Janklo

Dior Rose Irrisé

2020

Les globes sont façonnés à partir d'un amalgame, combiné à d'anciennes racines de teck recyclées ou le bois de tamariniers et de résines. Pour ses globes noirs, il utilise aussi les ...

Off the beaten track and from all conveniences, Hervé Dubrulle works in an imaginary world, draws, calculates, traces, cuts, welds, animates, with only a few shears, irons, brass, br...

Les globes Bruno Helgen illustrent de façon poétique la danse des diverses représentations cartographiques des continents, des États-nations, des océans et des mers qui les séparent,...

Marcus Egli does not call himself a sculptor, but a metalworker. His encounter with aluminum occurred in the 1980s, when he and his wife bought a small business manufacturing hardwar...

Les globes sont façonnés à partir d'un amalgame, combiné à d’anciennes racines de teck recyclées ou le bois de tamariniers et de résines. Pour ses globes noirs, il utilise aussi les ...

Beyond the NY bay (technique mixte, 80x80cm) est une pièce unique de l'artiste Nathan Neven. Né en 1979. Vit et travaille en Irlande. Originaire de Thaïlande, Nathan Neven a grandi ...

Krištof Kintera Relicts for Holy Monday, 2022 signed & dated Silver plate coated epoxy Circa 41 x 8 cm Circa 16 1/8 x 3 1/8 in This is a unique piece

Planeta XVI is a unique small size round contemporary mixed media wall sculpture relief by renowned Polish-Dutch artist Eliza Kopec. This relief is part of a body of work that contin...

Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...

Walter Robinson, Boxcross / Jughead Halibut mdf, epoxy, metalflake wall scuplture 48 x 48 x 1.5" 2011

Urethane Crystal Resin with epoxy. Last available from edition of 8.

Modern-day 3-dimensional facsimile of the 1-dimensional mathematical axis spiral found in the ancient manuscript titled the "Archimedes Palimpsest." Sculpture conveys a double entendre with its proprietary version of the universe spiraling through space, evoking Archimedes’ effort to calculate the volume of the universe. The universe is depicted via the vortex spiral and globe as supercooled and superheated, a polar opposite electrical balance of nature. An armillary sphere conveys Archimedes' math treatises on the circle, sphere and cylinder. Included are one vintage pulley and corkscrew (representing the water screw), both honoring Archimedes inventions, and one valve handle. SPECS: Spot-welded seven-foot long vintage iron chain, vintage armillary sphere...