Cecilio Sanchez Fierro

Arbol de la vida - Tree of life / Ceramics Mexican Folk Art Clay

2020

FREE SHIPPING TO WORLDWIDE Artisan: Jessica Yazmin Fuerte Alejo MASTERPIECE  Catrina made with natural clay, dressed with feathers of different types of birds. *Special Permissio...

FREE SHIPPING TO WORLDWIDE! Artisan: Nicolas Ortiz Ortega MASTERPIECE Carved polychrome shape decorated with a sgraffito technique.  - Dimensions: 12" x 9" x 14" in or 30 x 23 x 35...

FREE SHIPPING WORLDWIDE! Carlomagno Pedro Martinez MASTERPIECE PRESENTED IN THE BOOK "C4ATRO MANOS DO2 OFICIOS UNA 1CONOGRAFIA” Made with Black Clay, hand-modeled technique, polish...

Artisan: Enedina Vaszquez Cruz MASTERPIECE Made with natural clay. Hand-modeled technique and cooked in a wood-fired oven.  - Dimensions: 19" x 19" x 13" in or 47 x 49 x 34 cm - ...

FREE SHIPPING WORLDWIDE! Artisan: Martin Olivas Quintana MASTERPIECE Carved polychrome jar decorated with a sgraffito and painted hummingbird, flowers ...

FREE SHIPPING TO WORLDWIDE! Artisan: Omar Fabian Canseco MASTERPIECE Made with Black Clay, hand-modeled technique, mate finished with white craft thread a...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Title : Granny's Curse Jar Materials : Stoneware, Underglaze, Glaze Date : 2015 Dimensions : 4" x 3.5" x 3.5" Description : Ceramic jar with vintage textile prints and vignette phrases Rachel Hubbard Kline's work explores the wistfulness of personal connections to historical domestic objects and material culture. Kline seeks symbiosis in the relationship of surfaces to forms and addresses the hierarchy of importance between the form itself and the image or decoration. Objects both functional and decorative, factor into the banality and routineness of daily life. As the current political and social climate continues to shift, She seeks to compare past and present means of the production of goods and labor. Surface design inspired by vintage textile prints from family quilts and other historical motifs appear in Kline's work. The vessel acts as a stand in for the body and a metaphor for preservation. Kline's series of jars and jugs are intended to preserve memories of family members and places by using specific colors, patterns and objects she remembers from childhood to the present. Rachel Hubbard Kline is an art educator and artist in her hometown Kansas City, MO. With a background in fashion and art history, she explores relationships of fine art and craft in the disciplines of drawing, painting, ceramics, and fiber. Hubbard draws on her Midwestern roots and ties to rural farm life to reflect on past ways of life based on collections and artifacts. Hubbard Kline has been the recipient of educator residencies at the Kansas City Art Institute, a participant in the Connecting Collections teacher institute in New York, and Educator Conferences and AP Teacher Training at the Savannah College of Art and Design. She earned a Master of Arts in Teaching from Park University in 2010, a Bachelor of Arts from the University of Connecticut in 2007, and attended Parsons School of Design. She is currently pursuing her Master of Fine Arts in Studio Art at the Maryland Institute College of Art. Contemporary Ceramics, Functiona lCeramics, Pattern, Stoneware, Underglaze, Glaze, Decals, Luster, Craft, Fine Art, Contemporary Craft, Contemporary Fine Art, Beatrice Wood, Nampeyo, Karen Karnes, Tammy Garcia, Melanie Sherman, Mary Rose Young...

Artist : Casey Whittier Title : Fumble Fingers Materials : Earthenware, mason stains, enamel, microbeads Date : 2017 Dimensions : 16 in x 16 in x 4 in Description : ceramic sculpture with chainmail base Casey Whittier received her BFA from the Kansas City Art Institute and MFA from the University of Colorado Boulder. Her work investigates the fine line between the need to preserve and a desire to re-imagine, re-configure and re-contextualize the world around her. Utilizing a variety of forming methods and clay bodies, Whittier recreates elements from nature, unites the landscapes of her reality with the landscapes of daydreams, exploits the visceral qualities of clay, and ponders the power of shared experience. Through shifts in material, Whittier makes space for metaphorical possibilities to rise to the surface. An exploration of touch and intuitive making is deeply embedded in her studio practice and community-based projects. Ceramic, sculpture, contemporary ceramics, contemporary sculpture, mixed media, textiles, weaving, ceramic artists, contemporary art, fine art, women artists, midwest artists...

This piece weaves climbing rope in with glass knots. Each piece is unique and slightly different. The cord is retired climbing rope, given another use by shining in this piece. Rob...

A piece capturing the movement we all know from working with hammers. This piece is created with found objects and blown glass to capture this moment in time. The hammers and nails vary from piece to piece but the movement is always the same. Robert Burch began working with glass in Atlanta, Georgia while still in high school. After graduating, he worked for the Japanese glassblower, Tadashi Torii for two years. Shortly after, he attended Pilchuck Glass School before deciding to make the jump to the mecca of glass working, Seattle, Washington. It was there that Burch had the honor of working with the renown American glass artist, Martin Blank. In the span of five years, Burch learned many aspects of glass artistry as he worked for Blank. Subsequently, the team collaborated on color design teams for the glass empire company Chihuly Inc. During all these glass adventures, he never stopped shooting photos...

This piece weaves climbing rope in with glass knots. Each piece is unique and slightly different. The cord is retired climbing rope, given another use by shining in this piece. Rob...

'Laughing rocket' 2008, Wood, painted, collected plastic refuse, 65 x 25 x 25 cm DEMBA Camara, born in 1970 in Bouaké, Côte d'Ivoire 2006/2007: Group exhibition at the Guggenheim Museum, Bilbao, Spain 2008: Group BHAI - friends of Art, Abidjan 2009 exhibition: solo exhibition at the galerie Le Lab, Abidjan 2009/2010: exhibition "Africa? -Una nuova storia"Complesso del Vittoriano, Rome, Italy since 2011: permanent exhibition at Gallery Amani, Abidjan 2012: Group exhibition at the galerie Le Lab, Abidjan group 'Africa Africa', Centre d'art contemporain, Meymac, France represented at Affordable Art Fair in Rome by Kyo black Representation on map a series of objects by Camara deep by Frédéric Bruly Bouabré...