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Dianne Baker
Contemporary American Assemblage Wall Sculpture Female Artist Colorful Toys

2013

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  • Keynote XIV
    By Dianne Baker
    Located in Buffalo, NY
    Diane Baker is a mixed media and fiber-related sculptor working out of Buffalo, NY. She has exhibited throughout the United States and in Canada and is included in several public and...
    Category

    21st Century and Contemporary Conceptual Abstract Sculptures

    Materials

    Found Objects, Tape, Wood

  • Child's Play (I and II)
    By Dianne Baker
    Located in Buffalo, NY
    Each of the works is 14" x 16" x 1". They are meant to be hung together either vertically or horizontally. Diane Baker is a mixed media and fiber-related sculptor working out o...
    Category

    21st Century and Contemporary Conceptual Abstract Sculptures

    Materials

    Metal

  • Untitled (double dip)
    By Roberley Bell
    Located in Buffalo, NY
    An original conceptual blown glass wall sculpture by American artist Roberley Bell. IN CURRENT SHOW The Corridors Gallery at Hotel Henry Fall Show Untitled (double dip...
    Category

    Early 2000s Conceptual Abstract Sculptures

    Materials

    Plastic, Found Objects, Fiberboard

  • Stripes 2
    By Lyn Carter
    Located in Buffalo, NY
    An original conceptual wall sculpture by contemporary Canadian female artist Lyn Carter. Lyn Carter works primarily in sculpture as well as drawing and has exhibited across Canada...
    Category

    2010s Conceptual Abstract Sculptures

    Materials

    Fabric, Wood, Digital

  • Quartet
    By Dianne Baker
    Located in Buffalo, NY
    A conceptual four part wall sculpture by American female artist Dianne Baker. I 8"x8"x 1" wood, metal, canvass II 8" x 10"x 1" wood, metal III 15" x 8" x 2" wood...
    Category

    2010s Conceptual Abstract Sculptures

    Materials

    Metal

  • Wood equals paper
    By Dianne Baker
    Located in Buffalo, NY
    A contemporary collection of conceptual wall sculptures by Dianne Baker titled "Wood = Paper" created in 2016 with wood, metal, leather and handmade paper. Various Sizes: 16" x 1...
    Category

    2010s Conceptual Abstract Sculptures

    Materials

    Metal

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    Located in Darien, CT
    David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford. A multi-media installation artist, his work...
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    David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford. A multi-media installation artist, his work...
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  • Cabinet of Wonders, Persistence and the Fugitive
    By Greg Garvey
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    This flat file installation is a kind of Wunderkammer – a Cabinet of Wonder or Curiosity containing a small idiosyncratic collection of select wonders and oddities of the natural wor...
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  • Jo Yarrington, Ghost Girls, 2018, Organic Material, Photographic Film, Plastic
    By Jo Yarrington
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    Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
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    2010s Conceptual Abstract Sculptures

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  • Jo Yarrington, Ghost Girls_Brushes, 2017, Organic Material, Found Objects, Pins
    By Jo Yarrington
    Located in Darien, CT
    Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
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  • Jo Yarrington, Mute-Ability_Composition 5, 2019_acrylic, steel, player piano rol
    By Jo Yarrington
    Located in Darien, CT
    Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
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    2010s Conceptual Abstract Sculptures

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