James Higginson

Barberalla

2024

Mr. Brainwash, Life Is Beautiful III (Pink), 2022 Enameled steel 6 7/10 × 10 3/5 × 2 2/5 in 17 × 27 × 6 cm (6 7/10 × 10 3/5 × 2 2/5 in ) Edition of 50 A provocative figure in s...

Thierry Noir, Trabant Model Cars (Black), 2022 A set of 12 enamelled metal and plastic multiples 6 × 13 × 5 cm (2 2/5 × 5 1/10 × 2 in ) (Each) In 1984, Thierry Noir cemented his r...

Richard Berner, M0000N (Signed) Giclee print on 330gsm Somerset Paper. Handfinished with 24c gold leaf detailing 50 x 50 cm (19.69 x 19.69 in) Signed by the artist Edition of 25

Richard Berner, The Stolen Kiss Giclee print on 330g Somerset paper with hand torn edges. Hand Finished with 24c Gold Leaf detail 80 x 60 cm (31.5 x 23.62 in) Signed by the artist...

A life size, powder coated mild steel sculpture, edition 1/7. Available in different colours on request.

Orange Tipping Tulips free standing sculpture in a limited edition of three. enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty...

This contemporary red glass and steel outdoor sculpture is by Canadian artist Cheryl Wilson Smith. Cheryl Wilson-Smith takes daily one-hour walks in the ancient boreal forests that ...

Sherry Owens Reawakening the Spirit, 2019 Crepe myrtle, steel, milk paint, dye, oil, wax 108 1/2 x 36 x 31 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...