Items Similar to Time Differences by Basil Beattie, 2001
Want more images or videos?
Request additional images or videos from the seller
1 of 6
UnknownTime Differences by Basil Beattie, 20012001
2001
$2,353.64
£1,700
€2,011.05
CA$3,239.38
A$3,594.57
CHF 1,896.05
MX$43,882.04
NOK 23,988.72
SEK 22,467.38
DKK 15,008.07
About the Item
Time Differences by Basil Beattie, 2001
Additional information:
Medium: screenprint
58.4 x 78.7 cm
23 x 31 in
signed, dated, titled and numbered 28/35 in pencil
English painter and printmaker. He studied at West Hartlepool College of Art (1950-55) and at the Royal Academy Schools, London. He taught at Goldsmiths College, London, for much of the 1980s and 90s. An initial interest in the paintings of Walter Richard Sickert gave way to influences from the late work of Picasso and paintings by the New York artists associated with Abstract Expressionism. Beattie's mature work can be situated within the context of the abstraction practised by other English painters such as John Hoyland, Albert Irvin and Gillian Ayres, all of whose sensual and physical use of paint owes some allegiance to the recent American tradition. Beattie's work of the 1980s was very gestural and characterised by its use of dark colours, as in Circus (1984; London, Tate). He later became interested in dividing the pictorial space into defined sections. The abstract forms that Beattie used were often organised into shapes resembling ziggurats. In the mid 1990s he worked with various motifs that relate to apertures of many kinds, from doors to tunnels, conveying his belief in the importance of having a breathing space, or lung, within the work. Mark This Place (1998; see 1998 exh. cat., p. 10) emphasises the tunnel theme, with one large tunnel shape painted on one side of the picture, dominating three smaller tunnel shapes on the other side. Beattie's work often has an underlying intangible narrative of forms relating mysteriously to each other, as in the late work of Philip Guston. His work is included in the Deutsche Bank collection.
- Creation Year:2001
- Dimensions:Height: 23 in (58.42 cm)Width: 31 in (78.74 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Kingsclere, GB
- Reference Number:1stDibs: LU2718214577062
About the Seller
No Reviews Yet
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 2010
1stDibs seller since 2024
41 sales on 1stDibs
Typical response time: 14 hours
- ShippingRetrieving quote...Shipping from: Kingsclere, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllUntitled by Mark Lancaster, 1967
By Mark Lancaster
Located in Kingsclere, GB
Untitled by Mark Lancaster, 1967
Additional information:
Medium: lithograph
73 x 63.5 cm
28 3/4 x 25 in
signed
Mark Lancaster was born Christopher Ronald Mark Lancaster, but early in life he decided that "Mark" was his favorite of the three names. Educated at Holme Valley Grammar School, 1949–52, and Bootham School, York, from 1952 to 55, after which he worked in a family textile business and studied textile technology for six years, painting in his own time, before going to King's College, Newcastle in 1961 to study Fine Art. From 1961 to 1965 Mark Lancaster studied under Richard Hamilton at the University of Newcastle upon Tyne, where he also taught from 1965–66, and then at the Bath Academy of Art, Corsham, Wiltshire, 1966–68, while living in London. He first visited New York City in 1964, where he worked briefly as an assistant to Andy Warhol, appeared in several Warhol movies, and met Jasper Johns, Ray Johnson, Ellsworth Kelly, Roy Lichtenstein, Frank Stella, James Rosenquist, Larry Rivers, Frank O'Hara, Robert Motherwell, Helen Frankenthaler, Norman Mailer and many others. In New York he photographed extensively, and started a series of paintings related to the imagery of the Howard Johnson...
Category
20th Century Abstract Prints
Materials
Lithograph
III by Kim Lim, 1991
By Kim Lim
Located in Kingsclere, GB
III by Kim Lim, 1991
Additional information:
Medium: woodcut on paper
36 x 32.5 cm
14 1/8 x 12 3/4 in
signed and dated in pencil verso
Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making.
On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
Category
20th Century Abstract Prints
Materials
Woodcut
Relief by Kim Lim, 1993
By Kim Lim
Located in Kingsclere, GB
Relief by Kim Lim, 1993
Additional information:
Medium: lithograph
51.3 x 76 cm
20 1/4 x 29 7/8 in
signed, dated and numbered in pencil
Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making.
On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
Category
20th Century Abstract Prints
Materials
Lithograph
Bubble Wrapped by Basil Beattie, 2001
By Basil Beattie
Located in Kingsclere, GB
Bubble Wrapped by Basil Beattie, 2001
Additional information:
Medium: screenprint
45 x 59 cm
17 3/4 x 23 1/4 in
signed, numbered 34/50, titled and dated in pencil
English painter a...
Category
20th Century Prints and Multiples
Materials
Screen
Orchestration by André Bicât, 1965
Located in Kingsclere, GB
Orchestration by André Bicât, 1965
Additional information:
Medium: etching on wove paper
29 1/8 x 22 1/2 in
74 x 57 cm
signed and numbered 3/25 in pencil
...
Category
20th Century Prints and Multiples
Materials
Etching
Rav 3 by Brian Fielding, 1981
By Brian Fielding
Located in Kingsclere, GB
Rav 3 by Brian Fielding, 1981
Additional information:
Medium: screenprint
61 x 48.3 cm
24 x 19 in
signed, titled, dated and numbered in pencil
Brian F...
Category
20th Century Abstract Prints
Materials
Screen
You May Also Like
Untitled
Located in Austin, TX
Artist: Helmut Barnett
Medium: Mixed Media Lithograph
Sheet Size: 12" x 10"
Framing: Framed
Condition: Excellent
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Mixed Media, Lithograph
$1,200
Untitled (Edition 6/200)
Located in New York, NY
Unknown/ Unidentified Artist, "Untitled" Edition 6/200, Abstract Woodcut Print numbered and signed in pencil, 22.50 x 17, Late 20th Century, 1963
Colors: Black. White, Red
*Unident...
Category
1960s Abstract Abstract Prints
Materials
Woodcut
Untitled (A)
By Thomas Nozkowski
Located in New York, NY
Thomas Nozkowski (b. 1944, Teaneck, New Jersey; d. 2019, New York) was recognized for his richly colored and intimately scaled abstract paintings, drawings, and prints that push the...
Category
Early 2000s Abstract Abstract Prints
Materials
Color, Aquatint
No title
By Bram Van Velde
Located in Paris, FR
Lithograph, 1975
Handsigned by the artist in pencil et numbered 76/400
Publisher : Bram Van Velde & Jacques Putman (Paris)
Printer : Pierre Badey (Paris)
Catalog : Mason 212
66.00 cm...
Category
1970s Abstract Abstract Prints
Materials
Lithograph
Untitled (Abstraction)
By Ray H. French
Located in Fairlawn, OH
Signed and dated by the artist vertically lower left edge.
Part of an experimental series of works using motor oil, India Ink, adhesives, sand, and various other mediums.
Category
1960s Abstract Paintings
No title
By Bram Van Velde
Located in Paris, FR
Lithograph, 1979
Handsigned by the artist in pencil and numbered 88/100
Publisher : Bram Van Velde & Jacques Putman (Paris)
Printer : Pierre Badey (Paris)
Catalog : Mason Putman 341
...
Category
1970s Abstract Abstract Prints
Materials
Lithograph