Heather Guidero

"Carved Half Circles and Triangle Earrings" ethically sourced gold, contemporary

2020

"Morning Light" is a contemporary plein air landscape painting in gouache (opaque watercolor) by Idaho artist Aaron Cordell Johnson. The painting...

"Evening at Harvey Bear Park" is a pastel painting by Torrance, CA based artist, Joe Mancuso. This painting was created during Colibri Gallery's 2nd An...

"Morgan Hill Morning" is a pastel painting by Torrance, CA based artist, Joe Mancuso. This painting was created at Harvey Bear Park in Morgan Hill, CA, known for its lush scenery and excellent hiking trails. Mancuso ventured out prior to the Plein Air Paint Out event and became inspired by the landscape of the quiet town. Framed: 13.5" x 15.5" Unframed: 8" x 10" Framing includes a black matte border with an ornate gold fillet on top of museum glass, all included in the price. About the Artist: Joe Mancuso is a plein air pastellist based in Torrance, CA. Mancuso is well known for the light in his paintings. His paintings are deeply influenced by the environment, especially seasonal changes and climactic weather. Mancuso creates his breathtaking paintings on location and though he may respond to a certain place or scene, his goal is to always make capturing the light his focal point. Joe participated in Colibri Gallery’s 2nd Annual Morgan Hill Plein Air Paint Out, where he won third place for his painting, Roses Among the Vines. In 2021, Mancuso achieved Master Circle Status with The International Association of Pastel Societies and is a Signature Member of the Pastel Society of America. Mancuso holds membership with The California Art Club, Laguna Beach Plein Air...

Celebrating the joining of shapes and patterns, artist Kerith Lisi invites the viewer to join her in viewing the grid-like nature of Terrace. Featuring perpendicular rows that descen...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

Suspended kinetic sculpture in aluminum and stainless steel by renowned American artist Tim Prentice. Site-specific commissions for indoor and outdoor kinetic...

"[Masakazu Kobayashi's] woven Waves in dyed threads rank[s] among the most perfect in aesthetic effectiveness ever produced by contemporary weaving….This Japanese way of conjuring up such transparency with threads, of perceiving the thread itself as something creative is highly artistic. They celebrate aesthetic beauty in a way no one can elude.” From “Textile Art and the Avant-garde,” Erika Billeter (Contemporary Textile Art: the Collection of the Pierre Pauli...

A multitude of polished mirrors shine as light bounces off them, reflecting the landscape and you. This is Ryan Van Der Hout’s elegant contemporary sculpture called Mirror Mirror. In...