Items Similar to Julius Schmidt "Geometrics" Iron Casting Abstract Sculpture Signed
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Julius SchmidtJulius Schmidt "Geometrics" Iron Casting Abstract Sculpture Signed1966
1966
$9,600
£7,474.24
€8,500.37
CA$13,812.11
A$15,171.99
CHF 7,928.97
MX$180,938.53
NOK 100,402.27
SEK 93,533.18
DKK 63,518.75
About the Item
Schmidt mainly worked in cast iron and bronze. This work reflects the influences of ancient cultures, natural forms, and the machinery of the modern age. Synthesizing these elements, his sculptures were an exploration of the dichotomy between the natural and the mechanical. It was both an ancient and futuristic vision, as well as a representation of man’s place within a technological world.
Julius Schmidt is an American sculptor who earned his B.F.A. from Cranbrook Academy of Art in 1953 and for the next two years studied sculpture under Ossip Zadkine in Paris and at the Accademia di Belle Arti in Florence, Italy. He returned to Cranbrook in Bloomfield Hills, Michigan, in 1955 for his M.F.A. in sculpture. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (bronze sculptures), Herb Babcock (blown glass) and Larry Butcher (mixed media – abstract.)
Schmidt served as Chairman of the Sculpture Department at the Kansas City Art Institute from 1955-1959. He also taught at Rhode Island School of Design, University of CA at Berkeley and in 1962 was invited to head the Sculpture Department of Cranbrook Academy of Art. In 1970, he accepted a position as head of the graduate sculpture department at the University of Iowa, where he remained until his retirement in 1993.
Schmidt mainly worked in cast iron and bronze. His work reflected influences of ancient cultures, natural forms, and the machinery of the modern age. Synthesizing these elements, his sculptures were an exploration of the dichotomy between the natural and the mechanical. It was both an ancient and futuristic vision, as well as a representation of man’s place within a technological world.
Schmidt first introduced iron casting into the academic environment in the early 1960s when he was teaching at Cranbrook Academy of Art. Prior to the 1960s, most artists had to rely on commercial foundries to cast their sculpture. According to Schmidt, “entrusting the casting to foundry men, the sculptor never learned all he should about materials and processes and thus the range of his imagination and achievement was inhibited.” Through Schmidt’s drive for innovative techniques, such as adapting from industry the core sand process of mold making, combined with his intense dedication to research and his knowledge about materials and processes, he succeeded in putting the cast metal process directly into the hands of the sculptor.
His contributions to the art world and to the countless students he mentored garnered him the unofficial title, “grandfather of cast iron sculpture.” In 1998, Schmidt received the Outstanding Educator Award from the International Sculpture Center. Julius received numerous awards and honors, including being one of the artists represented in the 1959 exhibition, Sixteen Americans, Museum of Modern Art and receiving a Guggenheim Fellowship in 1964. He gained international recognition in 1963 with inclusion in the VII Bienal in Sao Paulo, Brazil and in Sculpture in the Open Air in London. He was also invited to the White House Festival of Arts in 1965. His work appears in over 30 museums world-wide and in dozens of public and private collections, including the Art Institute of Chicago, Museum of Modern Art, Walker Art Center, Whitney Museum of American Art, Nelson-Atkins Museum, the Hirshhorn Museum and Sculpture Garden, Chase-Manhatten Bank, and the Nelson Rockefeller Collection.
Affixed label on bottom is from Gertrude Kasle gallery.
- Creator:Julius Schmidt (1923, American)
- Creation Year:1966
- Dimensions:Height: 14.5 in (36.83 cm)Width: 4.5 in (11.43 cm)Depth: 4.5 in (11.43 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Detroit, MI
- Reference Number:1stDibs: LU128616004842
About the Seller
5.0
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 2014
1stDibs seller since 2019
110 sales on 1stDibs
Typical response time: 17 hours
- ShippingRetrieving quote...Shipping from: Detroit, MI
- Return Policy
More From This Seller
View AllJulius Schmidt Sculpture Cast Iron Bronze Geometric
Located in Detroit, MI
SALE ONE WEEK ONLY
Schmidt mainly worked in cast iron and bronze. This work reflects the influences of ancient cultures, natural forms, and the machinery of the modern age. Synthesi...
Category
Late 20th Century Abstract Geometric Abstract Sculptures
Materials
Bronze, Iron
Eugene Caples "Bronze Sculpture II" Abstract Bronze Sculpture
By Eugene Caples
Located in Detroit, MI
This small exquisite "Bronze Sculpture II" is in excellent condition and a perfect example of Eugene Caples craftsmanship. This is mainly abstract with some graphic or architectural elements and is so delightful that mythical creatures demand to be considered. It cries out to be touched and held, looked at and caressed. The beautiful patina on the surface gives voice to the many hands that have done these things.
Eugene Caples is a designer and craftsman who worked in Kansas City in the 1960s and later through the early 21st century. He attended the Kansas City Art Institute, earning his Bachelors of Fine Arts in Industrial Design in 1959. In 1963 he was accepted to Cranbrook Academy of Art, Bloomfield Hills, Michigan. The Cranbrook Academy of Art was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists are alumni of Cranbrook and include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald...
Category
Late 20th Century American Modern Abstract Sculptures
Materials
Bronze
Morris Brose "Roma II" Abstract Bronze Wall Sculptural
Located in Detroit, MI
"Roma II" is an exquisite example of Morris Brose's abstract sculpture that invites numerous imaginative suggestions from architecture to weaponry and armor. No soft edges on this piece and no invitation to caress, the power, strength and beauty of the bronze are front and center and create awe.
Morris Brose, Polish/American was born in Wyszkow, Poland. He became a sculptor and instructor of sculpture at the Detroit Institute of Arts, Wayne State University and Cranbrook Academy of Art, Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski...
