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Anna Kruhelska
Constant Change 67

2022

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Extra-large Post-War Inspired Structured Metal Assemblage From Late 20th Century
Located in Frederiksberg C, DK
Presenting an extraordinary and commanding work of art, an extra-large metal assemblage in post-war style which truly makes a statement. The patinated metal objects create a rich, darkened and golden metallic nuances that are deep and saturated. The physical three-dimensionality arising from the of the metal assemblage further enriches the overall depth, creating an intensely dramatic and captivating visual experience. Due to its size and volume this piece is both remarkable and rare, and will without a doubt stand out in any interior. Within the assemblage, a diverse array of scrap metal objects and plates of varying sizes and forms coexist alongside intriguing remnants, including a leather sole, large leather straps, fragments of a robe, and vintage nails...
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Late 20th Century Assemblage Mixed Media

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"Bucket Tool", Abstract Patterns, Geometric Abstraction, Painted Woodblock
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This piece titled "Bucket Tool" is an original piece by Alexis Nutini and is made from a painted woodblock. This piece measure 19"h x 14.5"w unframed. ...
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Don't Look Away
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Shredded and rolled non-profit and political solicitations, health care statements and spray varnish on cradled board. Jaynie Crimmins fabricates objects ...
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Science and Reason Matter
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Nevertheless, She Persisted
By Jaynie Crimmins
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Shredded and rolled non-profit and political solicitations, health care statements and spray varnish on cradled board. Jaynie Crimmins fabricates objects ...
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Make Me A Believer, Original Contemporary Mixed Media Geometric Abstraction
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Make Me A Believer, Original Contemporary Mixed Media Geometric Abstraction 24" x 24" x 2" (HxWxD) Repurposed paper on panel Hand-signed by the artist. Artist Glenn Fischer repurposes various papers and print materials, cutting up different sections of color, and combines them into newly imagined geometric abstract compositions. The combination of the circular centerpiece and the linear nature of the cuts is reminiscent of a sunrise or sunset as it passes over a horizon line. In this case, Fischer has combined various shades of yellow, red, and green to stand against the white brick lay of the negative space...
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