Kayla Rumpp

BASSLET - Contemporary Wood Wall Hanging Sculpture, Yellow, Magenta

2021

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

In MULTICOLOR CIRCLE QUILT V, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Shaping acrylic paint and glitter th...

Christine Romanell’s bold geometric wall sculpture bursts with vibrant color and dynamic movement, showcasing her signature use of sacred geometry. This three-dimensional constructio...

"Clue #2" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped on torched and plain reclaimed canvas ...