Lisa Meek

Feast and Famine

2023

This ready to hang piece is constructed out of paper that was torn from book pages and sculpted into colorful flowers. Lisa Meek’s sculptures, collectively titled Biblio Botany, pos...

Lisa Meek transforms books by cutting their bindings, painting the pages and folding them to create floral blossoms rooted in the words of the authors. Each page has been lightly tin...

This sculpture is made from the paper ripped from book pages, as well as some booked that stack at the bottom of the tall structure. Lisa Meek’s sculptures, collectively titled Bib...

Lisa Meek transforms books by cutting their bindings, painting the pages and folding them to create floral blossoms rooted in the words of the authors. Each page has been lightly tinted adding a dimension of color to the work without obscuring the words on the page Lisa Meek’s sculptures, collectively titled Biblio Botany, possess a duality that is reflective of the artist herself and her eclectic range of interests. As a practicing medical professional with an inherent artistic drive, Lisa Meek has made impactful contributions to those she interacts with in both office and gallery spaces. The polarity of these worlds conglomerate beautifully, manifesting through her notable success in both fields. Lisa’s pursuit of a cosmetological career has always been paralleled with a desire to create, to utilize her artistic prowess in order to share her perspective and initiate important conversations. This desire has been integral to her experience since early adolescence, when she began acting upon her creative drive by depicting nature scenes.  The process in which Lisa assembles her sculptures is quite complex. In order to achieve depth and nuance, Lisa employs considerable intention throughout the planning process. With great admiration and ponder, Lisa cuts pages out of various literary works which highlight topics she wishes to discuss, human rights often being central. Attention to detail is vital; certain books possess qualities unsuitable for paint and shape manipulation. Every aspect of her work is deliberate; the symbolism associated with color and flower species, the pairing of literature, the minute details of shape and object placement. This layered production process exemplifies Lisa’s contemplative nature.  Prior to 2018, the majority of Lisa’s work was created on traditional canvas. Spurring from her exposure to contemporary mediums, she was able to redefine her creative denotations and expand her personal definition of art. The surface work of Liza Lou...

Robert Kvenild took his BA from the UC Santa Cruz and went on to SF State University for his MA. His whimsical, colorful ceramic pieces have been in many solo and group shows through...

Christine Graf is inspired by nature and biomorphic forms in the creation of her assemblages, approaching her work with a deep reverence for the abundance of plant and sea life and t...

While her work ranges in scale from dainty diminutive pedestal objects to large sprawling installations, there is a common thread that runs through these seemingly disparate bodies o...

Recycled textiles, thread, batting, glazed ceramic, metal table, spray paint 34 x 22 x 18 inches Artist Statement I hand-sew compound sculptural forms that are constructed from clot...