Ann Mallory

Memory Stone #8

2014

Created specifically for the exhibition Timeless Remnants in Knokke, "Milkmaid" is part of Laura Pasquino’s new totemic ceramic series. This standing sculpture, composed of stacked, ...

Drawing inspiration from ancient ceramic traditions, including Korean pottery and the Japanese wabi-sabi aesthetic, Laura Pasquino (Grège Gallery) explores the beauty of imperfection...

Drawing inspiration from ancient ceramic traditions, including Korean pottery and the Japanese wabi-sabi aesthetic, Laura Pasquino (Grège Gallery) explores the beauty of imperfection...

Drawing inspiration from ancient ceramic traditions, including Korean pottery and the Japanese wabi-sabi aesthetic, Laura Pasquino (Grège Gallery) explores the beauty of imperfection...

Farmer's Wife - W 45 D 46 H 152 cm - glazed stoneware - 2025 Shepherd's Daughter W 31 D 27 H 86 cm - glazedstoneware - 2025 Created specifically for the exhibition Timeless Remnan...

White spatial spiral "Arch II" ceramic sculpture by Michael Boroniec - ceramic, glaze Michael Boroniec’s “Spatial Spiral” series is an ...

Spatial Spiral Crawl ceramic sculpture by Michael Boroniec - ceramic, glaze Michael Boroniec’s “Spatial Spiral” series is an adventure in three dimensions and expands the concept of...

"JAMÓN JAMÓN VIII", 2019, in slipcast glazed ceramic by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include c...

"PLUG-N-PLAY I (Yellow, Black and White)", 2019, in wheel-formed stoneware, glaze, stain and cork by artist Andrew Cornell Robinson, is one of ...

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...