Sculptures

Elijah David Herschler (1940-2023) Ribbon sculpture, 1985 Chromed metal Signed and dated to one end: elijah david herschler Dimensions: 38" H x 4" Dia. approximately Modern, abstract...

Artist: Anthony Quinn, American (1915 - 2001) Title: Prometheus Year: 1988 Medium: Bronze Sculpture, Signature and number inscribed Edition: 5/8 Size: 22.5 in. x 10.5 in. x 5 in. (57...

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

Ragisména series Brown, 2023 by Rodrigo Zampol From Ragisména Series Plaster and acrylic painting on canvas Dimensions: 20 cm H x 20 cm W Weight: 3 kg ...

Danish mid century modern silverplated candelabrum sculpture. circa 1957 signed E. Dragsted Denmark. Dragsted goldsmiths, established in 1854, was purveyor to the danish royal family...

"Untitled" is a stoneware piece with the decorative layer of the rich toned glazes and markings that John was so well-known for. Each piece that John produced was unique. The lip on this piece is slightly scalloped and the shape is removed from the boring circular to mimic a gentle geometric design. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed and stamped on the bottom. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

The powerful architectural form of this contemporary sculpture was created by Jah Qube—a collaboration between Toronto-based artist Javid Jah and Alex Akbari, a masterful fabricator....

A joyous sculpture depicting Greyhounds at play, on a slate base and finished in a lovely blue/ verdigris patina. Jane is passionate about capturing the overall essence and movement...

Baboune is a bronze sculpture by contemporary artist Marine de Soos, dimensions are 41 × 34 × 13.5 cm (16.1 × 13.4 × 5.3 in). The sculpture is signed and numbered, it is part of a li...

Artist: Kuno Vollet Title: Schwerelos Gold Materials: Bronze sculpture with a dark patina on black granite base Size: 65cm height of upper sculpture, base: 18 x 18 cm x 8 cm Lim...

TEMPIO BRETTON: from the catalogue MONUMENTA, 19th International Sculpture Biennale, Antwerp, Belgium. Tempio Bretton was created in homage to the celebrated English landscapist Capability Brown for the occasion of an exhibition at Bretton Hall in the Yorkshire Sculpture Park , a park in the style of the great master of English garden design. The inclusion in the English garden of a temple ruin, or "eye-catcher," (architectural folly) was used to draw the eye and mind to a focus in time and space, present the beholder with an immediate relationship to an historic past made new within his or her own surroundings, and create a depth of space never before seen in garden design. I took the idea of the temple ruin eye-catcher and reduced it to a scale at the point where architecture and sculpture merged. Tempio Bretton is not capacious enough to walk into, yet it is considerably larger than a man. One view of it presents a knot of golden columns clustered together, topped by a dome shape. The only clue from this side to the temple's non-conformity to historic principle is a sharp notch cut into the square base. Viewed from the opposite side, the cluster of columns capped by an angular top opens up as if to welcome someone in, yet the mysterious core is still impenetrable. These contradictions articulate a confrontation between past and present, and an exciting truth. The past is always at the heart of our constructions in the present. Walter Dusenbery (born September 21, 1939 in Alameda, California) is an American sculptor. He attended the San Francisco Art Institute, earned an MFA from California College of Arts and Crafts, and then studied in Japan and Italy under Isamu Noguchi. He also held teaching positions at Harvard University and University of California, Berkeley Graduate School of Design. From 1971 to 1988, he lived both in Pietrasanta,Italy, and in Little Italy, New York City. Dusenbery's preferred material is stone, particularly travertine or granite. Dusenbery has a particular interest in adding sculpture to public places, such as federal buildings, to humanize the space, but in 1988, he assembled a show of small, entirely hand-carved alabaster sculptures, called "Walter Dusenbery, The Personal Side," at the Fendrick Gallery in Washington, D.C.. In 1977, Dusenbery created Pedogna, on permanent loan from The Metropolitan Museum of Art to Landmarks, the public art program of The University of Texas at Austin. That same year, 1988, he was awarded a large commission for the Fulton County Building Atrium in Atlanta, Georgia. The commission was for three fountains and related structures over three stories in height, designed for informal and ceremonial public events, Limestone, marble, granite and travertine fountains, pavilions, seating and meeting areas, performance and concert platforms, staircases and planters for hanging gardens. After completion of the "Atlantacropolis," Dusenbery withdrew from the gallery world and focused his energy on site-specific commissions. (like the landscape works of Maya Lin and Beverly Pepper) Seeking a large-scale stone studio for projects closer to home, he discovered there were none. In 1995, he approached sculptor and patron of sculpture J. Seward Johnson Jr. with the idea of creating a state-of-the-art stone-carving studio, so that American sculptors would not have to travel abroad to realize their work. Johnson agreed to fund such a facility, if Dusenbery would direct it. In 1996, Dusenbery designed the facility for the Stone Division at Johnson Atelier Technical Institute of Sculpture, and was its first director. The facility was situated in "a building resembling an airplane hangar," The studio offered the ability to digitally scan three-dimensional forms. The Stone Division was a success and attracted a strong group of sculptors: Magdalena Abakanowicz, Lawrence Argent, Barry X Ball...

