David Tucker

‘Reconstruction 3’ (self-portrait)

2022

The self-portraits were destroyed and reconstituted, which saw Tucker scraping his own image o the glass then taking the dried slabs of paint and forcing them into a mesh which he h...

‘PORTAL 4 (COMPASS)’, 2021 by Sarah PICKSTONE - Oil and Acrylic on linen - was exhibited at GALLERY46 show 'KNOCKING IT OUT OF THE PARK' from 5TH NOVEMBER – 12TH DECEMBER 2021 which also included artists JOSHUA ARMITAGE, KLAAS OP DE BEÉCK, YAGE GUO, CHRISTABEL MacGREEVY, ALEXI MARSHALL...

‘PORTAL 1 ( PROSPERO) Abstract Oil and Acrylic on birch ply panel was exhibited at GALLERY46 show 'KNOCKING IT OUT OF THE PARK' - 5TH NOVEMBER – 12TH DECEMBER 2021 Sarah Pickstone's work is in the collections of The Royal Academy of Arts Societe Generale UK Art Collection Saatchi Collection The Walker Art Gallery National Museums of Liverpool The Mercer Art Gallery collection – Yorkshire Museums British School at Rome Teaching is an intrinsic part of Sarah Pickstone's practice and is currently 2019 – Mentor Turps Banana Painting...

Painting of Ernő GOLDFINGER building with Le Corbusier flaking paint from the apartment studio in the painting.

Ernő GOLDFINGER building BALFRON TOWER painted with Le Corbusier flaking paint from an apartment studio. 'Wylie shows the buildings as alive with use ...

Painting of Otto GOLDFINGER building with Le Corbusier flaking paint from an apartment studio on painting (see close up). Artist Peter Wylie featured in s...

The art market confirms that Robert Combas is the most successful living French artist with Pierre Soulages. During the last two years, the value of his works has multiplied by 5 , proof with the last Artcurial auction sale from December 4th 2019. This sculpture "The Cannon Dancer" is one of the most interesting of his major works from the 90s where he touched on themes dear to him like: battles, war, religion, love, sex, women, mythology, music, genre scenes... - "Le danseur au canon", The Cannon Dancer Painted polychrome resin sculpture. This is a limited édition signed Combas, dated 95 and numbered 4/8 on the base. - Is it a carnival ? a character, a buffoon representing power by a cannon exhibited as a phallic object that symbolizes power. "The moment when the official hierarchies collapse, where the powerful become ridiculous and the fools the only wise respected. The moment of inversions, negations, derision and extravagance. Abel and Cain, Salome and Saint John the Baptist : whatever the time and the weapons, it is almost always the same story", said Combas. Robert Combas love to Deforms when, allowing itself disproportions, exaggerations and deletions, it gives birth to creatures with noses, lips or feet disproportionately inflated or stretched, even monstrous and comic. In this case, Combas flirts with satire, farce, the grotesque. Make love better than a war ! Robert COMBAS has been pursuing a unique approach since the 1980s. His eccentric and powerful representations of the world make this genius one of the emblematic figures of French contemporary art. The artist's work is now the subject of numerous retrospectives and institutional exhibitions. The enthusiasm of collectors becomes more important with each new public sale and its rating climbs which confirms the sustainable nature of the art of Robert COMBAS. He brought at the dawn of the 80s a new figurative painting. Present on the artistic scene since 1979 he is the creator of a movement that the artist Ben called the Free Figuration, movement comprising: Rémi...

SALE ONE WEEK ONLY The "Untitled" abstract sculpture by Robert Sestok has a very deliberate aura of strength in its columnar shape. It does become more ...

This is an original wooden sculpture with hand painting on both sides. it does not appear to be signed or numbered and does not currently have any label. I believe this might be the proof, There was an edition of these and this is a unique variant. All done by hand. It is on a base and revolves and rotates easily as there are ball bearings. It is very well made. Christiaan Karel Appel (1921-2006) was a Dutch artist, painter, sculptor, and poet. Born in Amsterdam, the Netherlands, he died in Zurich, Switzerland. He started painting at the age of fourteen and studied at the Rijksakademie in Amsterdam in the 1940s. He was one of the founders of the avant-garde movement Cobra in 1948. He was also an avid sculptor and has had works featured in MoMA, the Stedelijk and other museums worldwide. At fourteen, Appel produced his first real painting on canvas, a still life of a fruit basket. For his fifteenth birthday, his wealthy uncle Karel Chevalier gave him a paint set and an easel. An avid amateur painter himself, Chevalier gave his namesake some lessons in painting. From 1940 to 1943, during the German occupation, Appel studied at the Rijksakademie van Beeldende Kunsten in Amsterdam, and it was there he met the young painter Guillaume Corneille and, some years later, Constant; they became close friends for years. Appel had his first show in Groningen in 1946. In 1949 he participated with the other CoBrA artists in the Stedelijk Museum Amsterdam; this generated a huge scandal and many objections in the press and public. He was influenced by Pablo Picasso, Henri Matisse, and the French brute-art artist Jean Dubuffet. In 1947 he started sculpting with all kinds of used materials (in the technique of assemblage) and painted them in bright colors: white, red, yellow, blue, and black. He joined the Experimentele Groep in Holland together with the young Dutch painters Anton Rooskens...

Hand built heavily glazed solid ceramic structure by NY artist Judy Engel. Expressionist style hand built and heavily glazed in a high metallic palladium glaze. Judy's first introd...

"Born Wild" Resin Sculpture 71" x 20" x 20" inch Ed. 3/4 by Richard Orlinski Provenance: Private collection Comes with original COA Richard Orlinski has been the biggest-selling ...

"Equine Spirit I" Bronze sculpture 14.5" x 6" inch by Ibrahim Abd Elmalak Double-faced Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic figures of...