"Orange Mound", Contemporary, Abstract, Ceramic, Sculpture, Porcelain Assemblage
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Bean Finneran "Orange Mound", Contemporary, Abstract, Ceramic, Sculpture, Porcelain Assemblage2020
2020
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By Aya Mori
Located in St. Louis, MO
Aya Mori was born in Aichi Prefecture in Japan in 1989, and lives and work in Aichi. She studied at
Aichi University of Education and completed her M.F.A. in 2014 under her mentor, H...
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Chakra 1, Aya Mori, 2018, Abstract Ceramic Sculpture, Organic Composition, Glaze
By Aya Mori
Located in St. Louis, MO
Aya Mori was born in Aichi Prefecture in Japan in 1989, and lives and work in Aichi. She studied at
Aichi University of Education and completed her M.F.A. in 2014 under her mentor, H...
Category
2010s Contemporary Abstract Sculptures
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"Orange Mound", Contemporary, Abstract, Ceramic, Sculpture, Porcelain Assemblage
Located in St. Louis, MO
"I work with a simple elemental form, a curve made from the most basic natural material, clay. I make and build with hundreds or thousands of these forms. The clay curve connects me ...
Category
2010s Contemporary Abstract Sculptures
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Ceramic, Clay, Porcelain, Glaze, Pigment
"B2Y Spectrum Loop Dispersion", Contemporary, Colored, Porcelain, Sculpture
By Kyle Johns
Located in St. Louis, MO
Kyle began his studies at Southern Illinois University Edwardsville (SIUE). Following undergraduate, he received his Master of Fine Arts degree from Ohio University. While at Ohio Un...
Category
2010s Contemporary Abstract Sculptures
Materials
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"YOR Spectrum Loop Dispersion", Contemporary, Porcelain, Sculpture, Pigment
By Kyle Johns
Located in St. Louis, MO
Kyle began his studies at Southern Illinois University Edwardsville (SIUE). Following undergraduate, he received his Master of Fine Arts degree from Ohio University. While at Ohio Un...
Category
2010s Contemporary Abstract Sculptures
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Ceramic, Porcelain, Glaze, Pigment
Contemporary Design, Ceramic Sculpture, Porcelain, Iron Particles, Glaze, Clay
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Located in St. Louis, MO
Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...
Category
2010s Contemporary Sculptures
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Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...
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"MIDNIGHT BLUE", sculpture, clay, relief, abstract, contemporary, ceramic
By Harold Wortsman
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Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
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By Andrew Cornell Robinson
Located in Toronto, Ontario
"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity.
Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used."
Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives.
He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial.
Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City.
He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...
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