Chiara Dynys, Merry Liseberg Parade, 2021, sculpture, photography
View Similar Items
1 of 6
Chiara Dynys Chiara Dynys, Merry Liseberg Parade, 2021, sculpture, photography2018
2018
About the Item
- Creator:Chiara Dynys (1958, Italian)
- Creation Year:2018
- Dimensions:Height: 20.48 in (52 cm)Width: 26.78 in (68 cm)Depth: 1.78 in (4.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Ornavasso, IT
- Reference Number:1stDibs: LU1656210132782
Chiara Dynys
Chiara Dynys (Mantova, 1958) lives and works in Milan. Since the beginning of her activity, at the early 90's, she has worked on two main directions, both referable to a single attitude towards to a single attitude towards reality: identifying in the world and in the shapes the presence the presence and the sense of anomaly, of the variant, of the "threshold" that allows the mind to pass from human reality to pass from human reality to a metaphysical scenario. To do this, she uses apparently eclectic materials, ranging from light to glass, to mirrors, to ceramics, castings, fabric, video, photography, and metals. Chiara Dynys has participated in numerous solo and group exhibitions in major museums and museums and public and private cultural institutions. The most notable ones were held at Palazzo Maffei, Verona 2021; Villa e Collezione Panza, Varese 2021; Mattatoio Testaccio, Rome 2019; Museo Correr, Venice 2019; ICAE Armenia, Erevan 2018; Arkhangelskoye - VII Moscow Biennale, Moscow 2017; Museo Poldi Pezzoli, Milan 2013; Archivio Centrale dello Stato, Rome 2010¸ ZKM - Museum fur Neue Kunst, Karlsruhe 2009; Museo Carlo Bilotti - Aranciera di Villa Borghese, Rome 2008; Rotonda di Via Besana, Milan 2007; Museum Bochum, Bochum 2003; Galerie de France 2, Paris 1993; CIAC, Montrèal 1997; Musee d’Art Moderne, Saint’Etienne 1992. Also, her works are part of many International and Italian Collections including: '900 Museum, Milan; Civiche Raccolte d'Arte, Milan; Panza Villa and Collection, Varese; ZKM - Museum für Neue Kunst, Karlsruhe; MASI Museum Lugano; MUVE Museums, Fortuny Palace, Venice; GNAM – Nation Gallery of Modern and Contemporary Art, Rome; MAGA – Art Museum Gallarate, Gallarate; Musum Central State Archive Rome; Danna e Giancarlo Olgiati Collection, Lugano; Palazzo Maffei Casa Museo, Verona; UBS Collection, Milan, Manno, Zurich; Banca Intesa San Paolo Collection, Milan; MART – Museum of Modern and Contmeporary Art of Rovereto, Rovereto; VAF-Stiftung, Frankfurt; Kunstasammlung, Weimar; Atel Energia, Milan; Medrisio Architecture Academy Collection, Mendriso; Terna Energia, Rome; Cassa di Risparmio di Foligno Foundation, Foligno; Mobimo AG Collection, Zurich; Rocco Guglielmo Foundation, Catanzaro; Poldi Pezzoli Museum, Milan; Roberto Bilotti Ruggi d'Aragona Contemporary Art Museum, Rende; Arnaldo Pomodoro Foundation; Anna Rosa e Giovanni Cotroneo Collection, Rome; Rocco Guglielmo per il Parco delle Biodiversità foundation, Catanzaro; Giovanni Alliata di Montereale Collection, Venice.
You May Also Like
- Jo Yarrington, Mute-Ability_Composition 6, 2019_acrylic, steel, player piano rolBy Jo YarringtonLocated in Darien, CTJo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...Category
2010s Conceptual Abstract Sculptures
MaterialsSteel
- Jo Yarrington, Mute-Ability_Composition 5, 2019_acrylic, steel, player piano rolBy Jo YarringtonLocated in Darien, CTJo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...Category
2010s Conceptual Abstract Sculptures
MaterialsSteel
- Katherine Jackson, Little Oil_Vitrine 2, 2019, Glass, Steel, Wood, Plexi, LEDsBy Katherine JacksonLocated in Darien, CTDrawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end in itself. But often the images ...Category
2010s Conceptual Still-life Sculptures
MaterialsSteel
- Carol Salmanson, Double Diamonds, 2018, LED, plexiglas, gels, irridescent paintBy Carol SalmansonLocated in Darien, CTMemory is at its most magical when it conjures up not the event, but its surrounding perceptual and emotional space. Flashes of reflected light, movement seen out of the corner of eye, bits of sound or feeling – these are what ignite memory, giving it form and bringing it to life. Light both beams into and envelops you. Carol Salmanson started working with it in 2003 after painting for many years because of these singular spatial qualities. They enable herto build whole worlds with color and shape, ones that resonate with memory and experience. Painters have often talked about depicting light. Today’s technology allows me to use light as medium as well as subject. Double Diamond is made with layers of light that beam onto reflective material; its two different configurations of diamonds are mounted on a strip that also layers light. The location in the beams creates a glowing frieze that radiates outwards, giving the viewer a first a sense of surprise, and then wonder. Carol Salmanson is an artist working with light and reflective materials to create installations, sculptures, and wall pieces. She received a B.S. in Biological Psychology from Carnegie-Mellon University and an M.B.A. from the University of Chicago. She attended the Arts Students League, the School of Visual Arts as a Public Art Resident, and the National Academy of Fine Arts as an Abbey Mural Workshop Fellow. Public art projects include Water Bubbles, an installation in twenty windows of the abandoned landmark Constructivist White Tower in Yekaterinburg, Russia. Other window installations include the venues Station Independent Projects, Time Equities’ Art-in-Buildings program, OK Harris Works of Art, 254 Park Avenue South, and Mixed Greens Gallery, all in New York. Her outdoor sculptures include Tri-Quadular Cone in Summit, NJ, and Lot’s Ex-Wife in Brooklyn. She will have an installation, Crown Colony, in the window at 266 W. 37th St, in September of this year. Solo and two-person exhibition venues include SL Gallery (NY), Slag Contemporary (Brooklyn), Station Independent Projects (NY), Brian Morris...Category
2010s Color-Field Abstract Sculptures
MaterialsPlexiglass, Polyester, LED Light, Acrylic
- Green Light SphereLocated in PARIS, FRYoshiyuki Miura was born in Fukuoka, Japan, in 1958. In 1985, he graduated in sculpture art from the Tokyo National University of Fine Arts, he then mo...Category
2010s Abstract Sculptures
MaterialsStainless Steel
- Hommage à Vasarely by BardulaLocated in Miami, FLBardula Hommage à Vasarely Pigments on plexiglass, glass, LED lights, aluminum 85 x 85 x 12 cm 33.5 x 33.5 x 4.7 inchesCategory
2010s Abstract Sculptures
MaterialsGlass, Plexiglass, LED Light, Pigment
Price Upon Request