Stan Olthuis

"The Bigger Picture", abstract sculpture, found frame, wood, paint, geometry

2018

"Home" is an abstract artwork by Stan Olthuis composed of acrylic paint on baltic birch panel. Home measures 40" high by 30" wide by 1" deep. Typical of the artist, this minimal geometric abstraction resonates with a rich charge. It's a sculpture and a painting. The lines are elegant. The artist's obsession with geometry and intersecting shapes is a clear gesture here. The eye delights in the formal play of shape and color, while the mind engages the material force of the wood and paint. From Stan Olthuis – "My work has always involved tactility and expressionistic energy. I visualize the story and imagery simultaneously, allowing the work to surprise me and come to life as I work. I am almost careless in how I use color and texture, facing the fear of improvising on-the-fly. I like to leave the obvious raw record of the process visible, but I believe a mystery remains." Stan Olthuis looks for expressive opportunities in found and harvested raw material – wood, stone, metal, rubber – and brings a fabricator's expertise to the work of making minimalist, joyful sculptures. Geometry is key, as are a sense of play and an adept's feel for sacred energies. His work is exhibited and collected internationally, including private and corporate commissions in Canada, United States, France, Japan and Norway. Stan is represented by Gagné Contemporary in Toronto and New York City, and has select works available through the Art Gallery of Ontario (AGO), and Motokawa Gallery in Japan. Stan Olthuis' formal education began in Chicago with Henk Krijger, the celebrated master printmaker, type designer, painter and sculptor. Back in Toronto, Olthuis graduated (with distinction) with a degree in Experimental Arts at Ontario College of Art & Design (OCAD), studying under artists Fred Hagen, Tom Hodgson...

"Maybe" is an abstract artwork by Stan Olthuis composed of acrylic paint on polystyrene mounted in a painted wood frame. Maybe measures 26" high by 30" wide by 2.5" deep. Typical of the artist, this minimal geometric abstraction resonates with a rich charge. It's a sculpture and a painting. The circles, the discs, almost touch but not quite. The artist's obsession with geometry and shapes in proximity is a clear gesture here. The eye delights in the formal play of shape and color, while the mind engages the material force of the wood and paint. From Stan Olthuis – "My work has always involved tactility and expressionistic energy. I visualize the story and imagery simultaneously, allowing the work to surprise me and come to life as I work. I am almost careless in how I use color and texture, facing the fear of improvising on-the-fly. I like to leave the obvious raw record of the process visible, but I believe a mystery remains." Stan Olthuis looks for expressive opportunities in found and harvested raw material – wood, stone, metal, rubber – and brings a fabricator's expertise to the work of making minimalist, joyful sculptures. Geometry is key, as are a sense of play and an adept's feel for sacred energies. His work is exhibited and collected internationally, including private and corporate commissions in Canada, United States, France, Japan and Norway. Stan is represented by Gagné Contemporary in Toronto and New York City, and has select works available through the Art Gallery of Ontario (AGO), and Motokawa Gallery in Japan. Stan Olthuis' formal education began in Chicago with Henk Krijger, the celebrated master printmaker, type designer, painter and sculptor. Back in Toronto, Olthuis graduated (with distinction) with a degree in Experimental Arts at Ontario College of Art & Design (OCAD), studying under artists Fred Hagen, Tom Hodgson...

"Clue #4" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped on torched and plain reclaimed canvas stretchers. Clue #4 measures...

"In Sync II" is an abstract artwork by Stan Olthuis composed of acrylic paint on a reclaimed laminate table top. In Sync II measures 42" high by 42" wide ...

Christine Romanell’s TriVortex is a mesmerizing acrylic-on-laser-cut-wood construction that fuses sacred geometry, optical illusion, and vibrant color theory into a dynamic three-dim...

Christine Romanell's "Mars Sucks" (2025) is a sculptural wall piece measuring 14 x 18 x 3 inches, composed of acrylic and Flashe on seven layers of laser-cut birch plywood. Predomina...

Acrylic on canvas stretched over handbuilt wood and Sintra armature. Dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Color palette: orange, green, purple, gray and white. Wall sculpture / Sculptural painting / 3D painting / Neo-geo / Geometric art / Abstract art / Biomorphic art...

Confusion ritmique I no. 8/10 is one of a series of three different medium size contemporary modern sculpture painting relief by French-Dutch artist Olivier Julia...