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David Slivka
"Untitled"

1995

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  • “Untitled”
    Located in Southampton, NY
    Wooden two sided zoomorphic abstract figure sculpture attributed to the Dutch born artist, Jan de Swart. Unsigned. Condition is good. The sculpture has a mended area and a small th...
    Category

    1950s Modern Abstract Sculptures

    Materials

    Wood

  • “Eden”
    Located in Southampton, NY
    Original hand cast bronze dual figure of a hollow dressed torso of a male and female representing Adam and Eve in the Garden of Eden. The bronze sculpture is attributed to the American sculptor Judith Shea. This piece is a maquette for a life size bronze executed by this artist that is located in an outdoor space in Buffalo, New York. Both are titled “Eden” and were done in 1987. Condition is excellent. Unsigned. Label on the bottom of the thick pine base states the artist and title of the artwork. Provenance: A Long Island, New York collector. Judith Shea has been a notable presence in the New York art world since the 1970s. Trained as a designer at Parsons, she soon found the fashion industry too restrictive and abandoned it in favor of making art. For her first solo show, at The Clocktower in 1976, Shea made a work based on color theory, using transparent silks in a spectrum of colors, worn by a live model. Other early work referenced clothing and its construction, first as flat, minimalist pattern and later as molded draping over implied, absent figures. In the 1981 Whitney Biennial, Shea showed three simple forms that evoked iconic clothes of the 1950s and 60s—the overcoat and the simple sheath dress—which hung from the wall as if on hangers. Five related works were included in the Hirshhorn’s Directions 83 survey. All of these works evoke human presence, felt as absence, as if the clothes were placeholders for missing persons. Thinking about her earlier clothes-based works, Shea has said that she “was looking for characters, for personae, really, to occupy them. I used clothes as stand-ins for people.” With the support of NEA grants, Shea began to learn bronze casting, and she was able to also spend time in Paris studying the statuary of its parks and gardens. This research led to several hollow-figure compositions from the 1980s that were designed to be sited in public spaces, such as Eden (John Hancock Tower, Chicago), Shepherd’s Muse (Oliver Ranch), Shield (Sheldon Museum of Art), and Without Words (Walker Art Center). In the 1990s, after a residency at Chesterwood—the site of Daniel Chester French’s studio in Stockbridge—Shea began to use woodcarving to make monumental public sculpture. The first of these full-scale wooden figures were shown in 1992 at the Whitney Museum at Phillip Morris in New York. In 1994 her wooden equestrian statue The Other Monument, a monumental image of a black man on a black horse, was installed at Doris Freedman Plaza in New York, in the same plaza as the William Tecumseh Sherman...
    Category

    1980s Post-Modern Figurative Sculptures

    Materials

    Bronze

    “Eden”
    $3,840 Sale Price
    20% Off
  • “The Queen”
    By Harry Sternberg
    Located in Southampton, NY
    Original 1965 oil on masonite painting of a queen on her throne with embellishments of gold and silver leaf by the well known American artist, Harry Sternberg. Signed lower left. Ci...
    Category

    1960s Post-Modern Figurative Paintings

    Materials

    Gold Leaf

  • “The King”
    By Harry Sternberg
    Located in Southampton, NY
    Original 1965 oil on masonite painting of a king on his throne with embellishments of gold and silver leaf by the well known American artist, Harry Sternberg. Signed lower right. Ci...
    Category

    1960s Post-Modern Figurative Paintings

    Materials

    Gold Leaf

  • “Untitled”
    Located in Southampton, NY
    Very finely executed twelve individually fired ceramic tiles laid down on plywood backing to create a madonna liked figure. Signed lower right. Circa 1960. Condition is excellent. Framed in its original white painted artist’s strip frame. Overall framed measurements are 23.5 by 18.5 inches. Provenance: A Long Island, New York estate. Born in New York City in 1921, Gertrude Barrer...
    Category

    1960s Post-Modern Figurative Paintings

    Materials

    Ceramic, Plywood

  • “Untitled”
    Located in Southampton, NY
    Original acrylic on masonite abstract painting by Nguyen (Manh Doc) Ducman. Signed and dated 1968 lower right. Condition is good. Provenance: Long Island, New York estate. Presently unframed. Born in Hanoi, Vietnam in 1934, the artist Nguyen Manh Duc Ducman came to Paris as a young man, where he exhibited his work at the Galerie René Drouin...
    Category

    1960s Post-Modern Abstract Paintings

    Materials

    Masonite, Acrylic

    “Untitled”
    $1,920 Sale Price
    20% Off
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  • Pablo Picasso, "Face Plate .130"
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    Peter Voulkos Title: Plate CR952-W Medium: Woodfired ceramic Year: 1989 Signed and dated by the artist Size: approx. 20.5 x 5 inches A West Coast potter and sculptor, Peter Voulkos (1924-2002) led in the development of pottery as an art form. . With an MFA from California College of Arts and Crafts (1952), he taught at Black Mountain College (1953) where he was exposed to the avant-garde. In 1954, Voulkos moved to Los Angeles to become the chairman of a newly established ceramics department at the Los Angeles County Art Institute (later renamed the Otis Art Institute) and soon assembled a remarkable group of students: Paul Soldner, Jerry Rothman, Kenneth Price, John Mason, Henry Takemoto...
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