
Abstract Painted Ceramic Tile Pop Art Painting Italian Neo Figurative Painting
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Italo ScangaAbstract Painted Ceramic Tile Pop Art Painting Italian Neo Figurative Paintingc.1980s
c.1980s
About the Item
- Creator:Italo Scanga (1932, American, Italian)
- Creation Year:c.1980s
- Dimensions:Height: 8 in (20.32 cm)Width: 8 in (20.32 cm)Depth: 14 in (35.56 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:good. minor wear. please see photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU3826496032
Italo Scanga
Italo Scanga was born in the Calabria region of Italy, and at 14 immigrated to the United States with his family after World War II. Living in Detroit, he worked on the General Motors assembly line and served in the United States Army before attending Michigan State University, where he received a bachelor's degree in 1960 and a master's degree in sculpture a year later. Scanga worked in an amazing range of media from printmaking to ceramics, from found-object sculptures to works made of glass, cultivating a style that blended Cubist and folk influences. His penchant for transforming found objects into art translates into his printmaking style, where a recognizable collage-like composition is often evident. Scanga was the recipient of numerous grants including two National Endowment for the Arts Grants (1989, 1980), a Copley Foundation Grant (1972) and a Howard Foundation Grant (1970), among others. He has had one-person shows at the Whitney Museum of American Art, the Los Angeles County Museum of Art, the Museum of Fine Art, Boston, and the Museo Rufino Tamayo in Mexico City and elsewhere. His work is in the collection of many museums, including the Metropolitan Museum of Art, the Museum of Modern Art in New York, the Art Institute of Chicago, the Detroit Institute of Art, the Philadelphia Museum of Art, the Yale University Gallery of Art, the San Diego Museum of Art, the Hirshhorn Museum, the Fogg Museum at Harvard University, the Guggenheim Museum, and the Walker Art Center in Minneapolis, among others.
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View AllAbstract Painted Ceramic Tile Pop Art Painting Italian Neo Figurative Painting
By Italo Scanga
Located in Surfside, FL
This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era.
This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux.
Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints.
Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art.
Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints.
He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend.
Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life.
Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career.
1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship.
1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer.
1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson...
Category
1980s Neo-Expressionist Abstract Sculptures
Materials
Enamel
Abstract Painted Ceramic Tile Pop Art Painting Italian Neo Figurative Painting
By Italo Scanga
Located in Surfside, FL
This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era.
This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux.
Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints.
Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art.
Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints.
He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend.
Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life.
Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career.
1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship.
1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer.
1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson...
Category
1980s Neo-Expressionist Abstract Sculptures
Materials
Enamel
Alkyd Enamel Oil Painting Half A Thought Cut Panel Wall Hanging Modern Sculpture
By Peter Wegner
Located in Surfside, FL
Oil-based alkyd enamel on plywood panel with cuts. this is a cut plywood wall relief sculpture with paint on it. This has an architectural quality to it.
Peter Wegner (born 1963) i...
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21st Century and Contemporary Conceptual Abstract Paintings
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1970's Enamel Metal Vasarely Silkscreen Screenprint Axo Kinetic Op Art Sculpture
By Victor Vasarely
Located in Surfside, FL
Victor Vasarely (1908-1997)
Axo
This piece is hand signed and numbered
circa 1972-1977
I have seen it described as enamel on steel and enamel on aluminium. it is a serigraph on meta...
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1970s Op Art Abstract Paintings
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Israeli Contemporary Abstract Geometric Painted Pierced Sculpture Zigi Ben Haim
By Zigi Ben-Haim
Located in Surfside, FL
Zigi Ben-Haim,
Metal sculpture
Hand signed and dated Zigi Ben-Haim, 1998
Untitled, patinated aluminum or steel,
Dimensions: 6"h x 2"w x 2"d
This listing is for 1. I have 2 similar ones available.
Zigi Ben-Haim (born 1945 in Baghdad, Iraq) is an Iraqi-American-Israeli painter, collage artist and sculptor who lives and works in New York City and Israel.
Ben-Haim unveiled his sculpture, Treasure the Green, in SoHo on Broadway. The project was sponsored by the SoHo Broadway Initiative and the New York Department of Transportation's Art Program. The sculpture is considered to be the first sculpture to receive permission to be installed on a bus bulb on Broadway. The sculpture was made to "emphasize the importance of nature in our lives," and stands as a reminder of "the importance of reconnecting with the pure nature of the green." The sculpture uses the symbol of the leaf, which has been a major icon of Ben-Haim's work for the past 30 years. It symbolizes nature and it is a metaphoric way of emphasizing nature and the surrounding environment. He is of the first generation of Israeli artists to develop large international followings like Yaacov Agam, Menashe Kadishman and Avigdor Arikha.
Ben-Haim has received numerous grants and awards, including from Pollock-Krasner Foundation, National Endowments for the Arts, New York State Council on the Arts, The German Academic Exchange Service (DAAD), Emily Harvey Foundation Venice, Muestra Int. de Obra Grafica (Spain), and the Ministry of Culture in Israel. His works are included and exhibited in numerous public and private collections around the world, including the Guggenheim Museum in N.Y.C., the Jewish Museum, the Brooklyn Museum, the Israel Museum, and the Tel-Aviv Museum.
Education
1972-74 M.F.A., San Francisco State University, San Francisco, California, USA.
1972-73 M.A., J.F.K. University, Orinda, California, USA.