Artist: Kuno Vollet Title: Dance Contemporary rusted steel sculpture for inside or garden outdoor spaces. Beautiful spiral dancing its way to...

Fueled by themes of conspicuous consumption, luxury brands, and constructed identities, Fred Allard casts high fashion shopping bags filled with soda cans ...

“Growing out of my ribcage...” Growing out of my ribcage, just to let your softness multiply into a whole sky of lush clouds crowning the forest, so we can become a jungle dense with...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

Antonio Tantardini (Italian, 1829-1879) An extraordinary Italian 19th century life size carved Carrara white marble sculpture of "A Young Child and a baby in a wicker crib" - A Risorgimento Allegory. Signed and dated: A.nio Tantanrdini F.ce / 1863. The older child's medallion inscribed with an interlocked XV and Garibaldi, the crib monogrammed: AR. Circa: Florence, 1863. This sculpture includes a recent custom-made veined black marble pedestal stand. (The 2 items description mean the sculpture and pedestal, which are sold as sold a set.) In a country famed for its skilled carvers and working in an age when virtuoso carving technique was highly prized, Antonio Tantardini was one of the very best exponents of master carvers in nineteenth century Italy. Vicario describes Tantardini's skill as 'un abilità tecnica stupefacente'. The present amazing quality marble group epitomizes Tantardini's exceptional talents as a carver. Lesser sculptors might have shied away from attempting to carve a life-size wicker crib in marble, but Tantardini has clearly relished the Challenge. The result is a stunning achievement of verismo Italian sculpture. This marble group, however, is more than a paradigm of Italian marble carving, it is also a prime example of the use of Risorgimento allegory in Italian sculpture of the 1860s. Famous sculptural Risorgimento allegories include Raffaelle Monti...

Coming from a family with a long artistic tradition. Vincent Du Bois accomplished to synthesize both classical background and comtemporary vision. From...

Hippolyte Francois Moreau (French, 1832-1927) "Les Soeurs" [The Sisters] Patinated Bronze Sculpture, late 19th century, depicting a woman and a child standing among waves, carrying a...

Evelyn Beatrice Longman was a trailblazing female artist getting major commissions at the very begining of the 20th century. Having lived in New York City, I used to walk by the life size version of this in Philip Johnson's ATT Building and it left me breathless every time. This classical bronze statue of a victorious and handsome young man is called "Victory...

German artist Philipp Liehr first discovered his extraordinary dexterity as a dental technician. He soon perfected this artistically as a cartoonist and during his training as a scul...

Nature-Inspired Minimalist Abstract Color Field Painting on three panels in light brown and beige Acrylic on 3 wood panels Each panel is 24 x 18 x 2 inches Suggested installation is ...

Joan Lurie Untitled #3801 Glazed Porcelain 22" x 12" x 12" 2014 Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for the ...

Abstract Cityscape, c. 1950-60 Painted mixed metal 19.25 in. h. x 19.5 in. w. x 11.5 in. d.

“Bast” is A limited edition bronze sculpture of a seated black cat on a black marble base. Black patin From the limited edition of 8. Signed 1/8 Paula Blackman has been a bronze scu...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

This exquisite ceramic impression captures the face of a man. With textured curls cascading down the side of his face and a thin defined nose with wide gazing eyes, he appears to be ...

Medium: Sapele Wood Jim Perry’s sculpture has been included in the Whitney Biennial as well as solo exhibitions at Calloway Fine Art & Consulting, Washington, DC (2018); The Center ...

19th Century Bronze Figure of Crouching Venus or Naked Aphrodite Bronze with dark patination 22.5 x 13 x 11 inches The Crouching Venus is a Hellenisti...

This abstract indoor sculpture was designed by W. W. Hung and made from resin. The graceful organic white shape is designed to be reminiscent of fractal patterns found in nature. The...

The “Composition with Tools” series engages observers with quirky and playful truisms, gently leading them toward deeper reflections. Jose Ricardo Contreras...

Paper mache sculpture created by artist Tumelo Michael Moloi. Largely inspired by his South African heritage, Moloi uses bold colors, patterns, an...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—generally found in screen doors, windows and filters—he creates contemporary abstract sculptural artworks and installations, which resemble flowers, clouds, and other natural phenomena. Working in metal, Adams effortlessly transforms rigid material into airy, effervescent artworks. This 12 by 12 by 8 inch silver metal wall sculpture...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Invitation is a bronze sculpture with an iron stand by contemporary artist Delphine Brabant, dimensions are 50 × 30 × 10 cm (19.7 × 11.8 × 3.9 in). The sculpture is signed and numbe...

