Arozarena De La Fuente

Coral Ocean in Grey

2020

Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...

Cat Sirot is a French plastic artist, with a focus on painting and Sculpture. She lives near Paris and works in her Argenteuil Studio. Through her sculptural work she speaks about lo...

Cat Sirot is a French plastic artist, with a focus on painting and Sculpture. She lives near Paris and works in her Argenteuil Studio. Through her sculptural...

Cat Sirot is a French plastic artist, with a focus on painting and Sculpture. She lives near Paris and works in her Argenteuil Studio. Through her sculptural...

Cat Sirot is a French plastic artist, with a focus on painting and Sculpture. She lives near Paris and works in her Argenteuil Studio. Through her sculptural...

Cat Sirot is a French plastic artist, with a focus on painting and Sculpture. She lives near Paris and works in her Argenteuil Studio. Through her sculptural...

Cat Sirot is a French plastic artist, with a focus on painting and Sculpture. She lives near Paris and works in her Argenteuil Studio. Through her sculptural...

Otto Piene, Rastermond Platinum varnish on clay Edition of 99, each piece is unique 47 x 47 x 2 cm (18.5 x 18.5 x 0.8 in) Stamped and numbered, accompanied ...

Otto Piene, Rastersonne Contemporary, 21st Century, Gold varnish, Limited Edition Gold varnish on clay Edition of 99, each piece is unique 47 x 47 x 2 cm (18.5 x 18.5 x 0.8 in) Stamped and numbered, accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the images. The pictures are only for illustrative reasons. Fire, earth, and metal: these elementary forces played a very important role in the oeuvre of Otto Piene. After many years of artistic productions in 2006, he discovered a new material for his artworks: ceramic. "With my artworks I want to transmit energy” — Otto Piene He created wonderful mural reliefs in ceramic. He dropped viscous varnish through different raster-barriers on a prepared clay platter. Not only the setting of the platinum drops creates the individual and unique look of each work but also their convex and interleaving forms. The slight convexity of the platinum varnish drops reflects the light and gives the artwork a discreet white shine. With the mélange of archaic and modern elements, Piene achieves an impressing artwork with this powerful material. OTTO PIENE Otto Piene is one of the most important German post-war artists.In 1957- Otto Piene and Heinz Mack founded the group ZERO. Otto Piene is one of the most important German post-war artists. Born in 1929 Otto Piene was brought up in Lübeck (Germany) and, after his studies at the Academy of Fine Arts in Munich and Düsseldorf, he completed his academic education with studies on philosophy at the University of Cologne. In 1957- Otto Piene and Heinz Mack founded the group ZERO; which Günther Uecker joined in 1961. Their aim was to create a recommencement of contemporary art, starting at the point ZERO with new artworks emphasizing predominantly on light. Piene primarily aimed in his artworks to visualize light, fire, and air; so he started to create Op-Art inspired raster paintings, followed by smoke and fire...

“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graph...