Jesús Moroles

Concave Totem

2014

Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.

Earthenware with colored slips. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.

Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.

Stoneware with colored slips. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom by Robert Milnes Milnes served as Dean of the College of Visuals Arts and...

Artist Commentary: Half face with one goggling eye. The turnable eye has pupil on both side, light can go through. When the eye turned sideway, it becomes cat eye. Our eye movements are the most talkative part of our face. Keywords: Abstract, geometric, white, black, kinetic, stone Artist Biography: Born in Hungary, Andrasfalvy is 50, with swift dark eyes, a chiseled jaw, and a casually athletic frame that stretch, well over six feet. He exudes a quiet restlessness. He holds an M.D., a Ph.D., and two curricula vitae—one that lists eleven peer-reviewed publications on neuronal physiology, and another that describes dozens of sculptures, several of them commissioned and many gifts. The pivot between art and science started early. When Andrasfalvy was 10 years old, his father gave him a woodcarving set. By age 20, he had completed his first stone sculpture—and was on the path to medical school. Ever since, he’s spent weekends sculpting leftover granite or marble salvaged...

Artist Commentary: Rolling dice, turning luck! All 6 sides of the dice has the same probability. When the dice is cubic, the results are digital, but when the dice getting closer to the ball shape the results could be analog and infinite when it is a perfect ball. Old cobblestones were used to make the heavy dices. In 3 steps the cube became a ball, a real rolling dice. Keywords: Abstract, dice, 4 pieces, black, white Artist Biography: Born in Hungary, Andrasfalvy is 50, with swift dark eyes, a chiseled jaw, and a casually athletic frame that stretch, well over six feet. He exudes a quiet restlessness. He holds an M.D., a Ph.D., and two curricula vitae—one that lists eleven peer-reviewed publications on neuronal physiology, and another that describes dozens of sculptures, several of them commissioned and many gifts. The pivot between art and science started early. When Andrasfalvy was 10 years old, his father gave him a woodcarving set. By age 20, he had completed his first stone sculpture—and was on the path to medical school. Ever since, he’s spent weekends sculpting leftover granite or marble...

The sculpture “Metamorphosis” embodies the idea of ​​change, transformation and movement of life. Its smooth, elegant lines create a sense of dynamics, and the combination of a mirro...

The shape of the sculpture is a complex intertwining of smooth, curved metal lines, resembling an abstract symbol of infinity. The mirror-like surface of the bronze reflects light, c...