Jay Kvapil

Tall Vessel, Blue Crater glazes

2017

This is double-wall carved ceramic urn. All parts of it were thrown on a pottery wheel, then attached together and hand carved, glazed and fired. Irina Deshchenko-Lakshin was bor...

Mary Caroline Richards Tea Cup, circa 1970s Glazed earthenware 2 1/2 x 2 1/2 inches Provenance Estate of Carolyn Brown, New York 2025. Mary Caroline (M. C.) Richards (1916 – 1999)...

Judy Engel Cross Reference 2019 Glazed Ceramic Greatly influenced by the modernism of the middle of the 20th century, Judy's first introduction to this style was the Empire Stat...

Stunning original mirror made by the artist, with 144 uniquely handmade terracotta tiles. Signed by the artist in one of the tiles. This large, striking mirror has a great Brutalist and Modernist feel. Another slightly smaller mirror of the same style is available on our page. Year: unknown (Ron was active from the mid 1960s to the early 2000s) Colour: Tuscan red...

Ceramic sculpture called 'Fragile'.

This is a large ceramic box, made with white stoneware clay. The box and lid have double walls. Inside is solid and can be used for storage of jewelry or anything. External walls wer...

These two sculptures were hand build with clay, carved, glazed and fired twice. The base is also made with clay and attached. Dimensions 9 W x 14 H x 5 D Irina Deshchenko-Lakshin ...

“Contemplation” is an abstract clay sculpture of a female. The figure has both arms and legs extended, but the dignified pose suggests an intimate rather than a sexual moment. The sculpture is delicately rendered, but monumental in pose and clean composition reminiscent of the English artist Henry Moore. The surface is warm and slightly rough to the touch. This sculpture is in the round and beautifully balanced geometrically with the hands clasped behind the head forming a slightly flattened polygon shape that is echoed in the positioning of the legs and draped fabric of a presumed dress. The figure draws the viewer into her contemplation, peace and confidence. An exceptional piece by Midener. Walter Midener...

"Scalloped Basket" is a stoneware piece with the decorative layer of the rich toned glazes and markings that John was so well-known for. He was, also, known for the undulating lip lines on his exquisite pieces. The basket portion is shaped with gentle curves and a sculptural handle. Each piece that John produced was unique. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This particular "basket" also has the cool blues and grays that contrast with the umber. It is signed and stamped on the bottom. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

This magnificent "Scalloped Box" is a stoneware piece with decorative layers of rich toned glazes and markings that John was so well-known for. He was, also, known for the undulating lip lines on his exquisite boxes that fit together like a puzzle. Each piece that John produced was unique. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes thereby changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed and stamped on the bottom. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...