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Israeli Modernist Arts & Crafts Copper Lion Plaque Bezalel Schatz Yaad Studio

c.1960s

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Israeli Mod Arts & Crafts Copper Sculpture Bookends Bezalel Schatz Yaad Studio
By Bezalel Schatz
Located in Surfside, FL
Bezalel Schatz, (1912-1978), Yaad Studio Workshop Mid century modern The standing part is 6 X 5 inches. The copper sheet is 10 X 5 inches each. This is for a pair. they are copper w...
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Mid-20th Century Modern Abstract Sculptures

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Israeli Pop Art Abstract Cutout Trees Kinetic Gilt Sculpture Menashe Kadishman
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Located in Surfside, FL
Renowned Israeli sculptor Menashe Kadishman (1932-2015), CONTINUUM, 1979, revolving metal sculpture, Dimensions 16.5 x 10 x 9.25 inches. Hand signed and numbered on dedication pla...
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Israeli Art Abstract Iron Cutout Iconic Sheep Sculpture Steel Menashe Kadishman
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Located in Surfside, FL
Renowned Israeli sculptor Menashe Kadishman (1932-2015), Sheep iron sculpture, Hand signed with initials in yellow paint. Menashe Kadishman was born in Tel-Aviv in 1932. He is a Gr...
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Bronze Architectural Model Sculpture Tempio Bretton Architecture Maquette
Located in Surfside, FL
TEMPIO BRETTON: from the catalogue MONUMENTA, 19th International Sculpture Biennale, Antwerp, Belgium. Tempio Bretton was created in homage to the celebrated English landscapist Capability Brown for the occasion of an exhibition at Bretton Hall in the Yorkshire Sculpture Park , a park in the style of the great master of English garden design. The inclusion in the English garden of a temple ruin, or "eye-catcher," (architectural folly) was used to draw the eye and mind to a focus in time and space, present the beholder with an immediate relationship to an historic past made new within his or her own surroundings, and create a depth of space never before seen in garden design. I took the idea of the temple ruin eye-catcher and reduced it to a scale at the point where architecture and sculpture merged. Tempio Bretton is not capacious enough to walk into, yet it is considerably larger than a man. One view of it presents a knot of golden columns clustered together, topped by a dome shape. The only clue from this side to the temple's non-conformity to historic principle is a sharp notch cut into the square base. Viewed from the opposite side, the cluster of columns capped by an angular top opens up as if to welcome someone in, yet the mysterious core is still impenetrable. These contradictions articulate a confrontation between past and present, and an exciting truth. The past is always at the heart of our constructions in the present. Walter Dusenbery (born September 21, 1939 in Alameda, California) is an American sculptor. He attended the San Francisco Art Institute, earned an MFA from California College of Arts and Crafts, and then studied in Japan and Italy under Isamu Noguchi. He also held teaching positions at Harvard University and University of California, Berkeley Graduate School of Design. From 1971 to 1988, he lived both in Pietrasanta,Italy, and in Little Italy, New York City. Dusenbery's preferred material is stone, particularly travertine or granite. Dusenbery has a particular interest in adding sculpture to public places, such as federal buildings, to humanize the space, but in 1988, he assembled a show of small, entirely hand-carved alabaster sculptures, called "Walter Dusenbery, The Personal Side," at the Fendrick Gallery in Washington, D.C.. In 1977, Dusenbery created Pedogna, on permanent loan from The Metropolitan Museum of Art to Landmarks, the public art program of The University of Texas at Austin. That same year, 1988, he was awarded a large commission for the Fulton County Building Atrium in Atlanta, Georgia. The commission was for three fountains and related structures over three stories in height, designed for informal and ceremonial public events, Limestone, marble, granite and travertine fountains, pavilions, seating and meeting areas, performance and concert platforms, staircases and planters for hanging gardens. After completion of the "Atlantacropolis," Dusenbery withdrew from the gallery world and focused his energy on site-specific commissions. (like the landscape works of Maya Lin and Beverly Pepper) Seeking a large-scale stone studio for projects closer to home, he discovered there were none. In 1995, he approached sculptor and patron of sculpture J. Seward Johnson Jr. with the idea of creating a state-of-the-art stone-carving studio, so that American sculptors would not have to travel abroad to realize their work. Johnson agreed to fund such a facility, if Dusenbery would direct it. In 1996, Dusenbery designed the facility for the Stone Division at Johnson Atelier Technical Institute of Sculpture, and was its first director. The facility was situated in "a building resembling an airplane hangar," The studio offered the ability to digitally scan three-dimensional forms. The Stone Division was a success and attracted a strong group of sculptors: Magdalena Abakanowicz, Lawrence Argent, Barry X Ball...
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20th Century American Modern Abstract Sculptures

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Cast Bronze Organic Husk Wall Mounted Abstract Textured Sculpture Seena Donneson
By Seena Donneson
Located in Surfside, FL
This is an abstract Flora based hand made, cast sculpture done by Seena Donneson an acclaimed woman artist. A textured abstract bronze with deep, rich patina; The sculpture is signed with the artist initials and dated. It is unique. Seena Donneson (1924 - 2020) was an artist, sculptor and printmaker She studied at the Pratt Institute, NYC Pratt Graphic Art Center, NYC, with Michael Ponce de Leon and the Art Students League with Morris Kantor. Collections Smithsonian American Art Museum Museum of Modern Art, New York Brooklyn Museum Portland Art Museum Amon Carter Museum of American Art Select Individual Exhibitions Danville Museum of Art, Virginia; Galerie #836, Santa Fe, New Mexico; Greenville Museum of Art, North Carolina, 1987; Benson Gallery, Bridgehampton, NY. Group Exhibitions NY Upper East Side Outdoor Sculpture exhibition, 78; Fort Lauderdale Museum of Art, Florida; CAPS Travelling Exhibition; Ben Shahn Gallery, New Jersey; "The Collograph", NY State Council on the Arts/Pratt Institute. She was included in Group Shows Conceived and Curated by Dorothy Gillespie at the Women's Interart Center, New York, NY 1974. Artists included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
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Cast Bronze Organic Husk Wall Mounted Abstract Textured Sculpture Seena Donneson
By Seena Donneson
Located in Surfside, FL
This is an abstract Flora based hand made, cast sculpture done by Seena Donneson an acclaimed woman artist. A textured abstract bronze with deep, rich patina; The sculpture is signed...
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21st Century and Contemporary Modern Abstract Sculptures

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