Category
Late 20th Century Abstract Abstract Sculptures
Materials
Bronze
Eugene Caples "Bronze Sculpture I" Abstract Bronze Sculpture
By Eugene Caples
Located in Detroit, MI
This small exquisite "Bronze Sculpture I" is in excellent condition and a perfect example of Eugene Caples craftsmanship. Although it is mainly abstract, there are bits that look figurative either an arm or a leg attempting to emerge from a fold or attempting to hold a pose such as in yoga. It cries out to be touched and held, looked at and caressed. The beautiful patina on the surface gives voice to the many hands that have done these things.
Eugene Caples is a designer and craftsman who worked in Kansas City in the 1960s and later through the early 21st century. He attended the Kansas City Art Institute, earning his Bachelors of Fine Arts in Industrial Design in 1959. In 1963 he was accepted to Cranbrook Academy of Art, Bloomfield Hills, Michigan. The Cranbrook Academy of Art was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists are alumni of Cranbrook and include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), and Paul Evans (Created Brutalist-inspired sculpted metal furnishings.)
Gene worked...
Category
Late 20th Century American Modern Abstract Sculptures
Materials
Bronze
Morris Brose "Bronze Bull" Figurative Sculptural Abstract
Located in Detroit, MI
"Bronze Bull" is an exquisite example of Morris Brose's abstract/figurative sculpture. No soft edges on this piece and no invitation to caress, the power, strength and beauty of the bronze are front and center and create awe. "Bronze Bull" is a free-standing piece signed on the base.
Morris Brose, Polish/American was born in Wyszkow, Poland. He became a sculptor and instructor of sculpture at the Detroit Institute of Arts, Wayne State University and Cranbrook Academy of Art, Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski...
Category
Late 20th Century Modern Abstract Sculptures
Materials
Bronze
"Draped Figure" Sassafras & Bronze, Figurative Sculpture, 1982
Located in Detroit, MI
"Draped Figure" is a beautiful example of Tazian's ability to meld the smooth texture of wood and the hard texture of bronze into an exquisite object to view, hold or caress. The piece balances perfectly on its stone base and can be easily turned to enjoy from all angles.
Like architects Eliel Saarinan and Albert Kahn and sculptor Corrado Parducci, Tazian is an immigrant creative who has found a home in the city, nurtured by its energy and sheltered by its community.
He developed an early ambition to become an artist, even though he had very little exposure to the arts. ““The only person [who encouraged me] was my 5th grade English teacher, Olivia Balian,” he says. “She really opened the doors of art for me. She said, ‘Those students who are interested in art can stay behind after school and I will show you how to paint and draw.’ Somehow [that] changed my life– she gave me that spark.”
Tazian came to the U.S. to study at St. Francis College in Fort Wayne, Indiana. He earned a bachelor’s degree in art and a Master’s in Art Education, and then earned and MFA in sculpture from Wayne State University in Detroit.
Kegham Tazian is an award-winning sculptor and painter. The Armenian-born artist has gained notoriety for the diversity of his work and the variety of media exemplified in his pieces. A blend of modernism, realism and abstraction are commonly depicted in his paintings and sculptures.
His artwork has been represented in more than 40 solo exhibitions and more than 75 group exhibitions throughout the United States, Canada, Europe, and the Middle East. His work adorns the entrances and halls of major corporations, universities and municipalities, including Siemens Corporation, Huntington Bank, Wayne State University and the city halls of Farmington and Farmington Hills...
Category
21st Century and Contemporary Modern Abstract Sculptures
Materials
Stone, Bronze
You May Also Like
Noteworthy - Original Contemporary Expressive Geometric Abstract Metal Sculpture
By Granville Beals
Located in Los Angeles, CA
Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...
Category
21st Century and Contemporary Abstract Abstract Sculptures
Materials
Metal, Steel
Scandinavian Abstract Modernism Iron Sculpture by Erik Aalykke, Denmark, 1960s
Located in Odense, DK
Unique sculpture handmade by Danish artist Erik Aalykke in his own studio in the 1960s. The piece is made from acid treated iron with a beautiful patina.
Erik Aalykke (1923-83) used...
Category
Vintage 1960s Danish Scandinavian Modern Abstract Sculptures
Materials
Iron
Abstract Bronze Sculpture by Joaquín Rubio Camín, 1976
By Joaquin Rubio Camín
Located in Benalmadena, ES
Bronze sculpture by the Spanish artist Joaquín Rubio Camín (1929-2007). This piece reflects his focus on geometric abstraction, a style he fully adopted after dedicating himself to s...
Category
Vintage 1970s Spanish Abstract Sculptures
Materials
Marble, Bronze
Steffen Lüttge Bronze Abstract Sculpture, 1980s, Denmark
Located in Raleigh, NC
A striking abstract form, cast bronze sculpture by Danish artist Steffen Lüttge. With brutalist and organic aspects this vintage sculpture is a true or...
Category
Vintage 1980s Abstract Sculptures
Materials
Bronze
Bill Barrett Untitled Modern Brutalist Welded Steel Sculpture 1970s
By Bill Barrett
Located in Keego Harbor, MI
A modern brutalist welded steel sculpture by Bill Barret. Circa 1970s. Barrett began welding while a student at the University of Michigan. His early works consisted of steel rods, a...
Category
Vintage 1970s American Brutalist Abstract Sculptures
Materials
Steel
Brutalist Iron Abstract Sculpture by Frank Cota
Located in San Diego, CA
Very unique Brutalist iron / metal sculpture by American artist, Frank Cota, circa 1970s. Free-form piece with various hexagon, square and triangle pieces; signed by Coat on the bas...
Category
Mid-20th Century American Mid-Century Modern Abstract Sculptures
Materials
Iron
