Amaury Maillet

Round Square All White (Abstract Sculpture)

2023

Aluminum sheet, metal wire and acrylic - mobile "Limited edition of 8 1/8 Available on request — 3 week turnaround " Amaury Maillet is a self-taught artist who explored art in Pro...

Aluminum sheet, metal wire and acrylic - mobile Amaury Maillet is a self-taught artist who explored art in Provence and Saint Martin in his childhood. ...

Aluminum sheet, metal wire and acrylic - mobile "Limited edition of 3 1/3" Amaury Maillet is a self-taught artist who explored art in Provence and Sai...

Aluminum sheet, metal wire and acrylic - mobile Amaury Maillet is a self-taught artist who explored art in Provence and Saint Martin in his childhood. ...

In this intriguing new contemporary sculpture by Quebec’s Phillipe Pallafray six bright white cubes appear as if suspended in space. Each cube is attached at just one corner emphasizing the delicate and fragile nature of balance. Pallafray uses industrial components that he cuts, shapes, folds, and welds to create work designed to represent the duality of nature and the industrial world. “My geometrically shaped sculptures...

« Ref 340 » is the title of a sculpture in coloured resin by Dubreuille. Nicolas Dubreuille is a multi-faceted abstract artist who likes to multipl...

John Poché creates polished aluminum and stainless-steel kinetic sculptures. His works range in scale from small indoor tabletop works to large-scale outdoor sculptures triggered exc...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.