MASTERPIECE Made with natural ceramic. Hand-modeled technique and cooked in a wood-fired oven. LISTING =================================== 1 Ceramic Catrina =======================...

Record, woven linen, cotton cord, 102" x 27", 2020. This abstract, geometric woven textile wall sculpture is by contemporary American fiber artist, Blair Tate. "In weaving there i...

20th Century Venetian Murano Glass Peacock HxWxD: 16" x 3" x 10.5" Base Width: 5.5"

Abstract, colorful ceramic sculpture titled "Winged Form," by Lauren Skelly Bailey. Glazed stoneware, gold luster. Size: 16.5 x 10 x 7 inch...

"WavyBlue" is a minimalist and modernist maple wood wall sculpture that brings bold statement to wherever it is placed. The piece was inspired by my love for simple bold colors and...

Balancing Rocks Brushed aluminum and clear coated, edition 2/8, each piece spins 360 degrees, is in 4 parts, base and 3 irregular circles each on a pin. Joseph Meerbott has been co...

Resin, steel, chrome and jute with white pedestal AP aside from the main edition of 10 Not signed or numbered Artwork in excellent condition. Minor scratch and scuffs on base of scul...

Bertoia's "wheat" pieces are rare and a joy. These works do not make sound when one touches the tines and is meant less to be touched than to convey an organic feel of sunlight rippling through stalks of golden wheat. This is a great size for a table. An unusual composition for Bertoia, Untitled (Wheat) combines elements with the artist’s more familiar Tonals with those of the Sprays. Typical of the artist’s œuvre however is the pleasant sensation of touch when stroking the ends of the wires. Bertoia’s spray sculptures...

This minimalist abstract sculpture is by artist Benny Katz. A bouquet of flowers is the inspiration for this fun, glossy, brightly coloured table-top sculpture by the Israel-based a...

Pumpkin Spice Excess by Chloe Hedden is a rich, textured exploration of warmth and abundance. Its deep, earthy orange hue recalls the comforting essence of autumn—spiced lattes, cris...

A sculpture by Dale Chihuly. "White Seaform with Black Lip Wraps" is a contemporary blown glass piece in a black and white palette by American artist Dale C...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Sculpture from the Ballet series. The series is dedicated to classical ballet and includes over 30 sculptures. This sculpture depicts a dancer tying p...

Sexy Robot Floating (Black), 2020 PVC, plated resin, alloy, and LED light 22 × 14 × 14 in 55.9 × 35.6 × 35.6 cm Edition of only 250.

Bacio (Kiss) by Lorenzo Vignoli striking hand carved marble sculpture of rare Portuguese rosa marble by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical refere...

Emile Coriolan Hippolyte Guillemin (French, 1841-1907) "The Falconer" Patinated Bronze Sculpture, late 19th century, the figure of a young man holding a falcon whilst standing on a d...

A whimsical sculpture by American Pop artist and musician Paul Kostabi. The metal and wood sculpture is double-sided and features two figures, outlined in thick black lines, holding ...

Vase-sculpture by Annick Bailly On peut afficher à 1590 euros A vase-sculpture by French contemporary sculptor Annick Bailly. With its abstract, plant-like forms, this vase-sculptur...

Untitled 06, 2016 Mixed media on metal sheet (Signed on reverse) 31 1/2 H × 70 9/10 W × 39 2/5 D in 80 H × 180 W × 100 D cm Zsolt Berszán’s work speaks of repulsion and fascination and at the same time speaks about shapes that lie on the border between hallucination and obsession wherein the identity and order were disrupted. Themes such as the double and the metamorphosis, otherwise put, themes of atrophied characters are all representations of the abject. Berszán’s creation is located at the fine border between the representation of identity and its dissolution thusly aiming to represent the non-symbolized. The dynamic separation and the transitional object...

"Here" is a contemporary modern abstract wall sculpture by UK artist Mari-Ruth Oda. Made from Bath Stone Jesmonite, a fine art composite material based on acrylic resin, fiberglass a...

"The Rape of the Sabine Women," veined alabaster, large sculptural group with classical subject, Volterra manufacture, 18th century. The so-called Rape of the Sabine Women is a scu...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

9-410 Abstract figural bronzesculpture set on a wood base

Insilit Bronze Marble Stone Nude Contemporary Sculpture Boy Jumping In Stock - Sizes of sculpture, without Stone pedestal : 40 x 32 x 22 cm Wim van der Kant (1949, Kampen) is a sel...