the prestigious Théâtre National de l'Opéra in Paris. A grand milestone for Charles Go...

This rare and elegant exhibition poster was created for the Henri Matisse – Dessins exhibition at Galerie Dina Vierny in Paris, which took place from January 25 to February 25, 1966....

This striking 1965 original exhibition poster was created for the Galerie Alphonse Chave in Vence, celebrating the 80th birthday of Georges Ribemont-Dessaignes, a central figure in t...

This striking exhibition poster was produced for the Van Gogh exhibition at the Musée Jacquemart-André in Paris, held from February to March 1960. It features a reproduction of Portr...

"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch. Signed "Carol Summers" along the right edge of the blue shape. Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape. Presented in a silver colored aluminum frame. Frame size: 32.245"H x 27.25"W Paper size: 29.75"H x 24.5"W Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...

Sandra Chevrier Title: La Cage: Briser les Chaînes Medium: Giclée print on 300gsm Moab paper Dimensions: 44.4 x 36 in (112.8 x 91.4 cm) Edition: Limited edition of 25 Year: 2020 Signed: Hand-signed and numbered by the artist Condition: Mint, unframed Sandra Chevrier’s La Cage: Briser les Chaînes (“The Cage: Breaking the Chains”) is a powerful continuation of the artist’s renowned Cages series — a body of work exploring the emotional tension between strength and vulnerability through the lens of female identity. Rendered in her signature style, the subject’s face is partially obscured by a collaged superhero mask...

Mid-century French transatlantic liner menu with printed illustration by French artist Jean Adrien Mercier. Signed in the print, top left and dated 1956 inside centre. This highly c...

Mid-century French transatlantic liner menu with printed illustration by French artist Jean Adrien Mercier. Signed in the print, top left and dated 1956 inside centre. This highly c...