Johnathan Ball

Amethyster

17”h 15”w 14”d Original Sculpture - Epoxy Clay, Gold Leaf, Amethyst Crystals and Crystals Hand Signed by Johnathan Ball

15”h 7”w 8”d Original Sculpture - Epoxy Clay, Ipkiss Quartz Crystal and Gold Leaf Hand Signed by Johnathan Ball

18”h 13”w 9”d Original Sculpture - Epoxy Clay and Amethyst Hand Signed by Johnathan Ball

approx. 16-18”h x 12”w x 6”d Original Sculpture - Epoxy, coral, quartz crystals, and acrylic paint. Mounted on black marble base. Hand Signed by Johnathan Ball In Hinduism, the sku...

This exquisite sculpture by artist Mahesh Sharma. Crafted from aluminium casting and hand-painted with acrylic colors, it measures 15x25x45 cm (h). The meticulous hand-painting add...

Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...

Markus Linnenbrink is a German painter best known for his room-sized painted installations and works on canvas. Working within the genre of American Color Field painters, such as Gen...

Metallic enamel, acrylic, texture and Epoxy resin on solid poplar Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid...