Emmanuele De Ruvo

Dear Kengiro

2019

a work from the Moon jars series impressed with the list of natural satellites in a 19th century form of tactile script called Moon type

Sabino de Nichilo (1972, Molfetta (BA), Italy, lives and works in Rome) manipulates raw clay into organic, fleshy, tubular forms in which cavities breathe. The artist is interested in the constant transformation of material, and even when burnt and finished, the works are changeable, resembling various inner organs, free of bodily or cultural constrictions. Abominal, vile body parts and imperfections transform into lustrious and colorful ceramic sculptures...

Sabino de Nichilo (1972, Molfetta (BA), Italy, lives and works in Rome) manipulates raw clay into organic, fleshy, tubular forms in which cavities breathe. The artist is interested in the constant transformation of material, and even when burnt and finished, the works are changeable, resembling various inner organs, free of bodily or cultural constrictions. Abominal, vile body parts and imperfections transform into lustrious and colorful ceramic sculptures...

A poetic creation by Gregorio Botta, 4 small ceramic flowers inserted in a block of wax let water flow from them, like tears or a small stream

Bronze on marble base with gold brown patina, 1967. No 28 of 35 pieces. Numbered and signed on the edge. Dimensions: 8.98 x 8.98 in ( 22,8 x 22,8 cm ), Height: ca. 15.16 in ( 38,5 cm )

This piece is available on commission basis, please allow 8 - 12 weeks before shipping. White abstracted marble sculpture. The implied motion of 'White Water' is reinforced when the...

Artist Commentary: Rolling dice, turning luck! All 6 sides of the dice has the same probability. When the dice is cubic, the results are digital, but when the dice getting closer to the ball shape the results could be analog and infinite when it is a perfect ball. Old cobblestones were used to make the heavy dices. In 3 steps the cube became a ball, a real rolling dice. Keywords: Abstract, dice, 4 pieces, black, white Artist Biography: Born in Hungary, Andrasfalvy is 50, with swift dark eyes, a chiseled jaw, and a casually athletic frame that stretch, well over six feet. He exudes a quiet restlessness. He holds an M.D., a Ph.D., and two curricula vitae—one that lists eleven peer-reviewed publications on neuronal physiology, and another that describes dozens of sculptures, several of them commissioned and many gifts. The pivot between art and science started early. When Andrasfalvy was 10 years old, his father gave him a woodcarving set. By age 20, he had completed his first stone sculpture—and was on the path to medical school. Ever since, he’s spent weekends sculpting leftover granite or marble...

Artist Commentary: Half face with one goggling eye. The turnable eye has pupil on both side, light can go through. When the eye turned sideway, it becomes cat eye. Our eye movements are the most talkative part of our face. Keywords: Abstract, geometric, white, black, kinetic, stone Artist Biography: Born in Hungary, Andrasfalvy is 50, with swift dark eyes, a chiseled jaw, and a casually athletic frame that stretch, well over six feet. He exudes a quiet restlessness. He holds an M.D., a Ph.D., and two curricula vitae—one that lists eleven peer-reviewed publications on neuronal physiology, and another that describes dozens of sculptures, several of them commissioned and many gifts. The pivot between art and science started early. When Andrasfalvy was 10 years old, his father gave him a woodcarving set. By age 20, he had completed his first stone sculpture—and was on the path to medical school. Ever since, he’s spent weekends sculpting leftover granite or marble salvaged...