David Patchen

Mixed Cane Parabola 7786

2025

David Patchen creates vivid and luminous glass works using the time-honored techniques of cane and murrine glass blowing, originally discovered in the glass blowing studios of Venic...

David Patchen creates vivid and luminous glass works using the time-honored techniques of cane and murrine glass blowing, originally discovered in the glass blowing studios of Venice...

David Patchen creates vivid and luminous glass works using the time-honored techniques of cane and murrine glass blowing, originally discovered in the glass blowing studios of Venic...

David Patchen creates vivid and luminous glass works using the time-honored techniques of cane and murrine glass blowing, originally discovered in the glass blowing studios of Venice...

Mirror polished stainless steel and powder coated stainless steel. A vertical composition of four octahedrons between a snaking arrangement of half-round tubes perfectly joined end...

Abstract Murano Glass multicolor sculpture on a black glass vase by Sergio Costantini (signed) Made in Italy, 20th century. Dimensions: 22" H x ...

Robert Segal’s abstract sculpture offers a particularly fertile ground for experiments in shape, color, proportion, and technique. He steps away from non-traditional sculpting method...

'Maina' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. It features painterly brushstroke formations in glass called trails. Trails are created through rolling molten glass into various forms and shapes. They are then placed within clear glass and fused into one large piece through kiln casting. This technique creates a layered, suspended, and vibrant three-dimensional space within. About the Internal Space Series: David’s experiments with sheet glass and fusing led him to try to make the glass thicker to see more interior space. It was during this time a professor pointed out that he was working with a metaphor, for which the internal space of the glass was the equivalent to the internal life of the mind. This became his operating mantra but also forced him to come to terms with the casting of thick sections. “Creating those internal spaces came with some problems. Other than telescope mirrors, I did not know that anyone annealed glass in a kiln for more than a day or two. When pieces cracked after five...