1971 California College of Arts & Crafts, Oakland, California, USA.
1966-70 The Avni Institute of Fine Arts, Tel Aviv, Israel.
Selected public collections
Splendid Step (2003) next to the Tel Aviv Museum of Art
Museum of Contemporary Art, Athens, Greece
Columbia Museum of Art, Columbia, SC
Israel Air Force Center Foundation, Tel Aviv, Israel
NASA, Houston, Texas
Bank Leumi USA, Fifth Avenue, New York, NY
Pfizer Company Collection, New York, NY
Reading Public Museum, Reading, PA
Guggenheim Museum, New York, NY
Haifa Museum, Haifa, Israel
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
New School, New York, NY
University of Maryland, College Park, Maryland.
Israel Museum, Jerusalem, Israel.
Brooklyn Museum, Brooklyn, NY
Malmö Museum, Malmö, Sweden.
Jewish Museum, New York, NY
Tel Aviv Museum of Art, Tel Aviv, Israel.
Museum of Fine Arts, Ghent, Ghent, Belgium.
National Gallery of Art, Washington D.C.
Fine Arts Museum of Long Island, Hempstead, NY
Buscaglia-Castellano, University Museum, Lewiston, NY
Dan Eilat Hotel, Israel.
International Paper Company, New York, NY
World Bank, Washington D.C.
Westminster Bank, New York, NY
Israel Embassy, Washington D.C.
Frederick R. Weisman, Los Angeles, CA.
Rikers Hill Sculpture Park, Livingston, NJ
Heckscher Museum of Art, Huntington, NY
Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
Group Exhibitions
Bertha Urdang Gallery, NY, USA
Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal...
Category
1980s Abstract Geometric Abstract Paintings
Materials
Metal
Israeli Contemporary Abstract Geometric Painted Pierced Sculpture Zigi Ben Haim
By Zigi Ben-Haim
Located in Surfside, FL
Zigi Ben-Haim,
Metal sculpture
Hand signed and dated Zigi Ben-Haim, 1998
Untitled, patinated aluminum or steel,
Dimensions: 6"h x 2"w x 2"d
This listing is for 1. I have 2 similar ones available.
Zigi Ben-Haim (born 1945 in Baghdad, Iraq) is an Iraqi-American-Israeli painter, collage artist and sculptor who lives and works in New York City and Israel.
Ben-Haim unveiled his sculpture, Treasure the Green, in SoHo on Broadway. The project was sponsored by the SoHo Broadway Initiative and the New York Department of Transportation's Art Program. The sculpture is considered to be the first sculpture to receive permission to be installed on a bus bulb on Broadway. The sculpture was made to "emphasize the importance of nature in our lives," and stands as a reminder of "the importance of reconnecting with the pure nature of the green." The sculpture uses the symbol of the leaf, which has been a major icon of Ben-Haim's work for the past 30 years. It symbolizes nature and it is a metaphoric way of emphasizing nature and the surrounding environment. He is of the first generation of Israeli artists to develop large international followings like Yaacov Agam, Menashe Kadishman and Avigdor Arikha.
Ben-Haim has received numerous grants and awards, including from Pollock-Krasner Foundation, National Endowments for the Arts, New York State Council on the Arts, The German Academic Exchange Service (DAAD), Emily Harvey Foundation Venice, Muestra Int. de Obra Grafica (Spain), and the Ministry of Culture in Israel. His works are included and exhibited in numerous public and private collections around the world, including the Guggenheim Museum in N.Y.C., the Jewish Museum, the Brooklyn Museum, the Israel Museum, and the Tel-Aviv Museum.
Education
1972-74 M.F.A., San Francisco State University, San Francisco, California, USA.
1972-73 M.A., J.F.K. University, Orinda, California, USA.
1971 California College of Arts & Crafts, Oakland, California, USA.
1966-70 The Avni Institute of Fine Arts, Tel Aviv, Israel.
Selected public collections
Splendid Step (2003) next to the Tel Aviv Museum of Art
Museum of Contemporary Art, Athens, Greece
Columbia Museum of Art, Columbia, SC
Israel Air Force Center Foundation, Tel Aviv, Israel
NASA, Houston, Texas
Bank Leumi USA, Fifth Avenue, New York, NY
Pfizer Company Collection, New York, NY
Reading Public Museum, Reading, PA
Guggenheim Museum, New York, NY
Haifa Museum, Haifa, Israel
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
New School, New York, NY
University of Maryland, College Park, Maryland.
Israel Museum, Jerusalem, Israel.
Brooklyn Museum, Brooklyn, NY
Malmö Museum, Malmö, Sweden.
Jewish Museum, New York, NY
Tel Aviv Museum of Art, Tel Aviv, Israel.
Museum of Fine Arts, Ghent, Ghent, Belgium.
National Gallery of Art, Washington D.C.
Fine Arts Museum of Long Island, Hempstead, NY
Buscaglia-Castellano, University Museum, Lewiston, NY
Dan Eilat Hotel, Israel.
International Paper Company, New York, NY
World Bank, Washington D.C.
Westminster Bank, New York, NY
Israel Embassy, Washington D.C.
Frederick R. Weisman, Los Angeles, CA.
Rikers Hill Sculpture Park, Livingston, NJ
Heckscher Museum of Art, Huntington, NY
Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
Group Exhibitions
Bertha Urdang Gallery, NY, USA
Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal...
Category
1980s Abstract Geometric Abstract Paintings
Materials
Metal
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